the score


It had an 80s synth feel in parts, two in particular I felt, which worked well in both. The first, when Michael initially attacks Dana. The second, when Allyson finds Oscar's body and first encounters Michael. Felt like another way of having nods to some of the sequels.

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I thought the score was excellent! Tons of fun to hear for the first time straight through and I played it on repeat on cd in my car on Halloween this past year!

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Yeah, the score was great, and the part when Allyson is going door to door, screaming for help, is my favorite.

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Snubbed not only by The Oscars, but even the Fangoria Chainsaw Awards snubbed the score. Criminal, I say. That being said, I voted for Thom Yorke's Suspiria in its absence.

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The name of the second track doesn't make any sense in context of the film. That scene ended up being another boring rehash moment with a great, yet poorly implemented, score.

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The score was the best thing about the movie.

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