I just saw Spectre for a second time, and I have to to say that I enjoyed it quite a bit... until the third act in London.
Don't get me wrong, there were still flaws and hiccups leading up to that point, but I generally felt engaged and drawn in to the scenes and performances.
Then, as soon as Bond got back to London from Blofeld's desert lair, everything went to s**t. I don't even know how to describe it. The plot started to feel like a video game. All the character development stopped, and the action felt lacking in tension. The city felt strangely lifeless. The death of C had no impact. Blofeld's scar makeup looked silly. And why did Madeleine decide to suddenly leave Bond and his team? If she didn't want to join them on their mission, shouldn't she have at least hid away somewhere for protection until the villains were foiled? Casually walking around the streets of London at night when there are powerful bad guys on the loose that know who you are and can use you as leverage strikes me as a really stupid thing to do. Also, Bond refuses to kill Blofeld despite having never hesitated to kill anyone before? You could argue that he spared him due to brotherly love or to win over Madeleine, but even that's hard to buy and not established very well.
The entire London segment felt a lot like those studio-mandated reshoots that blockbusters sometimes get. They're always really obvious when contrasted against the rest of the footage and feel totally forced and lacking in creativity and authenticity. I'm sure that's not what happened here, and yet it feels like it.
I'm curious to see if anyone else felt the same way. Overall, I still liked the film, but man; that third act was one heck of a letdown.
It seemed to me that the Blofeld lair destruction was an ending in itself, or should have been, and the rest seems like those action movies that just go on and on and seem to go through several endings, like they couldn't decide--an example is Iron Man Three .
It could be that they painted themselves into a corner with the MI6 end-of-life situation, and needed a bigger finish in that regard, keeping in mind they had given themselves two arch villains, Blofeld and C.
So I think they may have outsmarted themselves in terms of story structure, and that set up the seemingly tacked on MI6 HQ ending.
I'm curious to see if anyone else felt the same way.
No, and having read your thoroughly unimpressive and condescending assessment I have to say you haven't the slightest idea what the filmmakers were doing with that third act. And you don't get why Bond refuses to shoot Blofeld either. Tut-tut.
You're right, I don't know what the filmmakers intended. That's because I wasn't there on set when they were filming, nor did I ever speak to any of them. Therefore, the only thing I can do is watch the finale and try to interpret some meaning from what I'm seeing, and quite frankly, I couldn't. The third act felt shallow and dull to me; a lackluster pay-off to everything that came before it.
But hey, I'm glad you enjoyed it. I simply didn't.
Very well written out, OP! I could NOT agree more with you and I feel the London final act actually spoils the entire film.
The entire London segment felt a lot like those studio-mandated reshoots that blockbusters sometimes get. They're always really obvious when contrasted against the rest of the footage and feel totally forced and lacking in creativity and authenticity. I'm sure that's not what happened here, and yet it feels like it.
Actually, I believe the ending was there from the get-go and all the "funner" stuff were the things done in reshoots/rewrites. If you pay attention to the main story arc and the overall "moral" of the story ("The Dead are Alive"), that was always how it was going to end. I think at one time, C was going to be blofeld, but still, it was all coming back to London and Bond, on the bridge, throwing his PPK away.
I can't remember all the leaked stuff when Sony got hacked but I know the film's tone was a major concern and you can feel the film battle between those elements. So I believe its the other way around, the reshoots were what saved this film from being a complete disaster, but at the same time, it also hurt it because the finale is what REALLY needed to be changed but it stands as it does.
Verily I say unto thee...it was a very weak finale, suitable for the close of an episode of a TV series like "Spooks" but not for a big budget movie like this.As for the absence of people on the London streets it is likely that they were confined to their homes continuously watching nonentities baking cakes on TV.
About Bond not killing Blofeld: look back at the conversation on the train. Bond had essentially given up on life and decided that people don't have choices in his world: it was kill or be killed. Madeliene told him that he "always had a choice". When it came down to it, he had a choice: kill Blofeld and continue his life as an assassin or take a chance at a better future with Madeliene. It kinda brings the story from "Casino Royale" full circle if you think about it. He tried to do exactly this with Vesper Lynd but in that case, he was running away. Now, he's facing the truth of his life and moving on for real. It didn't have the impact it's supposed to because we're used to the "twist". I half-expected Blofeld to pull out a gun and shoot Madeliene or for the romance to fail.Even the opening lyrics talk all about the central dilemma of the story
"I've been here before But always hit the floor I've spent a lifetime running And I always get away But with you I'm feeling something That makes me want to stay If I risk it all Could you break my fall? How Do I live? How do I Breathe? When you're not here I'm suffocating I wanna feel love, run through my blood Tell me is this where I give it all up? For you, I have to risk it all Cos the writing's on the wall"
Seeing it a second time, I could actually appreciate a bit more. But admittedly, I was betrayed by my own expectations.
look back at the conversation on the train. Bond had essentially given up on life and decided that people don't have choices in his world:
The main problem with this is how did he come to this conclusion when Skyfall, in theory, happened a short amount of time before right? So what about how that film ended? Did you understand the dilemma that they presented? The subtext? The overall story and what the British bulldog meant?
