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Beware of critical appraisal of 'artsy' movies


I watched this movie based on a review which made it sound like a fish-out-of-water rom-com. The review had the actual word "delightful" in the title and also the word "confection" which implies something sweet and easy to take in. Instead, this is what I got: a disgusting serial adulterer, the worst possible consequences to teenagers' hijinks, an incredibly stupid and shallow main character, and a shoving match between two middle-aged men. Oh, and somebody gets trampled to death by cows. What the hell?

I've fallen for this before: I rented another artsy movie that had won film festival awards and was described as "exuberant" and "stunning", or words like that, and a horrible tragedy occurred out of nowhere halfway through.

I'm not down on critics in general, I usually agree with them on what constitutes a good movie, but it seems in the art-house niche things go all haywire.

Of course there are so many comments about Gemma Arterton's ass on this board: it was the only good thing many people found about this movie!

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I thought it was a delightful, exuberant confection. Nothing wrong about a little black humor. But I feel that way about literary critics. They're always writing about how "hilarious" some mega-depressing book is.

http://dasfilmblog.blogspot.com/

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No, there's nothing specifically British about an artsy film. Everyone has them. But I was certainly not the only person who hated this movie, obviously, and was totally misled by the review blurbs.

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your comments are always interesting, markbc-2. No sarcastic tone intended.

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Agreed, this film isn't "artsy" in the slightest. Wonder where that came from? It's about as artsy as "Bridget Jones".

I didn't realise it was based on "Far From the Madding Crowd" in fact, although I did think of Hardy when I was watching it, so thanks for that.

I used to want to change the world. Now I just want to leave the room with a little dignity.

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I wouldnt say it was 'artsy'. Why is it when we British make a film it gets labelled 'artsy' ?


I think it happens because the film isn't "main stream" enough for the average American viewer. (Not easily accessible.) There are lots of UK movies that are (e.g. the aforementioned Bridget Jones), and many that are not. The films that will bring in only the niche market viewers in the US will appear only at the art house cinemas. The viewers tend to be college educated people who watch masterpiece Theatre on PBS, attend Shakespeare in the Park, and watch BBC news on PBS.

Tamara Drewe appeared only at art house cinema in my area. Marigold Hotel appeared at the standard multiplex.

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I agree with you that critics often use misleading adjectives, leaving us to rent one thing while expecting another. In this case, folks looking for a sweet, simple romantic comedy will end up with much more: a deep, complicated look at the consequences of human selfishness. It makes sense that some people could be turned off by that. Describing Tamara Drewe as "delightful" is actually underselling and underestimating it. While much of the humor is light, there is also plenty of excellent drama. The characters are all complex, a testament to the writers and director, and no one seems any more important than another. Despite the title, Tamara Drewe herself has little more screen time than anyone else.

A movie isn't artsy just because it's British or because it expresses itself through human emotion rather than cheesy dialogue or special effects - the hallmarks of most American films these days. So while I understand your disappointment, try to see the film for what it is instead of what it is presented as being. In that light, you may find a new appreciation for it. Even if not, at least you've learned that critical reactions rarely hit the mark and that watching a new movie is always a bit of a crapshoot.

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I knew exactly what i was getting into when i watched the trailer and thank god my mum had already watched.

This is a underrated classic.

Insert @V@T@R

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