Fences-A movie that got the Oscar nom.. through allocation of quotas
And that's the truth......Don't tell me that this movie is better then Nocturnal Animals.....It's not even close.........
shareAnd that's the truth......Don't tell me that this movie is better then Nocturnal Animals.....It's not even close.........
shareYou are right it is really close!
It's that man again!!
Nocturnal Animals was pure garbage and the only thing worth a damn in the whole runtime was ATJ's performance. How the flying feck Shannon got nominated for that is a joke, and yet you want to complain about Washington and Davis getting in? F_ck that noise. They were both incredible. If you want to take about quota nominations then have a look at Mahershala Ali's nom, which was the real head scratcher.
If the truth hurts, you ain't living right...
yet you want to complain about Washington and Davis getting in? F_ck that noise. They were both incredible. If you want to take about quota nominations then have a look at Mahershala Ali's nom, which was the real head scratcher.You seem to think that great acting is all about talking passionately nonstop. However, the mantra of great filmmaking and acting is "show, don't tell". The characters in Fences constantly tell the audience what they're thinking and feeling. No subtlety whatsoever. I enjoyed the movie but the nonstop dialogue was f-cking relentless. After 20 minutes, I wanted to punch Denzel (who I love) in the face and tell him to STFU for 2 seconds. I know the movie was based on a play but it didn't have to be filmed like one. Many great plays have had revisions to their scripts when adapted from stage to screen, and in turn, they became great movies. Not the case with Fences.
the only thing worth a damn in the whole runtime was ATJ's performance. How the flying feck Shannon got nominated for that is a jokeMichael Shannon was extraordinary in Nocturnal Animals. Rewatch the scene where he tells Jake Gyllenhaal he has cancer in the diner:
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You seem to think that great acting is all about talking passionately nonstop. However, the mantra of great filmmaking and acting is "show, don't tell". The characters in Fences constantly tell the audience what they're thinking and feeling. No subtlety whatsoever. I enjoyed the movie but the nonstop dialogue was f-cking relentless. After 20 minutes, I wanted to punch Denzel (who I love) in the face and tell him to STFU for 2 seconds. I know the movie was based on a play but it didn't have to be filmed like one. Many great plays have had revisions to their scripts when adapted from stage to screen, and in turn, they became great movies. Not the case with Fences.