I enjoyed the series although I did find it a bit derivative. The weakest point of the show for me was the lack of facial expression of the lead character. While he was not a bad actor, I found that he facially ran the emotional gamut from A to B. Even ONE little smile would have helped. In fact, there was not even much of a change of expression for his one love scene. Pity!
Why on earth would he take inspiration from Foyle's War? Good series as that is, it's apples and oranges as a comparison. Hinterland takes it's lead from the many excellent Nordic crime dramas (and manages to hold it's own against them), not comfy Sunday night ITV fare.
Harrington is absolutely brilliant in this IMO and has won many accolades for his performance. Perhaps his character simply has little to smile about and you lot are in the wrong place?
I enjoyed the series although I did find it a bit derivative. The weakest point of the show for me was the lack of facial expression of the lead character. While he was not a bad actor, I found that he facially ran the emotional gamut from A to B. Even ONE little smile would have helped. In fact, there was not even much of a change of expression for his one love scene. Pity!
I'll agree to the point that there have been a few times when his face has told me nothing...when I think it should have. Yes, yes, especially when he is intently staring as someone; he has had me wondering: JUST what are you thinking!?
But, then there are other times...when he is so ‘exposed’ that EVERYTHING about him IS all over his face.
However, on one point I cannot agree…even a little: That was no 'love' scene!
"This moment was always looking for me." reply share
But it's not a love scene. It's a grief scene -- two destroyed people making some kind of desperate connection from the depth of their anguish. Their pain was almost palpable, and I found the scene very moving.
"All you need to start an asylum is an empty room and the right kind of people."
But it's not a love scene. It's a grief scene -- two destroyed people making some kind of desperate connection from the depth of their anguish. Their pain was almost palpable, and I found the scene very moving.
I have just watched The Christmas Special, aka the first show of the second season. I'm going to contradict what I said in the opening post of this thread. In this episode, he was much improved and, when standing on the cliff, showed great, believable emotion. Kudos to him!