MovieChat Forums > Halloween II (2009) Discussion > It's about a girl with DID (Dissociative...

It's about a girl with DID (Dissociative Identity Disorder)


I know I'm going to get flamed because some will say I'm looking too deep into a "slasher", oh well.

Halloween 2 is about Laurie coping and living with D.I.D. (Dissociative Personality Disorder). This is a disorder where a person possesses two or more personalities. There are many instances in the movie, and deleted scenes, where it hints at Laurie having D.I.D.

I want to start off by stating the obvious -- Michael Myers died. He died at the end of the remake. Rob Zombie intended to make Michael Myers human, so how can he survive a shot to the face with a revolver? I know, I know, "he just got grazed". There's no way in hell a little graze can cause that much blood to splatter all over someone. You can say it's "movie magic" or it's just a movie, but he intended it to be realistic. Besides, if he got grazed, why did he just lay there? Why not finish her off? Grazes don't kill you temporarily.

In the mid-way point of the remake, the janitor tells [young] Michael Myers to live in his head. He tells him the only way he can survive is to essentially create an alternate reality to escape, and that it's okay to do so. At this point, we've already seen him brutally murder his bully and go home as if nothing happened. Then he kills his entire family and later on has no recollection of that ever taking place. With D.I.D. one personality is never aware of what the other personality is doing or has done. It's almost as if it's a completely different person living in your body as a vessel. With that being said, it kind of seems to be implied that the disorder is already in the family bloodline, so it could've been passed onto Laurie.

The question comes up: "If Laurie had D.I.D., then why didn't she show any signs of it in the remake?" Simple, it doesn't always come to fruition from birth. Anything could trigger that in anyone, and tack on to the fact that it may have been hereditary, it was bound to happen eventually. What could trigger D.I.D.? Sexual, emotional, physical, and/or mental abuse. What could've happened to Laurie to trigger the disorder? Seeing her friends on the brink of death, seeing her other friend's cold, dead, naked body in front of her, being kidnapped by this seven foot tall giant with a moldy mask, being thrown off a balcony after falling through the ceiling, and shooting someone straight in the face would probably do it.

Let's jump into the sequel.

We see Laurie going through hell on Earth, even before "Michael" come back into town. It could be argued that it's just PTSD but I feel like that doesn't explain everything, especially the more "supernatural" aspects of this movie. This entry has way more hints at the chance that she suffers from PTSD.

One of the many things is Michael and Laurie sharing the same daydreams/visions/hallucinations. How can Laurie see young Michael Myers? How can she see her dead mom? Why is it whenever Michael Myers eats something or kills someone Laurie reacts to it? That seems more supernatural than realistic and something based on reality, doesn't it? Especially someone she doesn't know. I don't think PTSD causes someone to feel what someone else is doing. Neither does D.I.D., but when you have two or more personalities you don't realize what's going on and you could have little tidbits of memory relapses that you don't recall because technically it wasn't you, it was the other you.

Another example, maybe the biggest, was from a deleted scene. The scene where Laurie is in therapy and her therapist tells her about the folklore about the Native American and wolves. She explains how there are two wolves, the good one and the bad one. She explains that these two entities in everyone, even her. She also explains how these "wolves" are constantly fighting each other, kind of like how people with D.I.D. constantly struggle with one personality wanting to be more dominant than the other. So that was a pretty obvious hint at duality, two persons, two souls, two personalities, etc.

The therapist also says this one line that really stuck, "the wolf that wins, is the wolf you feed." So essentially, the more bad stuff you do, the more the bad side (in this case personality) becomes more dominant. We see Laurie high a lot through the movie and drunk/drinking alcohol. Substance abuse can't cause these disorders, but they don't help either.

Throughout the entire movie (and in a couple of deleted scenes) we see Laurie daydreaming/hallucinating about Michael killing her or her being dead. This could symbolize the death of the old, good Laurie, which correlates to what her therapist said about one or the other wolf trying to essentially become alpha. The bad personality is trying to take over. Also take note that the closer Michael gets to Haddenfield, the more violent and out of control Laurie gets. I don't need to expand upon that.

Laurie experiences terrible seizures, which can happen when you suffer from D.I.D. Laurie constantly snaps at people throughout the film. She can go from nice and easy going to harsh and aggressive in less than 30 seconds. People with D.I.D. do this very often as well when they transition from Personality A to personality B, C, D, etc.

