MovieChat Forums > Elle (2016) Discussion > Michèle is not much better than her fath...

Michèle is not much better than her father or her attacker.


I'm not trying to imply that she deserved anything that happened to her. Michèle is clearly someone who has been through some horrible situations even before she is attacked, but I still found her to be a rather nasty individual.

Her treatment of her mother, friends, and even her son is beyond disgusting. The fact that she runs a game company which makes its money from violent, misogynistic content doesn't necessarily point to her really being interested in protecting women like she claims later in the film. The sick game she plays with her attacker while pointing to her damaged views on sexuality reveal her to actually be quite cruel, like her mother claimed. Even Michèle taking pride by indirectly killing her father is quite disturbing.

I actually found most of the characters in the film to be awful. The majority of the men are violent, misogynistic, or some combination of the two. Even the women reveal themselves to be awful. The mother pushes her daughter to see her monstrous father, the friend along with Michèle who runs the game company doesn't bat an eye at Michèle revealing that she cheated with the friend's husband, Patrick's partner revealed she knew about who he was and basically thanked Michèle for bringing him some "happiness," and the son's girlfriend is a cheating psycho. Interestingly, the only character that isn't portrayed as a total *beep* is the son, though Michèle setting him up to murder Patrick ironically will have an impact on her son similar to her father involving her in his killing spree.

I do want to say that I loved the film. It's funny and undeniably thought-provoking.

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Good analysis. And it's a great movie exactly for the reasons you described.

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Is she a little like Erika Kohut in Michael Haneke's "The Piano Teacher" (2001) also starring Isabelle Huppert?

Cause in that film, she was also in many ways unlikable and did some cruel things to people, but she was also a victim, particularly at the hands of her dominating mother and then later, and it was considered rape as well, at Mr Walter Klemmer himself.

Even though OF COURSE it does NOT justify what Klemmer did to her at all.

I haven't seen this movie yet but I will someday.

P.S. With its rape and revenge film, how does this film differ from any contemporary standard examples such as the remake of and the sequels to "I Spit on Your Grave".

The greatest trick the Devil has ever pulled was convincing the world he didn't exist!

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***SPOILERS***
The two films "Elle" and "The Piano Teacher" both cover similar ground, and there is some overlap with Michèle and Erika in their personalities. I did find Erika to be far more sympathetic. Her suffering wasn't something she could truly express or vocalize except in her craft, she often found herself getting into even messier situations because of her approach to sex. I don't really think Erika knew how to express love without unneeded suffering or sexuality without extreme pain. Erika was quite cruel at times (pocketful of glass, anyone?), but she seemed so emotionally unstable that I understand why she often reacted to certain things with extreme behavior. I found Michèle to be rather calm and calculating in most situations. She was clearly suffering with what happened in her childhood and the rape was obviously traumatic but she knew all of this and even seemed to indulge in it at times. Erika never really seemed aware or fully in control of her emotions. Think of two big movements in the film. The knife in the heart from Erika and Michèle's trap for Patrick. One was a sudden emotional outburst, a perfect visual metaphor of one person's immense suffering, the other was an organized revenge that will haunt Michèle's son for the rest of his life. One critic described Michèle as "post-feminist." I think Erika has immense self-loathing and an extremely warped view on sexuality, I guess she could be described as "pre-feminist."

Films like "I Spit on Your Grave" or really any other standard revenge flick (Kill Bill, Punisher, Max Payne, all those movies starring Liam Neeson, etc.) are clearly in it for the blood lust. "You hurt me, now I hurt you." "Elle" is a bit more complicated since it doesn't exactly hunger for violence, nor does it exactly paint Michèle as turning victim to perpetrator, but rather that she seems to constantly occupy both roles at any given movement.

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2 ngrome - thanks for the reply.

By the way, how exactly, as well as in the context of this film, does a "post feminist" differ from "pre-feminist" as well as a "feminist" in general?

The greatest trick the Devil has ever pulled was convincing the world he didn't exist!

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Well, the basic idea of feminism or being a feminist is fighting for the equality of women (that includes economic, social, ending rape culture, etc.). Michèle is "post-feminist" in the sense that she fought for equality, though it was basically only for herself. Once she gets her success and revenge she clearly has no intention of helping other women like a serious feminist would. Her feminism is selfish feminism, it's only for her and once she achieves her goal she becomes "post-feminist."

"Pre-feminist" is something I came up with on the spot, I don't really know if it's the best fit for Erika but I think it still works. Erika is someone who really isn't concerned with equality (at least in the way a feminist would be). She hurts herself and others because she really doesn't know what she's doing. She's lived through extreme abuse and doesn't know how to resolve her emotional disturbances. She holds traditional sexist views and has a warped idea of what is healthy for sexuality, but it's not like she entirely understands this or is able to fight it.

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Can people be generally feminist only officially like if they are working for some kind of feminist organizations or unofficially as well, and if they are only feminist in their beliefs and don't work for any as such organizations, how exactly CAN they help anyone besides themselves?

