The Ending
I wonder how everyone feels about the ending, because I thought it weakened the movie considerably.
When I heard that “Tamara Drewe” was going to be made into a film I was delighted. I thought overall the movie follows the original graphic novel closely.
However, the ending isn’t as faithful to Posy Simmonds. (Warning: major spoilers ahead, so if you haven't seen the movie or read the book, and don't want spoilers, stop reading now). The graphic novel concludes with two deaths. The first is Nicholas’. The novel shows Tamara expecting him to come to her house after he has his final row with Beth. Nicholas never apppears. The visiting writers at his farm find him in the field the next morning. Only later does the novel reveal that Glen had a fight with Nicholas before the cattle stampeded. Furthermore, Glen doesn’t kiss Beth in the novel: Nicholas and Glen fight over Glen revealing to Beth that Nicholas didn’t leave his previous lover for the sake of his marriage; she dumped him (Glen learns this when he overhears Nicholas making a begging phone call to his ex Nadia). The second death is Jody’s. In the novel Jody is found on the same morning dead in her bed, clutching a can of computer cleaner. The verdict of the coroner is that inhaling the cleaner stopped her heart.
Replacing Jody’s death with the death of Ben’s dog makes the film lighter. My husband thought that the producers might have changed the ending to avoid having a 18 rating and to avoid controverery over substance abuse. But it means that the film has less edge; also, the book powerfully indicates how much the boredom and tedium of life in the village for the local teenagers leads not just to mindless pranks and drinking but also tradegy.
I wish that the screenplay hadn’t ended so neatly with Beth finding solace with Glen and Ben forming a couple with with Jody, as the song played over the credits suggests. I couldn’t see why he would be interested in an underage stalker; it looked more like pure wish fullfillment for her.
It's a shame that the film has more of the tone of a light farce rather than indiciating the sorrow of modern country and celebrity life.