I want(ed) to like it, as well... There's, just, much too much *beep* in it. It's a pattern, like an enchanted circle from which filmmakers don't have the power to break out.
When you get into the green /blue screen, macro photography, digital effects (pretty seamlessly) combined with practical, a lot of actors and a (fairly) complex script - what you get out of it is such a huge (and amazing) achievement, perhaps it's hard to piece it all together?.. Too many things to successfully incorporate, the big screen, the social element, getting back the enormous amounts of money that had been invested... Somewhere along the line, it all starts going to *beep* and there's no way out of it??
For many years, now, I've been trying to understand the necessity of this "trend" to make a *beep* up film, as the final product, when you've had ALL these crazy resources at you disposal. Really, it should be something out of this world and instead we're treated to something that's full of plot holes, something that ends up being incredibly stupid to watch and so on... IDK. :-f
Edit: Individually, the sets, costumes, effects, parts of the story, unbelievable ideas that come to life - all of that (and much more!) is untouchable and yet, there are (many?) pictures of days past which seem to be light years ahead of STID, meh.
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