1, 2 and 3 - Fairytale logic. The Queen doesn't want Elias spending time with Jonas because she wants the son all to herself. The redheaded woman tries to tell the King that the woman is her neighbor (I believe) or that she's nobody or that she doesn't matter but he'll have none of it. And the enormous flea is a classic fairytale element. Like the golden eggs and beanstalk that can reach the heavens and... well, ogres. These are stories of fatal flaws, not of logic and reason.
4 - I agree here though. I expected a stronger ending, but we basically got an abrupt "and they all lived happily ever after" to all of the stories in about 3-4 minutes or so.
Now my own problem with the movie was Violet's tale, which I found the strongest emotionally. I guess it just bothered me that the woman who tried to help her got repaid by being killed along with her entire family. For Violet. Talk about no good deeds going unpunished... Of course it did build that sense of "you have to do it yourself or nobody's gonna do it at all" despair. Either Violet saved herself, or nobody saved her at all. It's just the collateral damage doesn't seem fair to me.
But then again the collateral damage is in all three of the tales (Violet's just happens to be the most painful). For the Queen's child-lust the sea-creature and her husband both died. Innocently. Because of Dora, Imma either died or was mutilated for life. Realistically she would've died but this is a fairytale so goodness knows. And with Violet... well, yeah.
And that's my only beef with the film. It's not a masterpiece but it's not bad either. It feels like an afternoon reading Grimm fairytales :)
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