I'm not sure what Coogan was hoping to gain here? Another shot at being recognised as a real actor?
I don't know, all seems a bit lurid and unnecessary. Everyone knows the story. Absolutely no one's going to be watching for "entertainment" value. So why?
Maybe Coogan just wanted a final chance to do more Saville impressions, which I'm sure he used to do while working on Spitting Image...
I think it’s actually a brave choice by Coogan to take on the role. Most actors like it safe so to play such a horrible despicable character takes guts. Kevin bacon is another actor comes to mind, brave choices he took over the years, sleepers, the woodsman ect.
Everyone doesn’t know the story. It goes from roots to the end and it’s a drama not a documentary
"brave choice", "takes guts"... Exactly the words Mr Partridge's ego would hope to hear one suspects.
As per my OP:-
Another shot at being recognised as a real actor?
The only real benefit I can see from this is should a further season of The Trip be made. I can picture Rob Bryden right now, talking in that piss-taking way of his:-
"Ah yes Steve. That was such a triumph. So brave. So, so very brave. Such a weight, a burden indeed, to take on that role..."
Mock humbled Coogan - "Well thank you Rob. I know you're more of a light entertainment man but it is nice to see that recognised by a fellow performer."
Bryden (eyes dancing) - "... But you are absolutely sure you didn't just take on the role for one last crack, one last legitimate opportunity, to do your Savile impressions?"
Steve Coogan is a real actor. Sounds like your real problem is that you don’t rate him. That’s your opinion which you’re entitled to. I on the other hand was apprehensive when i saw the first scene and looked like Alan partridge playing dress up but after 5 mins he molds into the role and there isn’t any partridge nuances, he is very very good in the role. Sounds like you haven’t watched it so I would recommend you do so your opinion is based on what you have seen rather than how you feel about the project and Steve Coogan.
I very much rate Steve Coogan in his comedic roles.
As to him trying to be taken seriously in dramatic roles, that's another matter. But one relevant to what I was saying in the OP - Is that really the sole purpose of this? Basically an attempt by Coogan - using a very famous, much reviled figure - in attempt to garner personal gain? If so, that's in very poor taste...
But perhaps you've missed the point in recommending I should watch it. I was very much putting forward my opinion based upon how I feel about the questionable reasoning behind making this. Watching it wouldn't change that..
But, given that you have, what purpose do really think was served by making it? Other than in service of Coogan which you've already mentioned.
Dramatising the facts and the background to real events can make them reach a wider audience. Lessons can be learned and hopefully mistakes avoided in the future. There a lots of other credible reasons to make this,
Your insinuation that it's only happening to serve Steve Coogan's career or ego, or desire to do a voice he once did over thirty years ago, is without any substance or precedent to back it up.
I think you are just uncomfortable about the subject matter and seeking to point the finger at someone for, reasons.
Your insinuation that it's only happening to serve Steve Coogan's career or ego, or desire to do a voice he once did over thirty years ago, is without any substance or precedent to back it up.
I think it's a legitimate question, given the role was in all probability written for and handed to Coogan directly by his long standing backer Jeff Pope, the producer of, absolutely not, voyeuristic television like "The Fattest Man In Britain".
And it's a question Coogan raised himself:-
“The big question is why are you doing it? That’s the question you have to answer, and that’s the question the script has to answer. If it does then you’re on the right track..."
However, as the review above say, that script fails to do that or make clear point, thereby failing as cheap "voyeurism".
So sure, Coogan gets to go on Channel 4 news and talk about how he was weighed down by the gravitas of it all, but really after that? Do you really believe lessons about Savile are going to be learned as a result of watching this show that weren't already? That seems slightly naive...
Oh well, must be a vanity/ego project by Coogan. Who wouldn't want to make themselves up as a notorious and reviled sex offender in order to boos their profile? Makes perfect sense.
Yes I do believe that dramatising the events surrounding Saville can and probably will help more people learn more about the issue. To pretend that TV shows of this type can't is perverse. You might judge that it is deficient or misses the mark in this respect. But that does not justify your creepy insinuations about the actor and the writer.
