Ok so when Vigo's character is about to die near the end and he confesses his crime to Oscar Isaac's character into his wire so the feds would hear. WHY WOULD HE DO THAT? He hated Oscar Isaac's character and he even said earlier that he slept with his wife. Why would he now have a change of heart and want to let him off the hook for murder. That would be the ultimate punishment. I mean I get he was finally being noble in his last moments but it just doesn't fit and was kind of jarring. I see this is based off a book. I wonder if his decision worked better there or if there was more back story or reasoning for his decision.
I saw it as complex remorse. Both had a powerful connection over this adventure, Rydal did say Chester reminded him of his father, he later called him his father at the checkpoint when they got back from the island. And Chester did felt himself as some kind of a father figure to Rydal. He said that he was the only person he can talk to honestly. I don't think it was sarcastic, I think Chester indeed felt such connection to him. And there was entire father complex explored in the film, with Chester seeing how Rydal is speaking about his father.
And Chester wasn't such an evil man, he was trying to survive himself by throwing Rydal under the bus. But when he finally got shot and he understood he is going to die, there was nothing for him too struggle anymore. At that point he gave up his survival and the true nature was revealed - he was just trying to live in this world of lairs and cheaters, and con artists by becoming one himself. But he did care about his wife very much, her death was an incident, and he did felt emotional connection with Rydal, so he didn't want to take him to the grave with himself. A final gesture of the Father to Son.
Rydal learned from Chester more than from his father, this is why he went to his grave, what he didn't do for his own father. I think it was a better ending than if Chester didn't confess. It would've been less complex, despite a happy ending.
Great acting by Vigo, as usual. Fun fact - in the movie A Perfect Murder he is playing the young lover of the wife, who's husband, played by Michael Douglas is trying to frame him. Now he is the husband, and he channels Douglas in a very convincing way. This is pure Douglas role from the 90's. Nice movie.
I watched the movie with Douglas, and I just watched this one. I am glad someone else remembered it. But one thing I remember is that Douglas was "evil" in that movie, compared to Viggo in this one.
I also saw it as Chester's feelings after the death of Colette, exhausted from the whole mess, the running, the lifestyle, and now the only thing he had in life and he loved in life he was responsible for killing her, even though it was accidental. It was a very good movie in a poignant kind of way, as well. Perhaps Chester's confession was a gesture of for once, doing the right thing, IDK. Just a theory. I didn't really understand the final death bed comment, though. Anyone??
Good post, dimagic. Nice to see someone gets it. I need to watrch it again myself; a festival audience isn't the best place for me to really think about a film. Now that it's in On Demend I plan to watch it again.
This film is more complex than it might first appear, as some of the early critics are noticing. As someone said, it is a character-driven noir, and those are rare, especially these days.
I'm more confused about why he didn't come forward with the truth. The PI threatened him with a gun, and hit his head. The death was both an accident and self defense. The guilty party here was the PI. He would have got off on all charges here.
The wife's death was an accident. She tripped and fell off some stairs. He didn't murder her. He could have got off on this one too.
Now everyone thinks he murdered both of them. His final few days would have been less complicated had he been honest.
His final act to exonerate Rydal seemed uncharacteristic of his nature. The film presented him as a dishonest guy with a short temper and a strong dislike of Rydal. To confess everything isn't something I expected him to do, nor is getting Rydal acquitted. The guy who swindled him, and slept with his wife. I guess he looked at Rydal and saw himself, and felt sorry for him. A show of good will from one conman to another.
I don't think so. Rydal only "admitted" that when he was wearing a wire and trying to get the confession from Chester. I think he only said that as a tactic to get Chester to rant.
Another angle on this: Colette knowingly stayed with Chester through the whole swindling business so she didn't seem like she would just have an affair so easily and obviously.
But of course this was most definitely written to be ambiguous.
It's true that if Chester had immediately reported the detective's death, he might have gotten away with everything if the Greek authorities believed him and did no further investigation (although finding the file that the detective was keeping on Chester would have raised a lot of questions, so this plan might not have worked).
Unfortunately, in the heat of the moment, he panicked. He probably feared being identified as a swindler wanted in America and being extradited back home. That would be the end of everything for him. He would lose his money and possibly go to jail. And he would probably lose Colette, which is what mattered most to him, I think. The life he was enjoying with her was the only life he wanted to live. The irony is that, in trying to keep it, he lost everything anyway, including his life and hers.
One of the strongest aspects of the film is watching everything spiral further and further out of control, mostly due to Chester's own failings as a human being.
Good post. It made me think, on seeing this film the first time, so far the only time, I was focusing mostly on the plot's development and then on the characters, atmosphere and such. But arguably this is really on the thematic level a study of Chester's character and his impact on those around him. How he could draw people in, but also had flaws that led to his undoing.
What I would add to your post is the notion that Chester up until that time had stayed at least one step ahead of those who, presumably for good reasons of their own, were out to get him, to follow him. His approach here then would have been in keeping with his past, only this time as the film showed it caught up to him.
What do we make of people like that? On one hand we see in his failure a sort of moral imperative. His story in that sense is a sort of parable. But on anohter level it is too simplistic to only see it that way.
One might ask also what would have been the alternative for Chester? What kind of life would he have been, well, better at?
I don't go so far as to think that all con artists are essentially sociopathic, and Chester, for all his flaws, I think does not rise to that level. He charmed people around him, and saw that he did so. Did that in and of itself make him an awful person?
But of course then at some point, well before the film started, he crossed lines and eventually that caught up with him. But in the meantime... He had Colette, which meant as the story was written he had what he wanted, really the only thing he wanted.
So despite the film's narrative arc, I have to wonder what alternative life would have worked better for a person like Chester.
Chester is definitely not a psychopath. His genuine and seemingly quite normal love for Colette rules that out. As I understand it, psychopaths are not capable of loving other people; they may not even understand the concept.
I don't think Chester would necessarily have been better at - in the sense of more skilled at or better suited to - any other life, but there are plenty of other, more respectable, lives he could have lived if he had had the opportunity. Sales is an obvious choice. Perhaps a lawyer in corporate law.
And, nowadays, Wall Street would be the obvious place for him.
All of the above would require that he have enough of a sense of caution and self-restraint to avoid crossing the line between sharp but ethical (or at least legal) behavior and fraud or malpractice. We don't know enough about him to say whether he had that much self-control, but his behavior after the detective is killed argues against it.
First of all I said sociopath, not psychopath, and I think there is a difference, and I also said he is not one. Yes, a sociopath would not be in love as Chester was with Colette.
And my focus on the question of some alternative way of being was not so much on illegality but on conning others. So I take it your reference to jobs or professions where he could con others, I like the Wall Street reference!, is in basic agreement with my post.
I think Chester believed Rydal at the bar when he said he slept with Chester's wife. Then he realized that Rydal said that just to upset him and get a confession. He probably confessed as an homage to his wife, who liked Rydal and wouldn't like to see him convicted for something he didn't do.
"he's not mad at you, he's mad at himself" quote from that Dunst character.
That sums it up pretty well I think. He's digging his own hole and dragging other people with him, which makes him even more frustrated. Everyone whose been in a similar situation knows that those things rarely have anything to do with other people and when you stop for a moment and take a breather you realize this yourself. Hard to take a breather when you're running for your life and are only thinking about surviving.
I mean sure he may or may not have cheated on his wife, but that's peanuts compared to all that nonsense that was happening the other way around.