I'm really confused as to why people are mad that they got rid of the found footage gimmick. REC 2 had a really hard time keeping it going in fresh and new ways so I was delighted in REC3 when 20 minutes in, just when I was starting to get sick of the gimmick and it was starting to reach the point where justifying someone filming stuff in the middle of an apocalypse becomes increasingly difficult, they abandoned it.
I'm really getting sick of found footage horror films. "Blair Witch" and REC 1 have been the only two that have pulled the gimmick off, I think. So it's probably best for the REC films to abandon it if they want to become a franchise. You can only do so much with that concept before it (1) gets old or (2) stretches credulity.
Anyhow, for the record, I loved REC 1, hated REC 2, and liked REC 3 fine. REC 3 isn't great or anything, but unlike REC 2 at least it doesn't retroactively destroy the original. It's really more just a generic zombie film, which I'm fine with.
You may not personally like found footage, but it should be very easy for you to understand why people are upset that the [REC] series has ditched the format. Imagine if Friday the 13th and Nightmare on Elm Street became supernatural anthology movies without any slasher elements. Imagine if Romero's next Night of the Living Dead franchise film stopped being about zombies.
Found footage is part and parcel of [REC]. To say that they have to abandon the concept in order to make [REC] a franchise is no different than saying Scream has to get rid of Ghostface in order to become a franchise. Look no further than Paranormal Activity to see inalienable proof that found footage can and does work as a franchise. You may not personally like those films, but Paranormal Activity 3 was exceedingly better received by both fans and critics than [REC] 3.
--- "Pride is not the opposite of shame, but its source. True humility is the antidote to shame."
That's not really an apt comparison, the content of the story and the world is still in the same vein, it's just the shooting style which has changed. The sequel to the American remake, Quarantine 2: Terminal also mostly jettisoned the found footage format and told a tale set in the same universe in a more traditional horror filming style. It's kinda like the difference between Alien and Aliens, one is suspense horror and the other is a war movie, but just because the styles change doesn't mean the universe, characters, and monsters aren't the same.
By your logic: It'd be like the Night of the Living Dead series suddenly changing to found footage style. Oh wait, that already happened, it was called Diary of the Dead, and no one complained that George Romero changed filming styles, they complained because the story and characters were *beep*
It'd be like if Friday the 13th stopped being a thriller, and became a supernatural slasher film. Oh wait, that already happened, it was called Friday the 13th Part 2 through infinity.
It'd be like if the Nightmare on Elm Street series changed from straight horror suspense to pure black comedy, I think you can tell where I am going with this...
Found footage is an editing and shooting style, not really a genre. It has just been mostly paired with horror because it is a great way to keep the budget down and increase the sense of suspense. In more recent times it has been paired with the monster movie, a la Cloverfield and Troll Hunter, and the super hero film, a la Chronicle.
The film is called [REC] for a reason. So yes, saying that it would be like Night of the Living Dead without the Living Dead is an exceptionally apt comparison.
Romero didn't try his hand at found footage until almost 40 years after the film series began, the fan reaction there isn't comparable. If a [REC] movie in 2046 dropped the found footage format, I doubt fans would mind at that point. But with the series still building its legacy, fans of the first two were expecting a lot from [REC] 3 and it never even attempted to deliver, it was a complete and utter departure. It's an awful lot less like the progression of Nightmare on Elm Street and a good bit more like if Scream 2 had abandoned the horror and mystery aspects in favor of straight-up ham-handed third-tier parody ala Scary Movie.
--- "Pride is not the opposite of shame, but its source. True humility is the antidote to shame."
That's not really an apt comparison, the content of the story and the world is still in the same vein, it's just the shooting style which has changed. The sequel to the American remake, Quarantine 2: Terminal also mostly jettisoned the found footage format and told a tale set in the same universe in a more traditional horror filming style. It's kinda like the difference between Alien and Aliens, one is suspense horror and the other is a war movie, but just because the styles change doesn't mean the universe, characters, and monsters aren't the same.
Nailed. It.
Yes, the title is shorthand for "record" and there isn't some idiot constantly recording, but it's still the same world. Personally I was starting to tune out and ready to fast forward until they dropped the found footage crap, then I could just back and watch and actually be involved in what's happening.
I get that there are a group of horror fans that love found footage, but I personally hate them (mostly because of the "shaky cam" element). I think found footage is a cheap gimmick that's way past its prime. Having someone film an apocalypse instead of trying to be useful makes the characters look like idiots and makes me not care about them (but that's just me).
I think I liked Rec 3 way more than the first two for the simple fact that it was a movie and not entirely built around a stupid gimmick.
Don't try to cash in love, that check will always bounce.
but unlike REC 2 at least it doesn't retroactively destroy the original
Um... what? REC 2 doesn't destroy the original. It fills in the blanks and completes the original. Nothing happens in REC2 that negates anything in REC.
... On the other hand you would have thought that the priest in REC 2 would have known that just quoting the Bible was enough to stop the zombies so REC3 is kind of MORE problematic really...
REC 3 is my first for the series and I thought it was great. I liked the fact that they got rid of it in the beginning too. I thought it added a nice element to the film.
I would have probably liked it a little bit had they still followed the found footage genre. Just like what happened with Blair Witch, getting rid of the FF was its downfall.
I agree, it was a good move to drop-kick the shakey-cam. Having the groom but the boot to it was a funny commentary on that whole style. Not that I don't like the first-person films... but in no way do I think the REC series needs to continue using it just because the first one did. That's one of the things that sinks franchises... when they refuse to expand and change... such as Hellraiser films always having to find a way to shove in 'Pinhead' and the Paranormal Activity movies coming up with increasingly ludicrous excuses to have cameras filming all over the house. Even The Blair Witch sequel pretty much dropped 1st person right off (like REC3 the Blair Witch sequel dared to be different and got a lot of hate for it) and was a better movie than it would have been if it had slavishly tried to recreate the first one's style.
The found footage is a part of REC DNA and IMHO makes them scary and unique in their story telling. Without it, it is just like any other zombie/demon/epidemic movie which there are plenty of them to watch. I'm "really confused" too as to why people who don't like the "found footage gimmick" bother to watch a REC film in the first place. Though I love them, I certainly understand why people don't like shaky cam movies so why subject yourself to them if you know they're not your thing?
Everybody's talking like REC is a franchise with several dozen films to its name and extremely set rules. Thank GOD it ditched that horribly unwatchable shaky cam.
If they wanted to drop the found footage angle, they should have made it look like a proper movie from the beginning, switching from found footage to high production movie style was off-putting. At the beginning, it feels like you're watching an actual wedding set in the real world as if you've found the footage yourself and are watching it back and then when it switches you suddenly become very aware it's a movie.