Obnoxious, no. A bit full of herself, maybe only in her visit to the studio cafe, which gave her the secret pleasure of literally acting out a dream come true. She was full of her dream self's image, you could say.
That scene with the admiring barrista replays her past dream about the future, the joy in the achievement of this value, the "what-could-and-did-happen." It's then followed by her (shared) dream about the past, the regret in the other value's not being achieved, the "what-could-have been-but-didn't."
Otherwise to me she seemed self-assured and grounded in her world until ambushed by running into Seb at the piano.
"You must not judge what I know by what I find words for." - Marilynne Robinson
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