[EDIT: As noted below, these are not "Plot Holes" but oversights, implausibilities, etc. My bad.]
My wife and I watched this film last night and we both enjoyed it. Among other things, I found the film to be very thought provoking. In particular, I thought there were a few too many "plot holes" for the story to be believable, so (of course) I wanted to see what IMDb commenters had to say.
The following is a list of all the "plot holes" I came up with or discovered here, along with any rebuttals I could find. Wanting these items to be taken in the context of a law enforcement perspective, I've divided them into two domains: Before and after the "Kidnapping Yarn."
Before the "Kidnapping Yarn:"
1. Shed packed with Man-Toys:
1a. Why are these here? Even if Nick had murdered Amy, why in
the world would he buy all these toys and not use them? He
could easily buy them after Amy's death (and technology
tends to get cheaper / better over time).
Answer: the cops thought he charged them to Amy's card now
as he wouldn't be able to do that afterwards.
1b. Nick doesn't golf; has never golfed; and doesn't know
anything about the sport. Why are there golf clubs in the
shed?
1c. How did all these items get in there (a 65" TV?) without
anyone noticing?
Answer: neighbors mind their own business. (Until they
don't and make a call; see below?) And maybe Amy hired
delivery people.
1d. Someone called with a tip to check the shed. Who? Why
would that call come from a campground nowhere near town?
[EDIT: It was an anonymous tip line. But why follow up on that
lead when, presumably, the police were getting a ton of (mostly
spurious) leads due to the over-hyped publicity?]
1e. And why would Amy gift wrap those puppets for her husband?
What a sinister gift!
2. Insurance policy: how do you collect when you can't produce a
body? Good luck with that one.
3. Dad's House:
3a. Who tried to burn the diary?
Answer: Nick tried to burn the diary once he thought the
cops were after him.
3b. Who changed the alarm code and when did they do it? Where
was Nick / Amy / Desi at that time?
Answer: Nick could have done it and pretended not to
know. Would need to check actual alibis for the timing.
4. Amy's Getaway Car:
4a. Typically a title is required to be transferred when a car is
sold. Why was there no title w/name?
Answer: the car was stolen. Yes, this makes it very risky
to drive, but it's not a plot hole.
4b. Seller of vehicle met Amy but wouldn't speak up when they
see her face splattered all over the media?
Answer: they did, or Amy's parents mentioned Desi to them.
5b. If the cops knew about Desi, why didn't they contact him?
After all, Amy had a restraining order placed on him.
6. Nick's office: the panties found will not have any trace of
mistress Andie on them. Who planted them?
7. Where's Amy's body?
After the "Kidnapping Yarn:"
101. The shed with the Man-Toys makes absolutely *no sense* at this
point. Huge red flag.
102. The "kidnapping" event
102a. No evidence whatsoever that the accused kidnapper Desi
ever set foot in Nick and Amy's house.
102b. No fingerprints from kidnapper Desi on the attack weapon
102c. Lots of blood lost: where is the wound / scar? And how did
Amy recover?
103c. Where was Desi *in reality* when the alleged kidnapping
occurred? Potentially, he's got cameras, credit card
charges, phone logs, etc to vindicate him.
103d. Why would Desi hide / burn the attack weapon? Why would
he clean up the blood? He needs to get out of Amy's
house fast.
103e. How did Desi get Amy, all bloody, out of the house
without leaving a trail of blood everywhere?
103. Kidnapper Desi's Hideout:
103a. Surveillance video will show Amy pulling up to house
willingly, escorted by Desi, just a week earlier (rather
than the month she said she was there)
Answer: (not specified in movie, but plausible): the
surveillance loops, overwriting previous material after 48
hours.
103b. Hideout is not much of a prison: there's a tub with massage
jets; high-end bedding; a wine cellar downstairs; etc.
Answer: so what? She's still trapped.
103c. Glass doors and windows could have been broken to
facilitate escape, but murder is a better solution?
Answer: (not specified in movie, but in the book): There's
a tall fence around the house.
103d. Amy has an awesome new haircut -- how'd that happen? Who
cut her hair? How could the folks at the hairdresser's not
have noticed she was the missing woman everyone's been
looking for? Again, surveillance video will show her
leaving with old hairdo and returning with new hairdo.
Answer: Amy cut and colored her own hair.
103e. Amy used red wine to appear as blood when she acted raped
by the window. Analysis would have shown that.
103f. As Nick asks, "If she was a prisoner, how did she get the
knife?"