So where does this leave Michael? Well, if you haven't guessed by now... he doesn't exist anymore, he died in the remake. Which begs the question, "then who killed the farmers, the strippers, the cop, etc". That's also easy, nobody. I feel like Rob Zombie knew that many horror fans wouldn't appreciate a Halloween film with minimal violence and psychological overtones, because you know, god forbid a horror fan uses their brain. Those deaths are just there to serve the gore hounds and the fans who want to see someone get offed. Or they could also just be another hallucination by Laurie.

Yes, Laurie killed everyone.

I know it's weird and unusual, but look at it. REALLY LOOK at the movie, pay attention to the dialogue, look at the set pieces, the music, the editing, the cinematography. You'll eventually see what I see. I could go on and on, but I think I said enough. If you have any questions or want me to explain something or whatever, just tell me and I will.


"You're entitled to your wrong opinion. That's fine."

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This thread is deep.. Into shot, it's simple, she has past and it's taking over her life, all of it is real and she isn't a killer.

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Thank you! What I've been saying since 2009. Finally someone who gets it.



"He came home." - Dr. Sam Loomis from the original HalloweeN

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[deleted]

I wanted to post this under my original name (DOPE-cinema) but I forgot my email and password attached to that account so I had to make a new one. 😞

Anyway, I want to add more to my OP. I feel like I didn't explain things well enough and kind of rushed that post. Also I'm not gonna mention obvious things (like certain pieces of dialogue between characters or Laurie's mood swings because those things are fairly obvious)

When Rob Zombie first introduced the 2007 remake, he specifically said his Halloween universe is based on reality, no supernatural elements will be incorporated in his vision. In addition to his statements prior to the film being released, he also said in the commentary and numerous times that Laurie did in fact kill Michael Myers at the end of the first film. It's pretty obvious he's dead too due to the excessive amount of blood splattered all over the girl's face. I don't think a graze would produce that much blood, but I wouldn't really know.

The 2009 film opens up with a title card explaining the meaning of the white horse. So, off the bat, Rob Zombie is letting the audience know that a lot of what you're about to see shouldn't be taken literally and his film is going to be riddled with symbolism. After Laurie wakes up from her nightmare, we don't see her until she approaches the bathroom and looks in the mirror and speaks to herself. If you look into the esoteric meaning behind mirrors in music and film, this is a big indication that there is a spiritual / emotional / mental "war" going on in Laurie's psyche. Here are a couple excerpts on the meaning behind mirrors.

REFLECTION OF THE SOUL

Many ancient cultures thought reflections were not of your physical self, but of the very soul. Some cultures even believed the mirror image at which you were staring revealed the shadow self-- the dark side of your nature.


Just as a physical Mirror is a reflection of how we currently appear, and how the world around us currently appears, so too does our Spiritual Mirror Truthfully reflect the Consequences of our actions along with the Karmic rewards, or punishments, which the consequences of our actions have brought upon us.


Rob Zombie using a mirror to introduce his main character in his film is not a coincidence. Remember, everything on film is done on purpose, with a purpose. The mirror comes into play later with another major character.

We then see her open the mirror and we're introduced to a few bottles of medication -- Laurie is unstable. Halloween 2 is from Laurie's perspective, not Michael's. The first film was his story, this is now hers and her downward spiral (as the first one was his). When Laurie closes the mirror, we see a sticker that reads "Wake the f_ck up". Interesting sticker to have and it's also interesting where it's placed. Why place that sticker there? Why choose that one specifically? Rob Zombie is trying to tell us something. He's again reiterating what he's established before... what we're about to see isn't real or literal. Before Laurie exits the bathroom we see two very interesting pieces of imagery. We see another sticker on the wall (that's cut off, but it's interesting we see this piece of it) that reads "normal?" and we see a tattoo of a butterfly on Laurie's lower back. Butterflies are also very symbolic.

Butterfly is the embodiment of spiritual growth and transcendence perhaps more than any other life form on earth, because of the transformation from caterpillar to Butterfly. The purpose of the life of every Butterfly is to set everything that was once known aside and to embrace an entire new way of being. The Butterfly totem is here to guide us on this journey of freedom, freedom from the past through the ascension process of becoming higher our self.


