Season 2: A good, 2 1/2 hr. movie ...
— stretched out to 10 hours.
But maybe that’s a built-in problem with serialized storytelling: You’ve got to make the same points over and over and over again, because you have so much goddamn time to fill.
And you need to have episode-long digressions that are completely separated from the main story too — like the kidnapping of Laura Linney’s character, and her being held hostage by an unhinged religious maniac.
So there’s a lot of padding in OZARK, and a lot of treading water. Because longform TV is all about the s-t-r-e-e-e-e-t-c-h... it’s all about marking time until the final episode.