103g. If Desi put Amy in the trunk of his car, where's all the
blood from the initial attack?
104. The local detective now has strong suspicions regarding the
story Amy tells, but she can't pursue these as "it's out of
my hands?" I don't buy this. Local police forces often
work with federal agents to solve crimes. She likely knows
several FBI agents and has earned their trust on previous
assignments.
105. A rape test that included measuring hCG would have shown
that Amy had not been pregnant.
106. Desi would have been investigated to see if he was involved
in other crimes, kidnapping or otherwise. They would have
been tracking his movements and learned about his casino
visit. Casinos keep excellent video records.
I also believe there are a number of things Nick could do to expose Amy, not the least of which is to introduce them to O'Hara (the ex-boyfriend that Amy framed).
[EDIT: In the book, Desi's mother is a woman of means who tries desparately to exonerate her son. Why not approach her?]
So in summation, you and your wife do not understand what a plot hole is. The audience knows the answer to those questions. For it to be a plot hole, audience has to be unaware. Other characters not being aware or choosing to remain unaware, is not a plot hole.
It doesn't matter if you call it a plot hole when it is "only" a mistake. 'A rose by any other name...'
Caller ID, especially to a police station, picks up the # IMMEDIATELY. And, even if if it is a "blocked" number, the police can still track it. The question would be asked why the "neighbor" called from the Ozarks - a couple of hours away.
And, why did the police miss the letters from Desi?
I liked the movie a lot, but there were a lot of plot holes/mistakes in it.
And yet they got all other minute details regarding the investigation. Plus, the letters weren't hidden in a fake wall or anything like that.
I liked the movie, but I don't kid myself there weren't mistakes/holes in it. I try not to nit pick and only huge, gaping holes bother me, unless people try to elevate the movie to something it is not.
Which is light years different than having a forensics team and dozens of police combing through every last inch of Nick's house and missing the box of love letters in the closet.
For someone who keeps making grand statements, you don't seem to know how the legal system works. The police would have needed more than a letter, to get a search warrant for all of Desi's properties. There is also the reality that the evidence in the house pointed towards Nick. You also have the odd idea that the movie is a procedural when it is not.
Sheesh. She's missing under violent circumstances. They find an obsession letter from an ex. That should be enough to get a search warrant.
Suppose it isn't. They can still go over and investigate Desi. If he has nothing to hide, and he doesn't, he might give them permission to search his house. Doubtful, but he might.
Even with no permission and no warrant, that doesn't mean he wouldn't be a suspect. The police would have been keeping an eye on him.
But, again, you can't stand someone criticizing your beloved movie. 👎
Even a terminally incompetent police dept. would have picked up on this stuff. It was a notorious case, getting TV attention - if they are sloppy, they'll look like dicks when it comes to court. The screenwriter wrote a big hit, but she can't write a tight, credible mystery. There's a big audience out there for lazy second-rate drama, and Gone Girl was just popcorn for the masses.
What you're not taking into consideration is that you're an obsessed fangirl. Your critical faculties have gone into hibernation. When you recover them, you'll be able to see Gone Girl is dogfood for mutts.
Others have pointed out the film's numerous flaws, but you ignore the inconsistencies or excuse them by fabricating your own version. Your contention that local police are habitually sloppy is a good example. The female detective is presented as smart, alert and intuitive - but the lazy script makes her investigation pathetically incompetent because it's convenient. This is poor screenwriting and characterization, which you're unable to recognize through willful myopia.
Your definition of a plot-hole is way off - it's a script screw-up, oversight, implausibility issue etc - and Gone Girl was raining cats and dogs with all of those flaws. it was a mess.
Warning: Spoiler ahead. How many other med professional, docs or nurses, were amazed that Amy was released to go home bloody and uncleaned, wearing scrubs? 😷
It wouldn't happen. We don't give away scrubs. After patient is examined she would have been cleaned up. A relative would've been asked to go get Amy some -comfortable- clothes she could wear to go home.
It wouldn't happen. We don't give away scrubs. After patient is examined she would have been cleaned up.
Of course she would have been cleaned up. Pretty bad for business to have patients leaving the hospital in that state. The film had dropped into daytime soap territory by then.