Laurie joins Annie for breakfast where she goes zero to 100 for no reason... another example of her instability and how easily she can turn on someone she loves for no reason. The dialogue between Laurie and her therapist are obvious clues alluding to duality and Laurie becoming engulfed by the "evil" that's been planted inside of her by Michael Myers. Then we see the scene of Laurie going to work and her boss telling her she needs to loosen up and bring anarchy to the party... huh... interesting.

I never considered Mya and Harley being figments of Laurie's imagination and being symbolic of Laurie's alters (the good and bad) until I read another user's post on here... sorry I forgot your username but I'm sure you know who you are if you read this. This theory is especially evident in this scene. Laurie's boss goes on a bit of a tirade about corporations and Mya responds to him by saying "F_ck the man!" and the man responds to her... however, he looks at Laurie when he says "Right on, sister!" instead of Mya, who made the comment... interesting. Also, something interesting to notice about her two new "friends"... they're complete opposites. Mya presents herself as very kind and light (her attire is white accompanied by a very bright, almost white, blonde hair color) while Harley is very blunt, sexualized and is suited up in dark colored attire with a a pitch black hair color. This is a personified interpretation of the Yin & the Yang.

(in Chinese philosophy and religion) two principles, one negative, dark, and feminine (yin) and one positive, bright, and masculine (yang) whose interaction influences the destinies of creatures and things.


Keep in mind that as halloween nears and "Michael Myers" gets closer to Haddonfield, Laurie gets even more erratic. Her "alter" is arriving with each passing day.

"We all have a little bit of caveman in us" Brackett says (interesting line to insert... Laurie explores her caveman side soon), while intercut with scenes of Michael killing and eating the dog and Laurie throwing up. She senses everything he does... why? Rob Zombie said there were absolutely no supernatural elements in the film. Now, I'm not saying Michael is there and he is killing the dog and eating or, that it symbolizes Laurie doing it. I believe it's not happening at all. It's just a visual representation that Laurie and Michael are the same person.

In the scene where Laurie has that dream where she kills Annie, for the first time, we see a clear image of her tattoos -- which is a star.

For centuries, the symbol of the star has been used to reference divinity, intuition, the feminine, hope and guidance. Stars offer the ability to guide us through the night. They can also refer to your need to discover their own inner light. Stars exists above us as well as within us. They encourage us to trust in something much greater than ourselves.
One of the most popular associations to the Star is its reference to our aspirations, dreams and hopes. They represent our ambitions and desires. They remind us that when things may appear to be out of our grasp, through diligence and faith we can travel beyond our current limitations.


Also, interestingly enough, there's a "statue" of a blue dog behind her. The fact that it's a dog isn't what's interesting... it's the color of the dog.

Negative Traits of the Color Blue:

being rigid, deceitful and spiteful, depressed and sad, too passive, self-righteous, superstitious and emotionally unstable, too conservative and old-fashioned, predictable and weak, unforgiving, aloof and frigid. It can also indicate manipulation, unfaithfulness and being untrustworthy.


The sequence where Laurie "kills" Annie is just like how a young Michael killed Ronnie in the first film. How would Laurie know how that went down if she wasn't there? What a coincidence that she killed her the same way Michael offed Ronnie... again, another indication that they're the same person.

One of the major things we see in this dream sequence is Laurie in a coffin. Coffins have multiple meanings behind them... and a lot of them aren't positive ones.

This dream is unlucky, to the young it denotes unhappy unions and death of loved ones -- to see your corpse in a coffin, signifies brave efforts will be crushed in defeat and ignominy. We are perhaps shutting our own feelings away and therefore causing a part of ourselves to die. There may be a dull, unaware state of consciousness which is lacking in spiritual insight.

When we dream of a coffin, we are reminding ourselves of our own mortality. We may also be coming to terms with the death of a relationship and feelings of loss. This may also be the first warning of a weakened state, a total lack of vitality.

If one sees himself hiding inside a coffin in a dream, it means fearing ones enemy and that one is incapable of facing him, though this element in a dream also could mean salvation or escape from dangers that will follow. A coffin in a dream also represents stress and worries or a traveling vehicle.

A coffin is symbolic of a person dying physically, mentally, and emotionally. A coffin can symbolize someone coming out of spiritual death into life in Christ.


