MovieChat Forums > T2 Trainspotting (2017) Discussion > A decent follow-up but to what end? *Spo...

A decent follow-up but to what end? *Spoilers*


Trainspotting is obviously one of the most celebrated films ever made, as are the characters within. A sequel would have always been a tough sell considering both the time passed and cult success of the first but fortunately Boyle and co have managed to create a strong sequel that builds on the original. But why I ask? Why did they bother?

By any film's standards T2 is a fantastic piece of work, but ultimately the story they decided to tell struck me as rather lacklustre and un-cinematic. Don't get me wrong, Trainspotting isn't supposed to be filled with cinematic spectacle but as I was watching I couldn't help but think of some of the interviews the stars gave during the promotional period. Everyone involved seemed well aware of the risks of creating a sequel, evidenced by repeated comments of 'we needed to get the script right', or 'we wanted to tell the right story before we came back', and yet THIS is what everyone believed was worth reuniting for?

Sick Boy and Renton trying to build a brothel? Spud finding his inner writer and penning 'Trainspotting' the book? Begbie escaping from jail and trying to kill Renton, before being returned back to jail after an incredibly lame fight? This was the big come back? This is what we needed to see after 20 years? As much as nostalgia based entertainment has deformed the film industry, the best parts of T2 were when the first film was being directly referenced because anything new the film tried to add fell fairly flat. Veronica was an underused, pointless character, who's payoff felt unearned considering her seemingly single digit amount of screen-time. Technically the film was well made as was the acting. There were also occasional moments where the film justified it's own existence but ultimately I was left wondering what the point was?

Ageing sucks? Did we need a reminder of that? Trainspotting had the perfect ending, with Renton happily ready to embrace a life of the mundane. But did we need a catch up with of these characters who ultimately hadn't really grown or changed in any meaningful way save for the the fact that their lives had all disappointed them. The image of Renton dancing in his childhood bedroom to a song of his youth was on the surface supposed to be uplifting perhaps, but it really cements what a crushing position each of our loveable characters were left in. And perhaps that was the central problem with the film.

Trainspotting was an incredible portrait of a distinct point in time, following characters that despite their obvious shortcoming we grow to love. But as much as it was about the present it was also about the future. The potential, the hopes of leaving everything all behind and finally embracing a normal life and so naturally it's disappointing and a little crushing that ultimately each character stayed the same. To quote a film that has nothing to do with trainspotting but sums up my fundamental question, the filmmakers were so preoccupied with whether they could, they never stopped to ask if they should.

reply

I agree, a good summation. Whilst the first had momentum and carried on after the credits, T2 seemed more about inertia. The last shot of Renton in his old room was crushingly depressing, like his character hadn't learned anything about life. Veronika perhaps had a key line though when she said about not looking to the past, which is all the film seems able to do.

The story and character beats felt contrived and written, like Renton having a divorce as a way to keep him wanting to stay in scotland, but never mentioning his wife, love, emotional complications at all and carrying on like he hadnt been away at all.

I kept thinking of Worlds End, and how that did a similar, but better and more honest job of painting characters (especially the mindset of someone stuck in the past). T2 was torn between trying to be a real film, and trying to capture the freespirited zaniness of the first.

reply

Well the book this is based on (Porno) was written in 2002 so the sequel was already there anyway, just in written form. It was inevitable a film would be made eventually.

reply

I agree. It looks amazing, and at times hilarious but oddly baggy (maybe a middle age metaphor?) and some subplots don't really go anywhere. I felt it should have been 90 minutes like the original, rather than nearly 2 hours.

I felt it was trying to be a bit too meta at times and because of some questionable editing with the pace/structure became a bit of a 'so what was the ultimate point of all that?' by the end.

For example Spud starts writing his thoughts and stories, despite not being confident or implied as a great story teller at any point in the series, then about 10+ minutes later Veronica says 'Your stories are really interesting, you should write them down' and Spud has a lightbulb moment... but he'd already had that realisation earlier.

A quality production, but anther retro movie that was somewhat forgettable...

"What are you, some kind of doomsday machine, boy?"

reply