If I watch a movie about Hitler and the Nazis, and I don't think the acting and/or writing were good enough, that doesn't mean it's legitimate to question why anyone would be interested in making a movie about the Nazis and Hitler. You wouldn't claim that it's naive to think that a dramatisation of that period might not help teach more people more history.
Not me personally. Coogan said the script must provide a reason for making such a project and the reviewers are saying that that same script fails to provide any clear purpose. Which is exactly what I was questioning in the OP.
As was pointed out elsewhere the show is entitled "The Reckoning" but Savile had no "reckoning". He died having got away with his crimes.
As for your vanity comment - please re-read my previous post re Channel 4 news. I'll post the link to that when it inevitably happens...
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So at worst you can call it a failure. It does not mean it's legitimate to question the point of making it. They didn't set out to make a failure.
What does the title have to do with your insinuation about your suspicion of Coogan's intentions?
This quote? "So sure, Coogan gets to go on Channel 4 news and talk about how he was weighed down by the gravitas of it all,..."
So you're annoyed that he "gets" to go on Channel 4 news? You don't find it credible that he felt the gravitas of it, after meeting with the victims who apparently left satisfied that it was worthwhile?
There's virtually no substance to what you're reaching for. Except that you didn't think The Reckoning was very good. (Or you've read that other people don't think it's very good, so that gives you a legitimate reason to be suspicious of Steve Coogan, somehow....)
By the way, newspaper TV and Film criticism is in the shitter. The Guardian only gives one or five stars to anything now. It's geared towards people 28 and under, who love to describe things that went over their head or just didn't get their attention away from their smartphones as "pointless" or "nothing happened"
So you're annoyed that he "gets" to go on Channel 4 news?
I wouldn't say annoyed, more amused. I find it funny watching Coogan attempting his faux intellectualism - something which, to be fair, he isn't unaware of. He plays up to it pretty well in his exchanges with Bryden...
I think it absolutely makes it legitimate questioning it's purpose, especially given Coogan himself questioned that and said the script had to answer on that very point. If it didn't - which apparently the critics are alluding to - then it had no purpose.
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Yeah that must mean it’s a lurid and unnecessary exercise for Coogan to get to do his spitting image impression again and then pretend it had a purpose on C4 news.
I'm saying the only part you will identify as the supposed reason for Coogan making this programme (in order to gain acting credibility by reviving his spitting image impression of Jimmy Saville) is, at best, illogical.
Kind of just sounds like you're projecting some faint suspicion and dislike for Coogan and his perceived "faux intellectualism" with faux intellectual questions about his motives.
Eh? Why doing you keep going on about his spitting image impression?
Do you really believe I think that's why he took the part? 🤔 Really?
I've already said - he's standing on their shoulders of abuse victims in order to try and gain some acting credibility. He's Forest Gumping it, in poor possible taste.
The Savile reference was simply to futher point out the distaste of that - given his past comedic association with the character.
I'm sure you noticed (but chose to ignore) that I didn't put a question mark after that, as it quite obviously wasn't a serious question. Most people reading that would have the intellect to appreciate I wasn't expecting Steve Coogan to be appearing in a serious dramatisation and throwing out Spitting Image style OTT impressions half way through! 😂
That's the only motivation you've offered. "Maybe Coogan just wanted a final chance to do more Saville impressions, which I'm sure he used to do while working on Spitting Image..."
If I shouldn't think that's what you think, then maybe don't type it.
I have to repeatedly questioned the same motivation all the way up through this exchange! Namely that he absolutely - no doubt whatsoever - took the role in an attempt to gain acting credibility.
I can't really repeat that any further and we've now reached a point of too thin-ness, so I'll wrap this up here.
Why don’t you actually watch the programme? This is a board to discuss the actual show in question yet your arguments that it’s not good have been about Steve Coogans ego and plucking reviews from other sources. Put your phone away, put some time aside, watch it and come back to the board with a valued constructive opinion that’s valid due to you actually watching the show that this board is linked to
That's irrelevant to what I was discussing though and I've already said that to you further up.
