. . . It should say 'Kagawa'. All the other creatives who get their names superimposed on chairs during the series final few minutes are identified by their FAMILY names (like Towne, Scorsese, Bachchan, etc), but as is sadly still so often the case, the Asian name gets the better of the supposed film experts, and her first name is attached to her chair. Pretty sad that this still happens in 2012, in a series that brings together most of the disparate world cinemas and their creators, in an era where globalization leaves little excuse not to get someone's name right, but there you have it.
I tried so very hard to keep an open mind. I think I was able to overcome his accent - afterall, I am sure my Midwestern Ohio accent must jar some nerves. But there is SO MUCH he ignored. Yes, there is a great deal that should be touched upon, but I have seen it done well I n other documentaries...but sorry, off the top of my brain I can't think of one. I think Cousins should have focused his documentary more on specific subjects. I am not a documentarian, but I know he took on too much and the end result is a mishmash that reuses pieces from prior episodes, jumps forward, ignores important films, actors, directors, etc., and so on. Okay, his accent is really annoying. Right now, watching "The Arrival of Sound" I am at a five rating. I think I will be down to a zero, if possible, by the time I am done watching as many of these episodes as I am able to. It is like watching a train wreck, I imagine, horrible but I can't look away.