Agree with your first and second grafs.
As for the third: Seems to me that if you love somebody in that way, enough to make a lifetime commitment, nobody else is occupying any "love" space in that same category, because you're not going to let it. You've pre-obviated all other possibilities. There are no other roads, because you've chosen it to be that way.
On the principle that even the antireligious (I'm not) can see some merit in some statements made in some religious texts, I'm reminded of the statements from the Old Testament: "Rejoice in the wife of your youth," and "Your desire shall be toward your husband/wife," or whatever the exact words were. Both are interesting in that they imply an act of will, a decision that is made and stuck to. What happens in this film is so devastating partly because it's so realistic that it's almost banal: Margot drifts into an affair that creates massive heartache and destruction that she doesn't even mean. She's not a mean-spirited or terrible person. She's just careless, indecisive, and subject to the myths that are entailed in mass-culture notions of "love." But like the poor woman who leans over to catch a falling coffee cup in her car, crosses the centerline, and kills a family of five, the consequences are still there no matter how evil the initial intent.
Another thing from the Bible that bears mentioning along those lines is the idea of "sin" as "hamartia" in Greek, or missing the mark -- the "forgive them, they don't know what they're doing" thing. (I'm working from long-ago memory, but I'm thinking the word also applied to an archer missing the target.) That's more what we have here, just somebody who, for lack of understanding and commitment, for not being clear about her choices and sticking to them, ends up creating massive pain and loss. So it is in real life. Which is one reason, I think, why this film is so excruciating to watch, and so worthwhile.
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