The trailers and title imply the actress and her driver are trying to skirt Hughes' rules against his employees dating but their story is just a minor subplot of the quirky Howard Hughes story.
I would consider their story more than "just a minor subplot."
They constitute the film's initial primary focus (let us call it the first act), long before we see Hughes. Then Hughes' entrance serves to further complicate, intensify, and dissipate their romantic travails. Then, yes, they more or less disappear (at least Marla does), but they reunite in the end to engage in a restoration of the heterosexual couple—classical Hollywood cinema's primary imperative. At that point, we might as well be looking at a Hugh Grant romantic comedy.
Sure, Hughes operates at the film's center, but he largely serves to muddy the romance that essentially brackets the narrative.
Now, the trailer may well be misleading—I never saw it. However, the romance definitely turns out to be a major part of the film.
reply
share