It's an intriguing concept and is appropriately captivating. It's resolution was disappointing to many, but that disappointment was quite possibly provoked to cause a sense of disillusionment, a recurring theme in the story's narrative about Stockholm Syndrome, as demonstrated in the emptiness of each OA's and Steve's manic behavior when faced with the loss of their captors. (Maybe some don't see OA as a captor, but I think this was reinforced in her storytelling being presented to the five people as something of a "captive audience.")
My overall opinion is it is one of several recent shows to embark on a new type of TV storytelling that favors connecting emotionally with its audience over connecting intellectually. I don't think "The OA" achieves this as well as HBO's "The Leftovers," but then again neither show is completed yet, so we'll see how the two play out. By this same token, it isn't necessary to compare the two. Each is its own show, and each stands on its own merits.
Maybe "The OA" is intriguing enough to warrant people withholding judgment as it is an avant garde work.
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