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Almost every item on the original poster's LONG list of "plot holes" is addressed in the film. "Who changed the burglar alarm code?" Amy did it. They showed her do it. I don't think the guy watched the whole film.
remember that Amy doesn't reach out to Desi for several days -- the cops do make a note of Amy's past with Desi and say they will check him out. so he could have been investigated prior to Amy actually calling him, at which point he presumably had an alibi and would have been quite convincing that he (truthfully) wasn't involved with her disappearance. after Amy resurfaces and pins things on Desi, her testimony would have overruled the alibi... they could have said that whoever was vouching for him had lied to protect him.
tl:dr I only just watched the movie late. Didn’t like the ending, but really appreciated your structured response to the ‘plot holes’ so thought I would offer some thoughts. Still a *beep* ending. Also your post was months ago - no doubt few care now. But I've written it so who cares?
2nd tl:dr I hated the ending. Then I read these threads, saw people complaining about things that were issues and disagreed with some of them. Then I started thinking about them.... and then wrote this bloggish post. I'm obviously defending the movie, but as I say later, I still think the ending is *beep*
1b. Nick doesn't golf; has never golfed; and doesn't know anything about the sport. Why are there golf clubs in the shed?
I think it would have played that he wanted to take up a new hobby once his wife was gone. Men do find new hobbies in mid life crises. It’s plausible that he was going to take it up.
1e. And why would Amy gift wrap those puppets for her husband? What a sinister gift!
Margo picked the sinister element to the gift, it’s plausible other people didn’t and thought it was a ‘wood’ wedding anniversary present. Their house was filled with a few odds and ends that suggested it could have been an innocuous addition. He could have found it that morning, hated it, killed her, and hidden it in the shed (wrapped or unwrapped potentially)
2. Insurance policy: how do you collect when you can't produce a body? Good luck with that one.
At that point, they may have found the body later, figured he set it up (poorly) to claim insurance. It would have looked suspicious, and in fairness, all the movie treated it was as an extra piece of suspicious behaviour. For example, they didn’t arrest him immediately after, nor think that that in isolation implicated him.
5b. If the cops knew about Desi, why didn't they contact him? After all, Amy had a restraining order placed on him.
We don’t know they didn’t. Later events suggested he remained infatuated with her. He may or may not have suspected she was up to something, but either way, if he still loved her, then he had no reason not to play down events and let them suspect her husband. He would also have had the confidence that IF they did suspect him that he was covered by an alibi.
6. Nick's office: the panties found will not have any trace of mistress Andie on them. Who planted them?
At the time they wouldn’t have had time to investigate it. No doubt that may have arisen in Nick’s trial as a defence. It’s plausible that, in time police had, they had yet to investigate it. Speculating two things are possible - she found a way to get Andie’s DNA on them - perhaps somewhere she knew they’d had sex, or his clothes post sex with Andie in the washing, or she overlooked it in her arrogance. A hole in Amy’s story, but not necessarily a plot hole.
101. The shed with the Man-Toys makes absolutely *no sense* at this point. Huge red flag.
I felt she addressed it (unconvincingly) in the interview when she and Nick maintained the story he was unhappy and being a prick. I gathered (perhaps incorrectly) that from the credit card bills that those purchases happened in a short period of time - i.e not a year long stockpile of goodies. They could have both claimed (assuming he was complicit) that he was planning to outfit a man cave, but had yet to move them to the property.
102. The "kidnapping" event
Not to diminish the sub-questions you raised but I think one *possible* explanation to all of them is her arrogance. Part of her story is that she is manipulative and highly educated. Obviously, the events with Desi were not planned initially. I think she was thinking on the fly that she could get away with it because she had such supreme belief in her ability to manipulate facts. She was arrogant.
Agreed, the ‘kidnapping event’ is not foolproof, but I think that was an element of her character.
One extra point - I think they pointedly reused the details of her other false rape accusation (sorry, forget the character’s name). To me, the inference was that she succeeded with the same false rape accusation before, so in her arrogance she repeated the same method - false bruises on her wrists, self harm to her vagina, attempts to spur her partner into rough sex etc. That to me was consistent with the idea she was arrogant and thought she could get away with it as she made plans on the fly.
But, yes, the FBI’s later investigations would find this to be false… later on that one.
103e. Amy used red wine to appear as blood when she acted raped by the window. Analysis would have shown that.
I’m not sure this would be critical - the point she was going for was visible evidence of distress. I assume that her goal was to show the camera’s some distress, which she did. When she claimed rape later on the self harm to her genitalia and his semen would be sufficient to claim rape. Any red wine residue would have gone by that point anyway.
103f. As Nick asks, "If she was a prisoner, how did she get the knife?”
