What if he just chose wonderful roles. Forget edgy.
I mean, okay, maybe edgy, if the rest of the screenplay was really good, I don't know. But edgy isn't the imperative factor here. He needs to do GOOD stuff. Like, a movie that has a traditional or even old-fashioned structure and plot but is really really GOOD is probably the way to go. CHINATOWN and BUTCH CASSIDY AND THE SUNDANCE KID and RAIDERS OF THE LOST ARK and THE STING and ROCKY and BODY HEAT and UNFORGIVEN and IN THE LINE OF FIRE and TOOTSIE were like that. None of those movies really "reinvented the wheel", as they say. They were just, you know, really really GOOD.
Good is what is indicated here. Nothing more, and nothing less.
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