How does he go from looking forward to all the work ahead "with pleasure", to all of a sudden, hating being a 00 and giving up on life??
About Bond not killing Blofeld: it was kill or be killed
Was it? Because I thought he faced his demons on that in QOS and did he kill Greene? Did he kill Vesper's Boyfriend? Nope. Hmm, yet now, he's either a mindless killing machine or nothing. But wait, I thought it was about "or not pull the trigger, hard to know which in your pajamas"??
He tried to do exactly this with Vesper Lynd but in that case, he was running away.
How so? The dialog on the beach about Armor being stripped and not wanting to lose his soul was what drove him to leave. Once he's betrayed, he has to face those issues at the end and his grieving on top of it. All these aspects, as well as his other rookie 00 stuff was ANSWERED in QOS along with what drives him (revenge or Duty). Now enter Skyfall and he's seeing the possibility of being thrown away, killed, and no one cares, right? So he leaves, only to feel compelled to return and do what's "right" and back to what I asked above, what did he learn at the end of Skyfall? What did M get right?? Apparently nothing according to Spectre!
It didn't have the impact it's supposed to because we're used to the "twist".
It didn't have the Impact because it made no sense whatsoever if you examine the overall journey of Craig's Bond. Casino Royale presented many themes as did the following films, but in both QOS and SF, he finds a RESOLUTION to those issues from CR and is supposed to be ready to go. But instead of rolling with that, they just kicked Craig down again, with absolutely nothing to backup why he is going down the depressing rabbit hole again, and tried tying a knot on his series without any effort to be in line with the REAL stories being told.
It was just badly thrown together and not enough thought put into really making it work.
1. A guy can reconcile himself with his job without ever loving it. "Passion" and "Pleasure" are, when it comes to it, little more than tall words. 2. Finding closure isn't the same as moving on. Bond found closure at the end of Quantum and Skyfall. Reconciliation. Not a solution. The circle hasn't been completed. 3. He's not a "mindless killing machine" but he lives in a world where the norm is "kill or be killed". It's a choice between living his whole life looking over his back and moving on. The first time, however you slice it, he was running away because he felt traumatized. Now he was making a choice.
A guy can reconcile himself with his job without ever loving it
True, but if you understand the point SKyfall was making and the complete reversal of said point only a few months later in Spectre without any reason for the change is not good story telling.
Finding closure isn't the same as moving on. Bond found closure at the end of Quantum and Skyfall. Reconciliation. Not a solution. The circle hasn't been completed.
Finding closure to your issues is just that. CLOSURE. Craig tried to leave MI6 multiple times, only to return because of his sense of duty and his acceptance of his role as an agent. But all of a sudden, in SPectre, Craig has reverted back to not learning about love, not learning about his career and his role. He;s already proved to be much more than just an assassin but Spectre paints him that way and makes him look at his career in the most depressing way, only to present a new solution of him leaving to gain "life".
Skyfall was telling us that M bringing Bond into MI6 was the best thing and Craig realized and accepted that at the end. That's why he was ready for work 'with pleasure". But then Spectre, he all of a sudden hates his role again? Is a dead man walking? Finds himself the same as Mr White?
It's a choice between living his whole life looking over his back and moving on
That is what Spectre presented, yes, but by doing that, it had to ignore WHY Bond was a 00 in the first place and what satisfaction he was getting out of doing what he did. Those things were looked at in great detail in CR-SF but just dropped completely to make him more of a man in servitude to his job over a man who knows WHY he's doing it and why he feels compelled to keep going out there.
Now he was making a choice
And again, he made these choices already. Everything in Spectre has been explored and closed off, just done in a different way. He had every opportunity to leave after Skyfall, but chose to continue and even smiled, looking forward to the bright future ahead. But in Spectre, the future is grim and depressing. WHY??? Why the sudden shift? Because the main baddie was someone he grew up with??
Think about it, and that convo on the train.