Fair question. I *assume* that the security cameras focused on the approach to the house, but there were none inside the house. That’s why she feigned injury earlier with the red wine up against the window - she knew the cameras wouldn’t pick up her staging of the act, and knew they would catch her from the window. This is consistent with the fact she was left alone the day before and, deciding she wanted to make Desi the perpetrator not Nick, worked our where the cameras were.
So, how did she have a knife? Horrid people have captured young women before and they have escaped. I *assume* her story, if questioned, would be that he had raped her a number of times, but he was absent minded at one point and she hid a knife. She used the knife to cut her ties and then killed him. Obviously this only works if there were no cameras in the bedroom, which, I think it’s plausible there weren’t.
103g. If Desi put Amy in the trunk of his car, where's all the blood from the initial attack?
From the initial hypothesis that Nick killed her, the scenario the police ran on was that she bled, he moved the body without further blood smears, and she was gone (and he disposed of the body in a yet-to-be-discovered spot). All that has happened is that the perpetrator has changed and that she was unconscious but not dead. Presumably, the FBI would have investigated her car - agreed, possible plot hole there; discuss later on the FBI point.
104. The local detective now has strong suspicions regarding the story Amy tells, but she can't pursue these as "it's out of my hands?" I don't buy this. Local police forces often work with federal agents to solve crimes. She likely knows several FBI agents and has earned their trust on previous assignments.
Agreed. And Nick does press the issue in their discussion. I think the weakness here is that, given her suspicion of Amy, that the detective doesn’t fear for his safety. I would. Stretching - as I have above - perhaps given that Nick didn’t make a subsequent official complaint, that the detective harboured suspicions but ultimately dropped it because she was overworked, had a personal life, and there were other issues in town. Plausible perhaps because they noted earlier in the film a spate of home invasions and other issues. Also plausible that (unseen) Nick, in fear for his life, or trying to avoid scrutiny while he set up his wife for a confession, went privately to the detective and asked her to drop it. There are plausible explanations, but I agree - the film did itself few favours by not addressing them.
105. A rape test that included measuring hCG would have shown that Amy had not been pregnant.
I don’t know the science, but that sounds like a fair issue. Perhaps it could have been put down to the earlier tests for pregnancy being a false positive? It’s not like she had an ultrasound. Or the pregnancy had failed during earlier stages (i.e. she was pregnant 6 weeks before her disappearance but by the time of her kidnapping, and the month later when she returned she lost the foetus?).
106. Desi would have been investigated to see if he was involved in other crimes, kidnapping or otherwise. They would have been tracking his movements and learned about his casino visit. Casinos keep excellent video records.
I think this is the fundamental issue. There are semi plausible that I have proposed above, but ultimately the FBI would have investigated more thoroughly surely?
The only *possible* answer (to me a stretch) was that there was a sufficiently open and shut case that they moved on to other business because they are busy. But, I feel given the national interest and the number of *odd* (plausible from the character’s perspectives, but odd to an investigator) issues above, I would think they wouldn’t consider it open and shut. Desi’s parents (as I understand the book - haven’t read it - included) would surely have fought to find out the circumstances of his death, and that would include questions.
The only answer I can suggest, and again the movie did itself few favours, is that they concluded she was kidnapped. That assumes no evidence from the rednecks*** and that their meeting at the casino was staged. The casino point can (poorly) be explained by a degree of terror from Amy that she was scared for her life and did not seek assistance from police while in public. It seems implausible obviously, but there have been strange things with abductions in real life where seemingly obvious opportunities to escape were spurned due to extreme fear and psychological paralysis. A stretch no doubt.
*** the rednecks - one assumes that they may have seen the whole Amy Returns saga on TV and clicked that that was Nancy. Why didn’t they come forward - presumably for a paid interview? Perhaps they were content with the money already stolen and didn’t want to attract attention. If they did go to a tabloid show and claimed they saw Amy (honestly in their case) would they have been paid well? They had no evidence to back it up and presumably other people would have looked to (dishonestly) cash in on similar claims. Maybe they did or didn’t, but it got nowhere - plausible given the media loved the returning wife motif. They could have gone to the FBI… but presumably previous convictions, issues with the law etc convinced them to just be happy with their theft as it was.
One last issue (not raised) was O’Hara - wouldn’t he want to clear his name of the downgraded sexual assault charge? No doubt, but without evidence what could he do? File a civil claim with no evidence and huge legal fees? It’s plausible he let it lie.