You have literally, and non constructively, chosen to ignore that and attempted to change my thread to be a discussion over whether it / Coogan were any good, which is an entirely different question to whether the show has any purpose. Go and make your own thread if you want to discuss that...
I was genuinely interested in YOUR opinion - having watched it - as to what purpose you believed it served but you have chosen to ignore that... which just makes me believe you can't actual state one.
The purpose is to fill time in the schedule and pretend to be "profound".
It's just BBC going through the motions as usual. Like you said we all know the story. I was really hoping when they said they were "postponing" it that meant it wouldnt air at all!
I know people who wonder why Saville wasn't immediately under suspicion from everyone just by his appearance. So clearly not everybody knows the story.
They're talking as if the idea making a dramatisation of a crime and a criminal public figure from decades past that has affected hundreds of people is somehow perverse or extraordinary. It's been the bread and butter of mainstream TV forever.
If people who weren't around at the time are incredulously asking why people didn't suspect this guy and catch him decades before he was exposed, just from his apperance. then clearly there is a reason foo making dramatisations which depict the circumstances in which he got away with it for so long.
People who had never even heard of Saville until after he was dead and people came forward.
If people who weren't around at the time are incredulously asking why people didn't suspect this guy and catch him decades before he was exposed, just from his apperance. then clearly there is a reason foo making dramatisations which depict the circumstances in which he got away with it for so long.
LOL. He didn't get away with just for "so long", he got away with it permanently. Hence the legitimate questioning of the purpose of this "show".
You gave the flawed analogy of the Nazis further up on this thread but no one's making films / TV shows exclusively showing the Nazis gasing Jews and inflicting horror are they? In the end they will have a final purpose, a morality to give.
Yet Savile got away with his crimes, so all this dramatisation can show is exactly that. So where is the purpose, it's artistic reasoning / merit?
The only "merit" I could see was enhancing Coogan's career but I guess it's nice that at least you have put something else concrete forward that this may deliver on, namely:-
In future, people who have watched this "show" will have an understanding of why someone who's appearance is questionable isn't instantly arrested...
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LOL. He didn't get away with just for "so long", he got away with it permanently. Hence the legitimate questioning of the purpose of this "show".
This literally makes no sense. How does Saville not getting caught while alive raise the question of the point of this programme? He escaped justice so there's no point in making a drama about it? Utter nonsense.
The fact that he died before facing justice or having to answer for it arguably provides more reasons to cover the story.
What happens if Coogan receives credit for his portrayal? And why shouldn't he? Because he's Alan Partridge and you prefer him to stay in that box? For what? To make you feel better?
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This literally makes no sense. How does Saville not getting caught while alive raise the question of the point of this programme? He escaped justice so there's no point in making a drama about it? Utter nonsense.
No, it absolutely does make sense.
You have a program showing a guy who didn't get caught, abusing kids and getting away with it. Did you, personally, find "entertainment" in that?
I'm guessing hopefully not, and therefore the question of what's it's actually purpose was is quite valid. It would be "utter nonsense" to suggest otherwise...
To date, you have suggested that it is to stop future generations labouring under the misapprehension that someone with questionable appearance should just be arrested right away. Do you have anything else?
Do you have any other concrete, positive purpose in the making of this show other than to just watch a molester get away with his crimes?
(Almost completely guaranteed to try and deflect / ignore this very direct, simple question and circle back to Coogan...)
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You have a program showing a guy who didn't get caught, abusing kids and getting away with it. Did you, personally, find "entertainment" in that?
What makes you think I need to be seeking entertainment or that The Reckoning is promising it? Incidentally though, anything done reasonably well, no matter the subject or form, is inherently "entertaining". If this was a documentary, it would be entertaining if it were any good. All art and media is intended for entertainment. You're talking as if this is the first dramatisation of a crime or that all crime dramas are designed for people who wish to observe crimes and in the case of criminals who escaped justice, enjoy watching people escape justice for their crimes. A disgraceful and utterly specious strawman that indicates what's already obvious.
