IMO, Mansell's Stoker score shows some evidence of Glass influence, but I'm not sure if that's intentional or not.
Well, Glass was originally hired to write the entire score, but was replaced by Mansell relatively late in post-production - not sure why. In "The Stoker" cd notes Park chan-Wook alludes to "the director" (PCK) making confusing, conflicting, layman requests for changing the music that Glass patiently adapted to - but he doesn't go into it any further. I get the sense that PCK didn't feel all of the music worked the particular way he wanted. The piano duet is fantastic and it had to be finished before the actors filmed the scene, as everything centered around that music. Both Mia and Matthew Goode learned and practiced about two thirds of the duet so that they could actually play it in time, perfectly in sync with the recorded music, which really gives the scene a strong sense of reality (as tripped-out as it is).
I thought that Mansell did a superb job and it's quite probable that he wrote music that in part functioned along the lines of Glass, without sounding like Phillip Glass - that is, a hypnotic approach that moves, but at the same time, feels still, with overlaying, interlocking parts. The images and camera work in this film, the way everything flows, is like visual music.
reply
share