Why was that guy crying like a little bitch when he shot Colin Firth?
I didn't get it. Were those two butt buddies or something?
"I like simple pleasures like butter in my ass and lollipops in my mouth." - Floyd Gondolli
I didn't get it. Were those two butt buddies or something?
"I like simple pleasures like butter in my ass and lollipops in my mouth." - Floyd Gondolli
not sure if serious but yes, they were 'butt buddies'
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not sure if serious but yes, they were 'butt buddies'
well yes its left up to the viewer but my opinion is that they were lovers
shareI think they were implying it. they've made it somewhat more sentimental than the earlier versions. in the BBC version, Prideaux breaks Haydon's neck rather than shooting him, and in the book I understand it isn't actually stated who kiled Haydon.
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I think they were implying it. they've made it somewhat more sentimental than the earlier versions. in the BBC version, Prideaux breaks Haydon's neck rather than shooting him, and in the book I understand it isn't actually stated who kiled Haydon.
Maybe it's not "actually stated" in some narrow sense, but it is still 100% clear in the novel that it is Prideaux who kills Haydon. The reader, through Bill Roach's eyes, knows things that Smiley does not, and, unlike Smiley or Roach, the reader is able to put 2 and 2 together.It’s always been my impression that Smiley knows but doesn’t say anything because it’s Lacon asking and what would be the point? That’s just an impression, though, and there’s no evidence for it in the book.
It’s always been my impression that Smiley knows but doesn’t say anything because it’s Lacon asking and what would be the point? That’s just an impression, though, and there’s no evidence for it in the book.
The last paragraph of chapter 34 makes it pretty clear that Guillam eventually works out that it was Prideaux following Smiley, and from there he must be at least suspicious that Prideaux killed Haydon. He probably also doesn’t see the point in saying anything, and also *beep* Bill Haydon.
Agreed.
sharePrideaux doesn't state his reason for killing Hayden (in the film), but I didn't assume it was to save him from his fate. It seemed to me that he was killing Hayden for using him, since Prideaux had suffered torture for weeks or months, and done some things, because of his love for Hayden, who was just using him and didn't really love him. That's why he was crying...because he loved Hayden.
Prideaux doesn't state his reason for killing Hayden (in the film), but I didn't assume it was to save him from his fate. It seemed to me that he was killing Hayden for using him, since Prideaux had suffered torture for weeks or months, and done some things, because of his love for Hayden, who was just using him and didn't really love him. That's why he was crying...because he loved Hayden.
Prideaux had loved Hayden but I think his grief was as much for what Hayden had done to him. He'd not only had the people that Prideaux ran killed, people he was responsible for and cared about, but let Prideaux believe that he'd betrayed them himself during the torture. The man he loved did the most horrible things he could imagine to him. And now he was killing him. It would have to be a very emotional moment.
Prideaux had loved Hayden but I think his grief was as much for what Hayden had done to him. He'd not only had the people that Prideaux ran killed, people he was responsible for and cared about, but let Prideaux believe that he'd betrayed them himself during the torture. The man he loved did the most horrible things he could imagine to him. And now he was killing him. It would have to be a very emotional moment.
Seriously? I'll have to watch it again and try even harder to not fill holes with memories from the novels.
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"Hayden never betrays Prideaux's colleages in this version. Prideaux betrays them himself."
Are you sure? In every version Prideaux gives up the names of his ring, it's inevitable and he knows it. His hope is to hold out long enough for them to escape.
Was all that torture and self-recrimination pointless? Had Hayden already doomed them?
Unlike the novels and previous version I'm not in a hurry to watch this again, but maybe I'll have to.
The film is consistent with the book in that Smiley puts explicitly to Haydon what remains a train of thought in the book:
SMILEY (CONT’D)
Did Prideaux come and see you
before he left on his Hungarian
mission?
BILL HAYDON
Yes, as a matter of fact he did.
SMILEY
To say what?
Haydon stares at him. For the first time the tears seem
real. Guilt and grief. He looks down. A long pause.
SMILEY (CONT’D)
(almost to himself)
To warn you. Because he knew,
deep down, it was you all along.
BILL HAYDON
So did you.
"The film is consistent with the book in that Smiley puts explicitly to Haydon what remains a train of thought in the book: "
Thanks, and thanks for the advice.
This sort of reminds me of an aspect of "Smiley's People." I though the series actually did a better job of explaining what Karla was worried about than the novel. We could see his daughter's behavior and know that in a Soviet hospital, with peeling paint and the smell of urine everywhere, she'd have been raped by everyone from the director to the janitors. It just seemed to come out more vividly in the show.
"The film is consistent with the book in that Smiley puts explicitly to Haydon what remains a train of thought in the book: "
Thanks, and thanks for the advice.
