MovieChat Forums > Midnight in Paris (2011) Discussion > So How Was He Able To Time Travel Exactl...

So How Was He Able To Time Travel Exactly?


So how was he able to time travel exactly?

Do we as the audience ever learn how it all works or do we just accept that he magically time travels at the stroke of midnight being at that magical spot?

Or is that just not the important point of the story?

Also Owen Wilson learns a lot about the past and ends up appreciating the present and realizing he must appreciate what he has in the present right? So why was he so passionate about pursuing the chick in the 1920's then?

Wasn't she getting passed around from Picasso and Hemingway and just going from one lover to the next?

Wasn't the point initially for him to gain the courage to write his own novel once he realized he was confident enough to? So what ever happened to that then?

Also who was the blonde he ended up with in the end? Just a random French chick that he finally found who also shared his interest in walking in the rain?

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the time travel is never explained, but I too would like to know how it happened.

i think he is very attracted to the 1920s girl, but when he realises that she in turn is obsessed with the 1890s, I think that's when he realises that living in the past is a mistake, and that it's better to embrace the present.

I think he does get the confidence to write his own novel, he is helped by Hemmingawy and Gertrude Stein who both seem to like it.

The girl he ends up with does appear in a couple of earlier scenes, there is one at a bookshop where he has a conversation with her, and they find they like the same music etc. so he already knows her a bit when they get together at the end.

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thanks it was pretty creative overall and an interesting concept but i kinda get bothered by movies that dont explain major plot issues like time travel in this film.

I think this movie and devil wears prada really make paris look glamorous, i wonder how accurate the depiction really is though?

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yes, it is a bit annoying, it would be nice to know exactly why that vehicle turns up to carry people into the past. and why can i never find one?
paris is a beautiful city, though of course it has its share of grotty suburbs, homeless people, beggars etc like all big cities. But in general, it is a very striking place.

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Cool thanks for your experiences of Paris. I might have to add it to the bucket list although I hear they are pretty rude to us Americans?

Yes and I agree if they explained that maybe only true writers or artists are able to be picked up to time travel then that would at least provide some sort of closure or explanation, but they never did that.

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I have been to Paris quite a bit (just back from 3.5 weeks in France) and I can tell you that I've almost always been treated with courtesy. If you want to be cr@pped on, just go to your local government office here in the good ol' USA.

The key is, the moment you walk into a store or restaurant or hotel, first thing sing out "Bonjour!" or "Bonsoir!" You do that and things will go much better than if you don't.

BTW I don't speak French - that's not been a problem.

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he rubbed that and clicked his heels

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@bringbackberniew LOL that would make this the greatest movie of all time if he really did have that on his belt!

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[deleted]

@mellowmoviereview

that was beautiful and deep!

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[deleted]

It's never explained because it really isn't important to the story. Honestly, it would distract from the plot if the movie spent time on it.

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Yes, I understand what you mean. . .but the movie shows the taxi appearing at midnight to take Gil to the 1920s, but the film never shows how he gets back to the present and that is a plot hole that doesn't make sense.

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I've always figured that this movie belonged to the "magic real" genre. It needs Gil to go back to 1920s Paris to realise that he shouldn't live in the past. It's part of the film's magic that it's just something wonderful that happens. You can see similar things going on in the works of Neil Gaiman. To me, it's not a plot hole, it's the premise. It's not the important part of the story (as others have mentioned).

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I understand what you mean, really, but behind all magic is reality. I think Woody Allen just wanted to trip up people like me who might question something in the plot. Oh well, it was his decision and I have to live with it.

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Yeah, I guess if you buy it you buy it and if you don't you don't. Hopefully you don't find it too distracting, because it is (in my opinion) a marvelous film.

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It shows how he gets back to the present. After his first meeting with Hemingway, he tries to go back to the bar they were in after just leaving, and it has turned into a laundry service. It explains that he doesnt have to travel back, it just ends after a while.

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He was at that spot at midnight and an old car passes by. That is how he traveled back in time. I am joking a bit, but it makes just as much sense as having a DeLorean and a flux capacitor with plutonium to generate 1.21 GW electricity. In all honestly you just have to buy it that he travels back in time. Woody Allen made it very simple for the audience how he travels back. It wouldnt work in real life so there is nothing he could say about it. Woody Allen knows its not where focus should be put.

The girl in the end was the girl who sold him the Cole Porter records. She was played by Lea Seydoux, the girl from Blue is the Warmest Color.

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Yes, Skibidido, I remember the part about Gil being in front of the Laundromat, so maybe you're right. He is only allowed a certain amount of time in the past. And I guess Woody Allen didn't think is was that important to explain. .. .soooooo Woody!

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He did explain. That scene is enough as an explanation. I think its also convinient for the plot, otherwise the main character would just hang around with Hemingway and Adriana all day instead of going back to his nagging fiancée.

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You mean the scene at the Laundromat was the explanation. Only so much time in the past. Glad it didn't happen when something romantic was happening. ;)

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It really doesn't matter how he was time traveling. It's just a plot mechanism. Magic? Time dilated wormholes? Maybe the whole film was a dream? Does it really matter?

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As the audience we don't learn the specifics of how Gil time travels, and that's part of the fun. We don't learn how he time travels, and we don't learn how Gil travels with Adriana.

The time travel is a plot device but it is also, funnily enough, utterly inconsequential. The point is that each character who simply "slips through time" is not content with where and *when* they live, and believe there is a specific time in the past which their lives would be complete.

Gil learns this isn't true, and figures out how to find the best aspects of his own time. Adriana doesn't figure this out, and stays in her ideal past. Maybe Adriana has a perfect life, maybe not.

The point is, most of us romanticise the past and wish we lived in some bygone era - it is the time in which we live and the advantages we have (knowing how we have it so good and how it compares to the past) which allows us to even wish we lived in the past, even with the disadvantages.

We are, collectively, a very odd species.

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OKAY! So you want to talk about the Time Travel, OKAY! Fine. *sigh* ;)

One of the simplest and yet most intriguing ideas about inter-dimensional/time travel ideas I've ever read is the idea of simply "sliding" from one point to another - points in existence which are very close in time and space and yet not quite *there* can, because of cosmic interaction, briefly overlap.

Now it's not impossible, within the confines of the story, that Gil stumbles upon a semi-regular overlap while on vacation. It could be that the overlap is orbital (think about if there was a slightly lopsided Earth in the same Space but 100 years back in Time, as our own Earth). So every night at midnight there is a brief intersection of dimensions, the focal point (where it is *literally* in focus) is at that particular street and at around midnight - the arrival of the car is close to midnight but never exactly on midnight.

SO, for a short period, there are a number of inter dimensional Earths which Gil travels to - himself, and then with Adriana, and aside the lone detective hired to follow Gil - and it's simply a matter of the tangled (Strings) and uncertain (Quantum) nature of Space and Time which enables Gil to practically stumble about.

And it's only because Gil has no ill-will towards the future and simply seeks to be a better writer that he doesn't rewrite history from the 1920s onwards - aside from the bit that the French guide reads aloud to Gil.

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Dude... You have knowledge!

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"So why was he so passionate about pursuing the chick in the 1920's then?"

To have great sex man, I would too. Marion Cotillard is *beep* gorgeous so if the girl looked like her, that's an amazing experience.

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