**** So, for any that still care on this. I agree the ending sucked. I think the plot holes you raised are valid, but they have some tenuous/plausible explanations individually. Together though I do think they weaken the plot - they did for me, and obviously from this thread many others.
My take, for any that care (why would you? - just one opinion) is that the author sought a twisted ending. She wanted an ending people would talk about, as we currently are, and she got it. I don’t think it was the best ending though.
Earlier I raised Amy’s arrogance as an explanation for certain ‘plot holes’. I think it is consistent with her character that she was arrogant - she had successfully manipulated others before, she was highly intelligent, a fantastic actor (five years of marriage…), an imaginative person capable of creating convincing alternate realities (i.e an author). It explains why she came up with the plan to change the perpetrator and kill Desi. Arrogance is great in art because it sets up for hubris, which everyone loves.
I think the best ending (although less edgy and more disney) would have been that Nick caught her in a confession. A hidden bug in the shower that he planted anticipating she would want one and that she would ask him to remove his clothes. I think that would have been a good ending.
The ending they gave - that Nick is ultimately trapped because he always wanted kids and doesn’t want to abandon his unborn child - has a big plot hole to me: Amy’s motivation was that she hated what Nick had done - hated it enough to kill herself in spite* - yet she somehow comes to terms with living with him in an even more unpleasant (yet somewhat more honest) situation where he hates her and knows she is a murderer? It seems odd - why would she want this if she has already decided against the simpler idea of just divorcing him? Given that, if I was Nick, I would assume she still wants to kill me and is just biding time to hatch a new plan. I mean… she was willing to kill him for the affair right?
Now yes, I think he did successfully manipulate her to changing her plans - which I did think was a nice twist in the movie - with his interview saying how much he loved her, but that doesn’t change the fact that he must believe she wants him dead.
*on the killing for spite - personal experience in the area of mental health (not mine fortunately) has been that the only motivation for suicide is self loathing. You need to utterly hate yourself more than other people to kill yourself. Spite requires a reward - it’s about other people’s pain. Killing yourself in spite is utterly unrealistic. It also seems inconsistent with her arrogance - i.e her desire to have Nick killed
Sorry - extra one point reflecting on my long and uninteresting spiel above: she's a murderer and wanted Nick dead. She's displayed the ability to manipulate facts to implicate him already. Why the *beep* would he go along with it? A child? If he loved the child he wouldn't want it raised by a murderer?! His only motivation (to me) would be do play dumb and set her up... yet the ending doesn't imply that, which ultimately made me thing what the fck this movie is a joke
Replying to my own criticism of the ending - maybe as the obvious sociopath that she is she believes she has got all she wants with an utterly submissive husband. But who would want that - maybe she does - but why would he? Especially with his desire for a child
I don't think that he does want that. More importantly, he doesn't want his child to be raised by Amy alone. He knows what she is, so if he's there, pretending to be what she wants, then he has a chance to have his child raised to be a good person.
If he leaves, she might kill the child. Or, she might raise the child to be a sociopath like she is.
Answer: Nick tried to burn the diary once he thought the cops were after him.
This thread makes me wonder if we watched the same movie, or if you watched some kind of YouTube spinoff. Most of the "plot holes" were clearly addressed in the film.
Regarding who burned the diary-- no, Nick was not the person who burned it. He didn't even know Amy had a diary. Amy wrote the diary (written recently and made to look like it was written over the course of their entire relationship) and planted it in the woodstove, burning it just enough to look like Nick had tried to burn it to hide evidence, but leaving enough intact so the cops would be able to read the passages she'd written to make Nick look guilty.
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I'm with yellowstar here. This whole thread makes no sense, as if the person didn't watch the movie. Most of those questions were either answered in the film, or are erroneous misinterpretations--or just plain old missed. Just because you "don't get" why something did or didn't happen doesn't make it a plot hole.
Please, people. Read the book. You don't even have to buy it, you can get it out of the library. Even on Kindle.
Good a place as any to point out the idea that there are many beloved movies--even appreciated by connoisseurs/critics--which are either full of plot holes, or have a preposterous premise, or both.
The key is that the movie taps something mythic. And I think Gone Girl does. It taps the myth of (what's now being called) the "post-truth" age. It's an urban fairy tale which allegorizes this.
Handy. For example. I'm now calling America's latest President elect, "President Gone Girl".
-- And I'd like that. But that 5h1t ain't the truth. --Jules Winnfield