FILM: Jim says that, under torture, he tries to hold on as long as he could, to give the networks time to escape. The unstated implication is that he eventually cracked under torture. He then asks if the networks got away? Smiley coldly answers, “No. They were blown. The story is you blew them to save their own skin.” The implication is that the networks are captured because Jim betrayed them under torture, and Smiley is coldly unsympathetic to the extenuating circumstances. There is no hint that Bill had anything to do with the capture of the Networks; or that Smiley believes Jim is innocent and the "story" false.It's difficult to state this unequivocally, given the specific peculiarities of this film's storytelling manner -- it's reluctance to state when it can imply, to evade when it might assert -- but I think this is a misreading of the scene in question. The phrasing that Smiley uses, "The story is you blew them to save your own skin," is prima facie a cold and unsympathetic Smiley, but the phrasing is also highly suggestive of an unspoken counterpoint. In other words, someone like Smiley isn't going to say, "The story is..." unless the story is quite likely false, or at least questionable.
Smiley saying that it's a story leaves the door open for Jim to put that story straight if it isn't true.
At that point, Jim is choosing to be as blind to Haydon as Smiley is. Which is why he can't tell Smiley that he warned Haydon before getting shot.
"Who can't use the Force now?! I can still use the Force!" - Yarael Poof
Smiley saying that it's a story leaves the door open for Jim to put that story straight if it isn't true.
At that point, Jim is choosing to be as blind to Haydon as Smiley is.
Which is why he can't tell Smiley that he warned Haydon before getting shot.
Yes, but not only does Jim remain silent, but he has just (as far as the viewer can tell) admitted that it WAS true.
If the script is to be believed,
In any event, it's hard to see the relevance of Haydon not being in the room when Jim betrayed the networks under torture.
There is no reason to suppose Jim discussed the identities of the networks when he warned Bill
The script does not reveal Haydon to be the mole and Prideaux not to be until the end.
That and the revelation that Haydon received a warning from him before Budapest puts Jim's reticence, and a lot of other things that did not conclusively implicate Haydon or otherwise at the time they were revealed in the script, into perspective.
That's interesting, I suppose. But who made that supposition? Who are you addressing with that clause?
Did you construe something in my post, or in the movie, as implying that Prideaux discussing the identities of his network with Haydon was been necessary in order for Haydon to betray them? (Why would Jim be Haydon's only access to the identities of his networks anyway?) Or is this just another tangential, non-sequitur "but"?
The reasons for Jim's torture aren't given and are left deliberately ambiguous ...
Maybe Karla and his colleagues kind of like it.
Oh, for God's sake! If you agree with the statement, just say so. If you have no opinion, that's fine too. Let's not argue over nothing.
Maybe. I mean, that would make no sense for a competent spy-master, who would presumably have better things to do than..
I just asked you what the relevance was of the clause you were introudcing. It's just another one of your tangential obfuscations.
He's only human. With the capacity for sadism and compassion.
"I mean, given what Smiley knows at that point, what the viewer knows, how the movie turns out...I guess I'm wondering why anyone would hear that line and think, "Smiley blames Jim for the compromised networks." It's more like, "This is how those mole-infested eegits who're now in charge say it went down."" - balthazar bee
The phrasing that Smiley uses, "The story is you blew them to save your own skin," is prima facie a cold and unsympathetic Smiley, but the phrasing is also highly suggestive of an unspoken counterpoint.
In other words, someone like Smiley isn't going to say, "The story is..." unless the story is quite likely false, or at least questionable.
I mean, given what Smiley knows at that point, what the viewer knows, how the movie turns out...I guess I'm wondering why anyone would hear that line and think, "Smiley blames Jim for the compromised networks."
There's an unspoken mutual respect between these cold warriors, and the way Oldman delivers the line connotes that.
The film also has Jim essentially confess to blowing the networks (a confession he does not make in the book).I think you may be stymied by a very literal interpretation of a film that, again, rather delights in being evasive. For me, these ellipses don't necessarily mean what you're suggesting -- ie that the loss of this explicit information translates into a fundamental narrative shift.
It also removes the information indicating that the networks were rolled up the same night as Jim's capture. This is what proves either that Jim did not blown them; or else he made no attempt to hold out under torture.
Anyhow, I don't see your logic. The fact that Hayden is some kind of spy, does not necessarily prove that he gave the Russians everything under the sun. The movie appears to say that the Russians got the information from Jim, and you're asking me to reject that information. On what basis? Sure, I know what happens in the book, but the book and film are different.No argument here -- they are different, and I'm not suggesting that the film needs the book alongside in order to be appreciated (or even understood); I'm saying that, in a spy film that concerns itself with a mole hunt, it's not exactly a huge leap to infer that said mole is secretly providing intelligence to the opposing side. That's basically a mole's job description.
You'll have to forgive me if I'm sketchy on the details, but as I remember, Jim says something like he held out as long as he could.
But he also points out that his interrogators weren't interested in his networks. It's natural to assume that that is because they already had that information. Where would they get it?
I'm saying that, in a spy film that concerns itself with a mole hunt, it's not exactly a huge leap to infer that said mole is secretly providing intelligence to the opposing side.
And we don't really need to hear that the networks were rolled up as soon as Jim was captured. There's only a brief window of time in which such an operation can be mounted. I mean, Jim's captured during a rather risky operation, and now the enemy's got him. Obviously there'd be an effort to get his Joes out of harm's way as soon as possible.
