With its punishing 149-minute running time, relentlessly gloomy tone but ultimately principled moral message, it feels like a sermon delivered by an extremely cine-literate preacher.
Ultimately, Brimstone is built on a “feminist” concept in the same way that relentlessly repeating “feminism” until you can only hear disjointed syllables equals talking about feminism. Even worse, this concept only relies on the repeated, repetitive abuse of multiple generations of women in order to emerge, and is diminished by various self-satisfied, cheap-thrills choices that feel badly out of place. Shame, as there was a more articulated, sui generis western in here somewhere.
ok Variety....I'm offended with what they say about the Dutch and their view on incest....it is just as forbidden here as it is elsewhere!!! When I read that I stopped reading the rest....why bother....spreading lies about my country!! We are NOT liberal about sex with minors...People who do that and get caught end up in jail....yes...just like in the US...they end up in jail!!!
Yeah that paragraph in the variety review pissed me off more than the major spoiler that was mentioned in the review and i'm Australian so i can't even begin to imagine how Dutch people feel about this. Also does anybody agree with me that posting spoilers of any kind in reviews without a warning to be just plain stupid?
Thanks for the heads up on the spoiler d-rowe-1. 👍
I totally agree with you on the spoilers, it's the main reason why I stopped reading reviews and comments before I watch a film anymore. A lot of people these days do not have the common courtesy to think before they speak...or in this case...type. And then there are those who are hateful and take great pleasure in ruining whatever they possibly can for other's. And then...of course...there are those who are just plain stupid and have no idea what a spoiler is!
Yeah, there and all kinds in this world and it just makes me wonder how some of them ever made it as far as they did...lol.
I think Variety has it spot-on (despite the spoiler):
“Brimstone” is a lurid, grinding piece of religioso high trash taking itself seriously.
The British newspaper reviews are a bit too taken in by the film, while the Cineroom 'review' is a promising, if derivative, piece of work by a 14-year-old. Or so it would seem. reply share
I saw it at LFF and thought it was awful: the only good aspects being Dakota who is alright and the young teenager who plays young Liz (Joanna as she is known then), Emilia Jones who is particularly great.
The most unfortunate element of the film, as I see it is that it is a very serious subject matter (incest and sexual feelings towards one’s own children and grandchildren) but it is handled in a rather bizarre way in which the film initially and at several later points, feels like a horror film where all the terrible things that happen feel as though they may have some mythological cause rather than being realistic. Mainly due to The Reverend (Guy Pearce) who from the outset looms like a Vampire and it seems like he is plausibly not a real human and something other than reality is going on here. Especially given that it is clear that Liz knows something we don't but she's mute so the audience doesn't know what at the start.
It’s such a strange film. It feels like it lasts for about a day. The structure I suppose works for the story. But the story just keeps getting more and more awful, yet not in a way where you’re particularly shocked by where it goes. But indeed in a very gruesome way.
It’s brutal, intentionally misogynistic, hopeless, gruesome, relentless and not a nice watch and it hasn’t got anything interesting to say that I took from it at least. Unless you like to watch women and children (and the odd man too who has the misfortune to get too close to Liz) relentlessly tortured and killed for three hours, with no point at all to it all...
Although at least Kit Harrington as a Yee-Haw cowboy made me laugh. I am not sure I was supposed to laugh, but I found him very amusing in this role. Am I alone...
Why do you feel like the incest and whatnot was handled in a very bizarre way? The Reverand was clearly out of his mind, and Carice van Houten's character just dealed with it, while Liz couldn't understand that and made a choice to run away.