To date, you have suggested that it is to stop future generations labouring under the misapprehension that someone with questionable appearance should just be arrested right away. Do you have anything else?
I suggested no such thing you fucking piece of shit. Why are you so keen to suppress the telling of this story? Why do you want to hide Saville's crimes and pretend that "we all know" and just sweep it under the carpet?
I literally said that understanding the circumstances of the Saville case and depicting how he got away with it could help those who are uninformed and incredulous. And also equip people with wisdom to try and prevent it happening again. Maybe your opposition to dramatisation of this story suggests that you don't want people to learn from it. You want people to repeat the mistakes and ignore the signs.
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I suggested no such thing you fucking piece of shit.
If people who weren't around at the time are incredulously asking why people didn't suspect this guy and catch him decades before he was exposed, just from his apperance. then clearly there is a reason foo making dramatisations which depict the circumstances in which he got away with it for so long.
Exactly what you said. That's YOUR words... What an absolutely idiotic response to make - I only responded to your post in the first place based upon that wording.
As for your other nonsense re my not wanting people to "learn" from it, as per the OP:-
"I don't know, all seems a bit lurid and unnecessary. Everyone knows the story."
I've already questioned the idiocy of assuming any lessons would be learnt from this drama which haven't already been taken onboard as a result of this being a very famous case... reply share
You made up the part about teaching people not to judge on appearances. I mentioned appearances because people, who aren't familiar with the case, often highlight them. Therefore, "we" don't all know the story. Which is the basis for you conjuring up a lot of idle bullshit about the purpose of the show and Coogan's acting in it.
I said just above that you wouldn't be able to help yourself but circle back to that same point... and one that I already stated my position on in the OP despite you thinking you're gaining some amazing triumph by repeatedly going back to it...
Anyway, nothing further to add here - I literally can't argue (not that I want to, was just looking for a reasoned intellectual discussion on the point of this show) with someone who can't even stand by something they've said, written down in back and white.
Why should it be in any way remarkable that I allude to your OP and the idle insinuations in it that you've failed to substantiate with anything sensible or logical?
You're not looking for anything reasonable. You're just fishing for an endorsement of your loose suspicions about Coogan "gaining" from a show you've decided has no other purpose.
Do you do this for all real crime dramas? Do they all confuse you as to why people make them and/or watch them?
I made it through 2 episodes before becoming completely bored of it
the things I took from it
1 the BBC is desperate
2 the BBC lives in the 1950s
3 despite being directed by different people, somehow every single BBC "drama" seems to be identical
I get what op is saying and i do believe the prime motivation for Coogan taking the role is Dramatic cred. What the Motivation for the BBC was is something else.
Think about it although he's known for comedies he has for years been doing Dramatic on the side. He even plays it up on the Trip the frustrated Actor dying to be taken seriously but stuck doing Comedy.
This is the case for most of them. Robin Williams in one of the few to have successfully transitioned over and won awards in contrast to how he was when he started. Same with Jim Carrey who didn't manage it. But both these guys were as goofy as you can get but both wanted to be ultra serious. Even Will Ferrell tries it now and then, no matter how childish they are on screen when they get home they dream about being Marlon Brando
Trouble is the public struggle to take them seriously because all they see is Mork, Ace, Partridge and that essence will always be there in their speech and face so finding that hybrid bridge film is so important.
The Winterbottom Films are kind of that very well made but he is still a little bit goofy in them so i have no doubt he saw this as a perfect vehicle.
I wouldn't even be surprised if he had a hand in pitching the idea in the first place. This film was guaranteed to be watched by millions and it's made in a way that screams give me a BAFTA.
Other than that what purpose was there other than reinforcing the narrative that he was a lone wolf who played everyone and that the BBC were naïve but ultimately blameless
you're probably correct. for SC it's "look at his range"...for the BBC it's "the licence fee is paying for this, look how clean we're being about what happened". for anyone watching not directly involved it's "fgs, more BBC droll"