I've read many of your posts in the past, and I know you have a comprehensive understanding of the novel and at least one of the adaptations, but I think your struggle with this particular plot point is just a refusal to accept a rather simple inference in the absence of explicit information. Haydon is a double agent who's been working against his own government for years -- if the Soviets inexplicably possess information that they shouldn't, within the narrow narrative construction of this film, Bill Haydon is the culprit.
I revisited this movie last night, and a couple of things struck me.
With respect to the issue of Jim holding out "as long as I could", he also adds that the interrogation continued for "weeks". Every wonderful moment of Strong's performance would seem to suggest that Jim is not a man who would crack quickly. He asks if they got out, yes, because it's a question one asks when a definitive answer isn't given. But, in his restrained way, he does seem surprised at the answer.
Speaking of "definitive answers", you're right that I made a mistake with regards to the film stating that Karla already knew about Jim's networks; however, moments later he comments that it "was a joke" that he'd try to bury the information about Control's mole because they already knew that.
So, while this isn't an exact science, I still believe that Haydon passed on the information about the networks; I think the film indirectly supports this, though I'd acknowledge that this is the realm of inference. I'm a natural contrarian about certain things, and on this board I believe I'm seeing that trait in some of your posts -- you're resistant this inference because you're resistant to acknowledging the film's quality generally, and more specifically, you think it fails to tell the story it's trying to. This may be out of loyalty to the book, the BBC version, or just because you don't like it. No judgment, just an observation.
Remember also that Bill angrily tells Smiley, "I got him back, didn't I?" I'd wager this is significant because it's a genuine risk to the operation to release Jim; it was only Bill's quasi-self-destructive insistence that brought it about. Otherwise he'd have been disposed of as a potential liability once they'd extracted everything they wanted.
Jim knows he "held out as long as he could", and that he was being tortured for "weeks"; since the networks were dealt with as soon as Jim was captured, if anyone bothers to ask him upon his release just how long he held out, that could tip Karla's/Haydon's hand, revealing that there had to be another source for the intelligence. But of course, even there, eegits like Sir Percy would have to believe Jim (ie that he wasn't just covering his own arse) and without Control around, exile is probably easier than dealing with the issue. There's only one rule, as Alex Leamas says: "Expediency."
Following that logic, the reason they tortured Jim was to find out how much Control knew about the mole. The "joke" is that, of course they already knew -- they knew that there was a mole since they were running him. But they didn't know how much Control knew.
With Irina's capture...I guess I don't see how anyone can watch the movie, see the chain of events that lead to this, and not draw the conclusion that Hayden is directly/indirectly responsible. He's the mole, he's alerted to Irina's existence and her possible intelligence, then he takes action. We don't see him take action, necessarily, but surely someone sent word that she needed to be taken care of. And Ricky did send a message to the "grown ups", which it's logical to assume Bill saw as well.
Sorry if this post is borderline incoherent; I wrote it in a rush.
With respect to the issue of Jim holding out "as long as I could", he also adds that the interrogation continued for "weeks".
Every wonderful moment of Strong's performance would seem to suggest that Jim is not a man who would crack quickly.
He asks if they got out, yes, because it's a question one asks when a definitive answer isn't given. But, in his restrained way, he does seem surprised at the answer.
Speaking of "definitive answers", you're right that I made a mistake with regards to the film stating that Karla already knew about Jim's networks; however, moments later he comments that it "was a joke" that he'd try to bury the information about Control's mole because they already knew that.
I'm a natural contrarian about certain things, and on this board I believe I'm seeing that trait in some of your posts -- you're resistant this inference because you're resistant to acknowledging the film's quality generally, and more specifically, you think it fails to tell the story it's trying to. This may be out of loyalty to the book, the BBC version, or just because you don't like it. No judgment, just an observation.
Remember also that Bill angrily tells Smiley, "I got him back, didn't I?" I'd wager this is significant because it's a genuine risk to the operation to release Jim [...]
Jim knows he "held out as long as he could", and that he was being tortured for "weeks"; since the networks were dealt with as soon as Jim was captured, if anyone bothers to ask him upon his release just how long he held out, that could tip Karla's/Haydon's hand, revealing that there had to be another source for the intelligence.
Following that logic, the reason they tortured Jim was to find out how much Control knew about the mole. The "joke" is that, of course they already knew -- they knew that there was a mole since they were running him. But they didn't know how much Control knew.
With Irina's capture...I guess I don't see how anyone can watch the movie, see the chain of events that lead to this, and not draw the conclusion that Hayden is directly/indirectly responsible. He's the mole, he's alerted to Irina's existence and her possible intelligence, then he takes action. We don't see him take action, necessarily, but surely someone sent word that she needed to be taken care of. And Ricky did send a message to the "grown ups", which it's logical to assume Bill saw as well.
Indeed. Seems pretty clear this was the reason.
shareIt would be best if you didn't put outright SPOILERS in your Subject Line.
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