Laurie then jolts out of her dream state and is standing in front of a portrait of Jesus and the dog statue again... except it's purple now. Purple has a lot of negative connotations behind it as well.

Positive and Negative Traits of Purple and Violet :

Positive : unusual and individual, creative and inventive, psychic and intuitive, humanitarian, selfless and unlimited, mystery, fantasy and the future.

Negative : immaturity, being impractical, cynical and aloof, pompous and arrogant, fraudulent and corrupt, delusions of grandeur and the social climber.


Also, did anyone notice the abundance of skulls throughout this film? Skulls, skeletons, skull and bones (all present throughout the film) often symbolizes death, honoring ancestry, and instilling fear.

I'll add more later. It's getting late and I'm exhausted.

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While I find your theory fascinating and well-presented, I think it's a huge reach.

You can literally find symbolism in almost anything if you want to. I think that's what you've done.

Zombie himself confirms that Michael lived after the first one. He is the director, therefore, that is canon.

What you have presented is headcanon, your own perspective, which is perfectly fine, it's just not official.

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It's not even a reach when he literally threw a bunch of symbolism into this movie that serves a bigger purpose than just "LULZ IT LOOKS KEWL111!" He also said many times before H2 was released that Michael Myers DID die at the end of the first one. Yeah, he can change his mind for the sake of the sequel but it's pretty clear who was telling him to say all these things... The Weinstein Company.

He claimed the first film was his own, then after it was released he said the company gave him little to no creative control and that the sequel would be 100% his vision. Then after this one was released, he sang a different tune and said again, he had almost no creative control.

I feel like his intention wasn't to ever make a sequel, which is why he verified Michael's demise at the end of the first one. With a sequel being made by the sequel, he decided to take the reigns again (why would he let someone else continue his vision?) and I'm sure his intention was to have Laurie be the bad guy the whole time (since at this point, he said Michael died at the end of the first one) but again, Dimensions / Weinsteins put their grubby little hands in and he had to make changes to appease them.. since they are financially and distribution-wise backing the production.

It's clear that he wanted to have Laurie be the protagonist and antagonist in the sequel but for reasons beyond his control, he had to make changes. If you think he threw all these symbols in there just for *beep* and giggles and to be different... you're a moron. I'm sorry.

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and I'm sure his intention was to have Laurie be the bad guy the whole time


That is some crazy ass speculation. Keep reaching, you might touch the moon.

Then after this one was released, he sang a different tune and said again, he had almost no creative control.


Can you find me proof of Zombie saying he had almost no creative control while writing/shooting H2? Obviously the theatrical version was not his final edit, but the director's cut sure as hell was.

If you think he threw all these symbols in there just for *beep* and giggles and to be different... you're a moron. I'm sorry.


I don't think many of those things you listed are symbolic. I think you're looking at them too hard and projecting what you WANT them to be symbolically. I mean, come on, Laurie's tramp stamp is symbolic? Really?

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Crazy speculation when the man said Michael Myers is dead and now all of a sudden he's up and running again? If that's what you wanna call "crazy speculation", sure...

If you really wanted proof, you could've clicked your lazy fingers on your keyboard and found it yourself, but here you go. http://screenrant.com/rob-zombie-halloween-3-pauly-18980/

They actually are symbolic. Every frame of Laurie's life is riddled with esoteric symbolism, it's impossible to pinpoint every single one. It's not really myself making up the meaning behind the symbolism when there are articles upon articles explaining these symbols and the history of their meaning in cultures and different mediums, there's even books written way before my time about it... but yeah, we don't know anything. Clearly you're in charge of what is and isn't, right? Just because you're boring and basic, doesn't mean everyone else is.

So because it's considered a "tramp stamp" (nice misogyny there, moron) that means it can't have a meaning to it? Rob could've just had her not have any tattoos but he didn't. He did and it was a butterfly, which is symbolic. I don't think you know how film, hell, the entertainment industry in general works. It's not a coincidence and creative people like Rob don't just throw things in there just to have it or because "it looks cool", as you believe.

I find it funny how you called me a moron originally because you thought I called you a moron but when you realized your illiterate ass read it wrong, you went back and edited your post. I can't take your opinion seriously.

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So from what I can understand, you're saying there's no symbolism in the film yet in your other post, you criticized the film for being overtly symbolic. Hm.

