Several Great Things in the Central Bloodbath Shootout
Its sort of interesting to me how Tarantino developed, over time, from a writer-director whose greatest strength was his unique writing of DIALOGUE...and into a great director of ACTION, too.
He never lost the facility for dialogue(this is what makes him a true "auteur," LOTS of people can direct action)...but the action man sort of emerged and you could see it happen:
It happened after he took a six year break between Jackie Brown(1997) and Kill Bill Part One(2003)
His first three films --- Reservoir Dogs, Pulp Fiction, and Jackie Brown -- had violence and shootings and SOME action...but starting with Kill Bill, things got BIG:
The Bride versus all the Samarai swordsmen and women("The Crazy 88's") in KIll Bill 1.
The final car chase in Death Proof(an ode to CGI-free stunt driving.)
The various shootous in Inglorious Basterds and...
...Django's one-man-army assault against a bunch of armed redneck henchmen in Django Unchained.
THAT shootout starts dramatically with the deaths of two stars of the movie and once the two of them are dead, Django leaps into action to shoot his way out of the Antebelllum Southern mansion that is Candyland while rescuing his bride, Hildegaard.
That's the first great thing about the shootout -- it is so deeply emotional given that it starts when a good man (Schultz) dies and converts into Django's raging gunbattle against an ever growing small army of henchmen. Everybody has guns, its a true shootout.
But then QT does things to make THIS shootout something different that what we have seen before(even as it owes its essentially bloodiness and massiveness to the seminal "Wild Bunch" of 1969.)
ONE: As each redneck takes a bullet hit, he SCREAMS IN PAIN, and then KEEPS ON SCREAMING, and the screams of pain mix with ANGER and RAGE. Anyone who has ever hit themselve on the thumb with a hammer knows how the pain turns to rage and you starting kickilng things in anger. QT moves that emotion into getting hit by bullets -- we've always wondered what it feels like to get shot -- this movie says: it HURTS, you SCREAM, and you RAGE.
(Compare this to how, in the final Wild Bunch bloodbath gunbattle, our anti-heroes get hit mulitple times by bullets and just keep soldiering on, dragging themselves to take over the machine gun in the story, flinching slightly or grimacing as each bullet hits - but never screaming in pain.)
TWO: When you've got a bloody gunbattle to film, there is some pretty standard blood we've seen over the years -- bright red like paint, black like oil, somewhere in between.
Well, QT seems to have decided that when HIS blood bags burst on men in this movie -- the blood will discharge each time in a watery explosion of PURPLE-PINK blood. The effect is as if each bullt is hitting a water balloon filled with Hawaiian Punch! Literal EXPLOSIONS of blood(with weird, watery sound effects to compete the water balloon effect.) Its blood hits as we've never seen them before and it is GREAT to look at. (And to listen to, as the surreal soundtrack makes every bullet sound like a soaring rocket on target to explode and every hit DOES explode in sound.)
THREE: As the gunbattle rages on, a lot of the rednecks hit by Django's bullets all start collapsing to the floor -- they aren't dead, but they can't move(if they DID survive, which they don't, they would live on as cripples) and they STILL KEEP getting hit by bullets(Django's sometimes their own) and they SCREAM with each hit, and the blood STILL explodes as if from Hawaiian punch water balloons. This is at once a very bloody sequence(QT trademark) and almost surreal in its mix of exploding water balloons, purple-pink blook and men screaming in pain. (One of them screams when a bullet shatters a door frame and sends wood splinters into his eye -- a realistic, gory touch.)
FOUR: Against a soundtrack of rhytmic, melodic rap, Django fires one bullet at an opponent and the result is a "slow motion gas": we watch the bullet emerge from Django's gun, enter the opponent's front, go out the opponents BACK and then continue on to snuff out a candle and break some glass on its way into an adjacent dining room -- COOL. Great shot!
And yet...
CONT