I think those figures explain the high score rather easily. From my experience, especially in younger generations, watching a film with subtitles or that is black and white is 'hard'. One told me it was impossible for him to watch B%W films, literally. That US statistic does not surprise me in the slightest as I may be down under, but we are essentially US Jnr. Our western culture is almost identical, which sickens me to be honest but thats how it is
That's how Christopher Nolan's films get consistently overrated here (by legions of fanboys), and that's how time-honored older classics like The Exorcist get voted way down by the same ignorant masses.
--- "Don't just DO something, STAND there!" Pastor Charlie Bing
Thanks for your reply but I'm afraid that's not quite what I meant in this case. I know there's a history of voter manipulation on IMDB, but so far it's always been in favor of the modern action films (like you say, some of the Nolan stuff, pretty good as it is)
But might this be the very first time that a slow art-house film gets that sort of a fanboy treatment? Even exceeding the avg. vote of the critics, who usually always show more support for these sort of films than the IMDb user vote?
Wrong point of distinction in this case. It's Nationalist pride not genre fanboyism.
Turkish and Indian films in particular have an insanely zealous fanbase that has been causing rating inflation here with increasing impact over the last 18 months.
This has nothing whatsoever to do with U.S. viewers vs those abroad because the vast majority of non-U.S. viewer votes are not representing a significant cross section of voters worldwide. 99% of those upvotes are coming from only the country of origin or expats thereof. It's unfortunate that imdb doesn't offer a more granular view of country by country demographics in the voting display page or this would be immediately obvious in most cases.
So this is nothing like Italian, French, Japanese, Korean etc. art films being watched by thousands in dozens of different countries, it's the single country/language core audience that is absolutely crazy about their own native films. (or more cynically some suggest it's an active campaign to raise the profile of their nation's films)
Either way I've stopped being surprised when I see a title and rating that is WAY outside the normal bell curve and then see it's either from India or Turkey. The bias evidenced in most of these cases is so extreme that the IMDB rating becomes almost meaningless unless you're using it to rank other films from the same region against only one another.
It's a shame too because there are absolutely some great films coming out of Turkey but with such a heavy voter bias on display here the only way to get a remotely balanced perspective is to rely on top critics (specifically) reviews at Rotten Tomatoes.
Of course in the cases where one of these great films gets picked up for broader international distribution that bias is lessened and we see a more balanced view as votes do roll in from members all across the globe.
He did win the most prestigious award you know (Palme d'Or).
I agree that the nationalist pride manipulates IMDB rating for many Turkish/Indian TV shows and movies (and maybe other nationalities as well). However, that does not mean that any Turkish/Indian movie with a high rating is unjustified. Nuri Bilge Caylan has received more awards from international venues than Turkish ones and he is a globally acclaimed director.
I'm thinking about seeing this one. It's opening at my Angelika theater in December and the fact that it's a Palm D'Or winner really appeals to me. But dang, 196 minutes is quite a runtime!
I agree. The action was in the dialogue, in the character interactions, in the semi-philosophical remarks. Even a complete lack of narrative didn't stop me rating this a 9.