This film is phenomenal .
I could go on on how I love this film . But I have to say my favorite films usually have a great opening sequence to suck you into the world the film takes place in . This one does not disappoint . ! 10/10
shareI could go on on how I love this film . But I have to say my favorite films usually have a great opening sequence to suck you into the world the film takes place in . This one does not disappoint . ! 10/10
shareAgree. Pretty flawless and absorbing IMHO. Too bad it hasn't found its audience (yet).
shareYea I know I was surprised to learn this movie made less than the raid 2 and that movie was in theatres for a week and a half here . Such a shame because many characters in the film seem neither good nor evil (excluding the grandma lol )
shareThe Rover is still opening all over the world, where it will probably do better than it did going wide in too soon in the US.
It's still getting great reviews, like this one from Ireland:
Entertainment.ie Four out of five stars
...Mad Max and The Road are definite touchstones, but The Rover is more akin to a Western than a post-apocalyptic film. It's shy of the big incident because Michod's slow burner sidesteps film's tendency to let the bullets fly – he's given thought as to how things might be, how people act, that people are, generally speaking, reluctant to fire weapons.
One chase sequence (more of a follow sequence actually) ends with an unarmed Pearce facing down three hardened shotgun-brandishing criminals, who display an unusual reluctance to fire. Later, it's Pearce who can’t bring himself to pull the trigger. When Pattinson accidently shoots a girl, it haunts him. The sudden outbursts of violence then are all the more shocking...
...The monosyllabic Pearce is as ever solid, but Pattinson obliterates Edward Cullen from the memory with this shifty-shouldered, squinty-eyed, slack-jawed yokel.
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Thanks for the info
sharehttp://filmschoolrejects.com/features/must-see-summer-movies-2014.php
David Michod has followed his much-lauded family crime drama Animal Kingdom with a film that has somewhat enigmatically been described as “a futuristic Western set in the Australian outback.”
With Guy Pearce as a wronged family man salivating for vengeance and Robert Pattinson continuing to distance himself from teeny bop status, The Rover looks to be that rare summer combination of great performances, unique directorial vision, and engrossing filmmaking.
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It was plain from Cosmopolis that Pattinson could bring something to a role, but I totally agree with your sentiments that he is a revelation here. There have been many actors who have played the bumbling sidekick, the not-all-there partner, or just "the slow one" before, but I can't think of another time where I have seen an actor bring with them a sense of pathos and understated longing to this type of a character.
Also, someone give Mr. Pearce his Oscar because he's deserved it for a long, LONG time now and some of us are just waiting for the Academy to catch on with what we knew all along! It's a great film that I'm right with you on, it's gonna be one of the year's best without a doubt.
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Here is a fantastic review of The Rover Blu-ray:
http://collider.com/the-rover-blu-ray-review/
There is probably a sizable percentage of people who hate Robert Pattinson for no good reason. The Twilight star became an intense object of affection and lust for those team Edward, and for anyone who witnessed that obsessive fandom (especially those who saw it up close), it can be off-putting even if it bears little on the person’s talents.
Considering that Pattinson starred in five of the biggest movies of the last decade, he’s made some of the smartest career moves of anyone who has been suddenly thrust into superstardom: He’s now making an effort to work with talented auteurs in roles that only trade on his fame in the sense that he helps get the movies financed. Not only has he made two movies with David Cronenberg, he also starred in the David Michod film The Rover. And as for the latter, he’s excellent in it. My review of the Blu-ray of The Rover follows after the jump.
What elevates it are the performances, and Pearce and Pattinson make a great onscreen duo. The former Edward is playing McNairy’s brother, which means that both are doing a Southern accent. It seems there was some immigration to Australia after the collapse, which is how this is explained, and Rey is playing a character that seems modeled on Of Mice and Men’s Lennie, albeit slightly smarter, though just as dangerous. He seems as loyal as a dog, though he’s not the reason for the film’s title.
But it’s Pattinon’s character’s unpredictability, and how he and Pearce play off each other as an odd couple, that keeps the film engaging. For those who may have dismissed him as a pretty boy, Pattinson has been proving himself over and over since his time in Twilight, and the way he’s going it seems – more than any of the Harry Potter stars – he’ll be working and possibly heading towards awards attention before too long. And if he keeps making these sorts of career decisions, it will be earned.
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Written by Joel Edgerton, that's the interesting part to me. Never knew he was a writin' man.
If it is as good as The Road, it will join the list of films I can't live without.
Well, co-written by Edgerton. The way Michod talks about it, it seems like they started it together and then he finished it.
I hope they can work together again someday. Joel has already worked with Pattinson, he took Phillip Seymour Hoffman's place on the Corbijn film Life, about James Dean and the photographer Dennis Stock, who took the iconic photos of Dean. Edgerton plays Stock's photo editor.
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More good reviews:
...Bereft of their consumerist motivation and seemingly unable to communicate with each other, they are condemned to a purgatorial existence in a barren landscape that is resistant to any sort of collapse.
Brutal as Eric’s actions might be, however, they represent a weird kind of hope for him. He meets people like a doctor, or his unlikely sidekick Rey (the impressive Robert Pattinson), who are also not dependent on monetary transactions. They have their own dependencies, but ones that ensure they retain some humanity: the doctor’s existence relies on patients requiring care, while Rey needs the guidance of the people he looks up to.
It might be exaggerating to suggest that life as we know it in 2014 could descend to the apocalyptic levels of The Rover, but the film offers a worthwhile lesson in resisting isolation that appears to be inevitable. Eric’s motivation for getting his car back is not immediately obvious but, amongst the physical and material desolation, he is one of the few who represents the value of interacting with something real.
http://www.derbyquad.co.uk/blog/collapse-rover-review
...Slow and intense, The Rover, from Director David Michôd (Animal Kingdom, 2010), is a visually stunning, surreal film with standout performances from the marvellous Guy Pearce and Robert Pattinson – the latter far from his matinee idol roles...
...Gruelling, gritty, callous and violent, the world of The Rover remains with you long after you have left the cinema and is another excellent original addition to Australian cinema.
http://westendreport.com/gruelling-gritty-world-rover-will-stay/
The Rover remains with you long after you have left the cinema and is another excellent original addition to Australian cinema.
In "The Rover," Guy Pearce (2014's "Hateship Loveship") and Robert Pattinson (2012's "Cosmopolis") are such compelling leads that one wishes more was deemed from their characters' past lives to contrast the virtual hopelessness of their current surroundings.
Where their journey takes them has been seen before, but Michôd is such an adept craftsman at stripped-down action set-pieces and quietly stirring showdowns that it works all the same. And, even if the third act doesn't quite add up to what the viewer hopes or expects, the final scene does provide a logical, smartly revealed little payoff. Special kudos for one of the most unexpected, unorthodox soundtrack cuts of the year.
In the midst of a tone favoring the bleak, the savage, and the tough-as-nails, who could have anticipated the use of Keri Hilson's "Pretty Girl Rock" as one of the few poignant lifelines to a modern, buzzing world that, for Eric and Rey, no longer exists?
http://www.dustinputman.com/reviews/r/14_rover.htm