I am totally at a loss how a movie can be a promiscuous woman.
Damned Grammar Nazi!
How
dare you point out this trifling error by the OP, who is doubtless an impoverished Bangladeshi prawn farmer – a Bangladeshi prawn farmer, who has been working twenty five hour days in the sticky clays of the delta during the monsoonal downpours, since before he was a foetus, and whose sole joy in life is his semi-annual visit to a film followed by some spirited English practice and film discussion at IMDB!
And then you,
yes you, you snooty B***d come along on his first day off in sixth months, and ridicule his hard-won linguistic skills by pointing out that a film can’t be a trollop! (Why can’t a film be a metaphorical trollop, eh?)
God,
you and everything you represent just make me sick to the core, you elitist, fascist, racist rotter.Haven’t you heard that PoMo studies have demonstrated
beyond any shadow of a doubt that the phallologocentric concept of Truth (and arguably - but certainly not “hence” – also Falsehood) are nothing more than a last-gasp power play by the vestiges of the patriarchy? In the absence of truth (and lies) nothing can be wrong!
Especially not the meaning of an intertextual construct like a
word!
Now that I’ve wiped the floor with you, I have to go back to my back-breaking job in the maquiladora, assembling pot plant holders for WalMart for seventeen hours a day. (You probably find my poverty and hard living conditions a joke, but there are people on this Earth who were not born with silver spoons and “Five Years Free at Yale” coupons in their mouths.)
I hate you.
—
Sorry about that. Having received a lot of flack for once correcting someone’s grammar, I thought I’d try writing a parody of an anti-Grammar-Nazi post before writing:
Thank goodness that someone, finally, got around to pointing out the impossibility of a film being “trollop.” Codswallop is a possibility.
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