"Ive never stopped to think about it"
"What if you stopped"
"I don't know"
What do you mean you don't know, Bond? You "stopped" in CR and "stopped" in Skyfall and it was horrible both times. Ended super badly. How come he doesn't bring any of this up to Swain? How come we see Vesper numerous times but Bond doesn't seem to care for her anymore?? All of a sudden, she's some distant,who cares memory and he's madly in love with swain, so much so, that he feels a life with her is going to work out? That's not bringing anything "full circle", it's just vaguely mentioning events that this time, end on a happy note.
1. The choice was made at the very end. There is one very clear reason:love. After Vesper, Madeliene was the only one of his girlfriends who questioned his way of life despite understanding it. She was the only one since Vesper that he had strong feelings for. Love can overrule the strongest logics. 2. Skyfall was never about Bonds job. It was about his relationship with M. It was about his dilemma regarding Ms tendency to treat her agents like pawns. Spectre was the first time since Casino Royale that Bond ever thought seriously about quitting. Even in Quantum, quitting was never on his mind since he'd long since reconciled himself. Also, as I pointed out, this was the first time since Casino Royale that he found someone like Vesper, a girl who was not easily taken in by his charm and could potentially form a real long-term relationship with him. 3. He sort of discussed Vesper when he said "there's no choice. Not for me". When does a man change himself? Usually when he desires something and change is the only way to get it. He had to choose between his job and Madeliene. He chose the latter. If he had killed Blofeld, that would've been lost to him. It's as simple as that.
It sure can, but you have to think, if he had a deep love with Vesper, as shown in CR/QOS, why does he appear to not give a *beep* about her anymore?? Even though she is a major part of the connection between all 4, and especially as you put it, bringing him "full circle"?
Skyfall was never about Bonds job. It was about his relationship with M.
Skyfall is about much more than just that. It's actually one of the smartest films in the series and is quite brilliant when you explore its deeper themes and subtext. The duality of his character and how it corresponds to what Silva is doing, on top of his relationship with M and how that relates to losing his parents, on top of what it means to be a 00 versus just being someone like Silva, who answers to no one but himself (well, at the time of release that is, before they ruined it by making him a Spectre lacky)
He sort of discussed Vesper when he said "there's no choice. Not for me".
How is that discussing her? All that's saying is he hasn't had a choice to keep doing what he's doing, but that's BS. He chose in QOS and SF and "choice" has been an underlining theme in all his films. What makes Spectre so odd to me is that he chose "life" over "death" but I keep getting back to how all of a sudden, he views his 00 career is such a depressing, lonely way. Especially since Skyfall JUST happened and that had him realizing the exact OPPOSITE.
If he had killed Blofeld, that would've been lost to him. It's as simple as that.
I disagree. Bond has already had Blofeld interfere with his personal life and kill all the women he loved, right?? So in what universe is keeping that guy alive a smart option when he plans to leave the service and head off with the women he loves??
I understand what Mendes and CO were trying to convey, but Im just saying it's a horribly misguided and frankly, non-sensical "ending" and conclusion for Bond to come to. If they left all the previous missions out, it could have worked, but you have to simply ignore what development Craig already went through to make it work.
Your arguments have more to do with your preferences and expectations than anything objectively wrong with the script. 1. He does care about Vesper but you gotta remember she "betrayed" him. It's a festering wound that's never quite healed. At the end of Casino Royale, he says "the bitch is dead" for this very reason. Would you prefer Bond mentioning her every other line like a drama queen? He's a man and reacts like a man 2. Much as I loved Skyfall, at the heart of it, it's about Bonds relationship with M. It revolves around that. Right from her ordering Eve to "take the bloody shot" to Bond and the new M. Silva is one of Ms victims. Betrayed by her, he seeks to undo everything she stands for. This tests them limits of Bonds own loyalties. Symbolism and the "new vs old" argument aside, that's the crux of the story. The main driving force and the essence. Remove the glitter and this is what you get. 3. He didn't let Blofeld go free, did he? He let him get arrested instead of "of "finishing" it like Blofeld said. In short, he was being the better man.
Also, it definitely brings the story full circle when he faces a very similar dilemma to Vesper, ends up saving the girl this time and makes a public and conscious choice to quit that's accepted by people around him. He accomplished what he couldn't in Casino Royale.
Yeah, that's one of my main gripes with it. Blofeld's desert lair was the perfect setting for a classic Bond climax. Then they just escape rather quickly and there's this London ending that not only feels tacked on (though apparently it wasn't), it feels tacked on from another franchise. All the secondary characters together helping Bond made it feel like a Mission Impossible movie or something.
"Dan Marino should die of gonorrhea and rot in hell. Would you like a cookie son?"