The greatest trick the Devil has ever pulled was convincing the world he didn't exist!

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I'm not saying I agree or disagree, but there are many otherwise ordinary people that do NOT wish harm on anyone and are for equal rights who in generally don't speak too highly of feminism at all, who is (morally) right in this case?

A lot of people say feminism is bad and that it hates all men or that it often goes over the top and ignores other issues and that it isn't totally surrounded by justice, logic and equal rights-oriented views as some claim.

I see in America and other Western parts of the world feminism is very popular and worshipped, but in certain parts of the world, including civilized ones, many people just ignore it and don't give it too much importance.

Again, who is RIGHT?

And if feminism isn't all that bad but does make some or other mistakes or misjudgments in views, is it mostly due to the fact that no human being is ever perfect?

The greatest trick the Devil has ever pulled was convincing the world he didn't exist!

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Feminism is a complicated social topic. Various academic disagree on what is the best way to fight for equality or when something is truly misogynistic or sexist. There really isn't a perfect feminism because there are so many types, fields, and theories. It's also important to mention that feminists aren't perfect either, like any other group and humanity in general.

I'd say no one is ultimately right in their approach to feminism since there is no perfect type of feminism that addresses all issues and has all the solutions. It's an ongoing thing, made up of various groups and ideas.

I would say that at its core feminism is always about equality for women, so basically anyone that believes in that concept is a feminist. Maybe they don't agree with radical feminism or certain aspects of feminist theory but they are still essentially under that umbrella of feminism. It's also a social topic that has now become so visible and politically charged that a certain narrow vision has taken place with regards to the radical feminists who are now seen as the sole representatives of the group, though that's rather unfair.

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In a year, let us assess how many women in the USA have lost access to healthcare, how many women have lost access to contraceptive pills, how many women have lost access to morning after and/or plan B, how many women have lost access to abortion.

Then let us ask ourselves if being forced into pregnancy is harmless to females.

***So I've seen 4 movies/wk in theatre for a 1/4 century, call me crazy?**

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Being a feminist is ultimately a personal choice, but I imagine being a "good feminist" would include ensuring equality for all women. Making a choice to focus on achieving equality for just yourself would ultimately just harm other women, so you're really not technically fighting for women's equality.

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Close.

I'd nuance by saying saying that original feminism (1st and 2nd waves) was to COLLECTIVELY break the stranglehold of patriarchy.

Post-modern (third wave) one could say was invented by Hugh Heffnor. Individual females are "empowered" by being playing submissive to men. Individual females are "empowered" by being raped (something Janet Mock loves to sell). Individual females can earn more in life by performing sexist stereotypes.

What is funny in how the third wave of feminism has been totally coopted by patriarchy, is if we compared that say to unionisation movement. Where workers collectively battled for better work conditions. Now imagine a world where corporate heads were so successful in their pushback against unionism that the "collective" part was taken away, and all the workers were just pushing for their own piece of the pie... but continued to call that "unionism".

That would be apparent to most sentient people... as treason
However that feminism has been taken over by patriarchy, and that so many females have bought in to this corporate individualism and dare to call themselves feminists, is pretty damned sad.

But then again, unionism isn't doing too good either...

***So I've seen 4 movies/wk in theatre for a 1/4 century, call me crazy?**

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I can not agree the movie is "great" for that reason.

Is Verhoeven talented at getting a message across: yes.
Does this movie encourage males (read entire message board) to think females are crazy bitches who like to be raped: yes.

So this movie's impact on society will be one which I do not condone, as it proselytises male impunity in this category of hate crime.

***So I've seen 4 movies/wk in theatre for a 1/4 century, call me crazy?**

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Pretty much agree. And contrary from the first response below you, I do not thing this makes this a "good" movie.
By the number of males accusing this PTSD woman of so many evil deeds (of course, since Verhoeven see females as crazy animals), he is encouraging this type of male behaviour in society.

***So I've seen 4 movies/wk in theatre for a 1/4 century, call me crazy?**

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What seems "nasty" is that she speaks the truth, which hurts. And she definitely does not try to be a politically correct person.

The film is a lot about people doing awful things because of their illusions. And they invent their illusions because of the awul reality. Michèle is trying to break through this endless vicious circle, and I think she manages at the end.

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Yeah, she's blunt but I fail to understand where OP sees that "her treatment of mother, friends and even her son is beyond disgusting". On the contrary, her behavior seemed pretty concerned with his relatives by trying to open their eyes : Ralf taking advantage of her mother or her sons being treated like rubbish by his girlfriend.

It's funny that for OP "the only character that isn't portrayed as a total *beep* is the son". Personnally, I think he was the worst since he was just too naive and didn't make sense (leaving his job caus his car brokedown, accepting everything from his crazy girlfriend, being cheated up to the point he wasnt even the father of his girlfriend's child..)

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