MovieChat Forums > To the Wonder (2013) Discussion > How many walk outs when you saw it?

How many walk outs when you saw it?


I saw it at an arthouse theater, so everybody there knew what to expect. However, I saw "The New World" and "The Tree of Life" in a multiplex and there were several walk outs. Love Mallick, but his films are not for everybody obviously, and it is interesting to see how people react to it when they do not know what to expect. They see a big star like Christian Bale, Brad Pitt, or Ben Affleck and they just assume it is going to be something, and are shocked when it is something completely different.

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I saw it at the same multiplex as I saw TTOL a while ago. About 1/3 of the audience walked out of TTOL. But this time there were no walk-outs at all (but hardly any walk-ins either:-)

I suspect there are two reasons: First, most people have learned (many from their TTOL experience:-) that a Terrence Malick film is something different that's not to be wandered into at random. With this film coming out much closer on the heels of TTOL than most of his others, folks haven't had the time to "forget". And second, the general critical panning (which I blame on the really bad fit between the film as it actually is and Magnolia's advance publicity attempts to shoehorn it into mainly presenting some sort of "narrative" or "story") meant the first thing most folks read about the film was distinctly negative.

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And second, the general critical panning (which I blame on the really bad fit between the film as it actually is and Magnolia's advance publicity attempts to shoehorn it into mainly presenting some sort of "narrative" or "story") meant the first thing most folks read about the film was distinctly negative.

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I Think it´s so unfair of critics, because this film is a tender and dramatic poem about different perseptions of love and different abilities to love, everybody feels and expresses love different way and how one´s expectations can turn into disappointment because of that.

Besides, Malik has chosen a fresh way to bring the message - it´s in the form of modern ballet. So few words are said by the characters, and so much is said by the choreography.
I just loved it, it´s a real piece of Art. Unic and Beautiful.


There is no excuse for ignorance when there is Google!

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I too loved the film.

But unfortunately I can imagine all too well if I were a critic on deadline, wanted a 'broad hint' about which general direction to look, and found the description below on the distributor's website, I too would write something inane like 'he did a poor job of telling the story'. I'd certainly never get even a glimmer of an idea about 'ballet' from this:


Neil (Ben Affleck) is an American traveling in Europe who meets and falls in love with Marina (Olga Kurylenko), an Ukrainian divorcee who is raising her 10-year-old daughter Tatiana in Paris. The lovers travel to Mont St. Michel, the island abbey off the coast of Normandy, basking in the wonder of their newfound romance. Neil makes a commitment to Marina, inviting her to relocate to his native Oklahoma with Tatiana. He takes a job as an environmental inspector and Marina settles into her new life in America with passion and vigor. After a holding pattern, their relationship cools.

"Marina finds solace in the company of another exile, the Catholic priest Father Quintana (Javier Bardem), who is undergoing a crisis of faith. Work pressures and increasing doubt pull Neil further apart from Marina, who returns to France with Tatiana when her visa expires. Neil reconnects with Jane (Rachel McAdams), an old flame. They fall in love until Neil learns that Marina has fallen on hard times. Gripped by a sense of responsibility — and his own crisis of faith — he rekindles with Marina after another trip to France. She returns with him to Oklahoma, resuming her American life. But the old sorrows eventually return.

...


I quickly realized the suggestion Marina had some sort of dalliance with Father Quintana was complete hogwash, and in fact the Father Quintana thread stood on its own as another aspect of delving into 'love', rather than being some sort of weird sideshow to Neil and Marina's thread.

(To be fair, the above quotes only the first two paragraphs of Magnolia's three-paragraph description, and the third paragraph threads a better description of the film around the nuts-and-bolts of who made what and when and how ...but who reads that far [or quotes that far]???)

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We went to see it at the Old Market arts centre in Shrewsbury (English Midlands) while visiting for work last week. Began with audience of roughly 45 and ended with about 20 + ourselves (so 23 walkouts) First started 30 minutes in and rest trickled out.Mainly groups who had come to see film together so a few group decisions rather than lots of individual ones. Most walk outs were women, but the audience was made up 70-30 of women anyway (don't know if that is relevant)

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