I admit, his whole "Hollywood is EVIL" routine is a huge turn off.
I don't know where people are getting this stuff from. His TV series, Scene by Scene, was dominated by American filmmakers. He interviewed everyone from Hollywood royalty like Jack Lemmon, Lauren Bacall, Kirk Douglas and Rod Steiger to acclaimed filmmakers like Martin Scorsese and Woody Allen, to say nothing of cult figures like Brian De Palma, David Lynch, Jonathan Demme and John Sayles.
When he worked for the BBC2 series Moviedrome, he frequently presented films by Philip Kaufman, Dennis Hopper, David Lynch and Tim Burton.
I'm not sure how that suggests a "Hollywood is EVIL" routine?
Perhaps it has less to do with being anti-Hollywood and more to do with being pro-everywhere else. Why can't we have a series on the history of cinema that acknowledges the no less worthy contributions of George Albert Smith, Alice Guy-Blaché, Mani Kaul, Djibril Diop Mambéty, Ousmane Sembene, Sohrab Shaheed Salles, Paul Schrader and Mohsen Makhmalbaf?
It is one story of film; there are several others. But too often we here the same old tale. Cinema began with Birth of a Nation, matured through Citizen Kane and reached perfection with The Godfather. Cinema is becoming stale because for most filmmakers it doesn't exist beyond Star Wars, The Godfather, several Kurosawa films and a smattering of the French New Wave, but these stories run even deeper and are never told. So really anything or anyone that might point a young audience to a master like Shohei Imamura, Glauber Rocha or Guru Dutt is alright by me.
If it broadens the canon, if it elevates Imamura to the same level as Kubrick, or Kaul to the same level as Godard (both of which are true), then that can only be a good thing.
reply
share