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I edited my post because I didn't want to be a dick, something you clearly have no problem being.

I already read that article you linked. It says, and I quote "I have no information to back this up but my guess the reason he will “never” do a Halloween 3 was due to a creative control or editing conflict between him and the studios execs at Dimension Films backing Halloween 2." "I HAVE NO INFORMATION TO BACK THIS UP."

Also, I didn't say the film isn't symbolic. Of course it is. I just said that many of the things on YOUR list aren't necessarily symbolic. I never once said the film itsself isn't symbolic.

Lastly, many people get tramp stamps because they look "sexy" or "cool." Not because they're symbolic. This isn't misogynistic, it's just a fact.

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This isn't a normal person on the street. It's an actress on set. Therefore, there's a reason why Rob picked the tattoos he did. Even everyday people get tattoos because it means something to them. Your explanations are void and I'm bored.

Old people like you need to hang it up.

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Rob isn't necessarily as deep as you give him credit for. Have you seen his latest film? Lol.

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I don't see how "31" is relevant to this conversation. I never said he was deep either. He's a creative individual who put a realistic spin on a beloved series.

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Agreed. I love the realism of H2.

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PT. II

After her daydream, we see Laurie walking around what looks like Downtown Haddonfield, where she sees an array of characters and interacts with them as well, this scene is intercut with Laurie visiting her therapist again. During her dialogue with her therapist, she admits that she's not strong enough and is on the brink of breaking. Halloween is nearing and Michael Myers is near.

While re-watching this scene, I noticed something. The Frankenstein Laurie notices is the same guy who gets killed at the strip club a few minutes later. It's interesting how Laurie sees this man and later that night he gets killed by her brother. This doesn't mean that Laurie went to the Red Rabbit and killed him, but maybe Laurie was annoyed with him and dreamt or hallucinated that she murdered him. She described the man as loud and perverted, as he is portrayed later in the scene.

Up until this point, no one has seen Michael Myers and all of his kills seem to have a connection to Laurie. She experienced him killing the farmers and the dog, he kills the Frankenstein she interacted with earlier in the day, she dreams about him and vice-versa.

Moving on...

Laurie discovers she's Michael's sister as he arrives on her block? You guys really think this is a coincidence? It could be chalked up to just perfect timing in the film's universe, but let's remember this is based on reality and Rob has established that a lot of this film is symbolic and not to be taken literal. I know I'm getting annoying with repeating the same thing over and over, but I feel like I need to remind the nay-sayers that.

When Laurie rushes home to get her stuff and leave, we see a poster in the background that reads "F_CKED"... foreshadowing that they're all f_cked now that Laurie knows who she really is. Annie calls Brackett to let him know Laurie came by and freaked out. Sheriff Brackett sends a cop to his house to protect Annie... but from who? As far as everyone knows Michael is dead and no one has seen him or talked about him so far. So who else would he be trying to protect Annie from?

Another interesting coincidence; In the scene earlier with the therapist, Laurie tells her she met a pig that she really liked and wanted to take home with her. Everyone knows pig(s) is slang for cops, and Laurie has a way of personifying things around her that she finds dear (her teddy bear was the security guy in her dream)... could this be indicating that this is a dream too? Hm. It could be a reach but I thought it was interesting.

Laurie arrives at Mya's house and as she's talking to Mya, Harley comes in dressed in her costume. Behind Harley is a zebra pattern, also symbolic.

Zebras also represent awareness and self-protection. It is believed when an individual has an encounter with a zebra whether in waking life or through a dream, significant change is on the horizon and important information is ready to surface. Zebra encounters can also signify the individual's need to be aware of their current situation and surroundings in order to make necessary changes. The zebra represents the dual aspects of ying and yang energies, sending the message that every aspect in life requires balance.


Some more star symbolism behind Laurie on the ceiling when she gets on the table, ready to get drunk and party with her "friends".

Stars are an ancient symbol that has many uses and meanings, depending on its form (it's number of points), and it's context.

Stars are some of the most distant things we're able to see with our naked eyes. They can be used as symbols of this physical distance (a long journey or something that is physically unobtainable), as well as many extensions of that, such as emotional distance (something foreign and not easy empathized with, or understood) or conceptual distance (something that is entirely unlike something else or alien).


There's also a male figure's shadow behind Laurie as well... that side of her is coming out.

Now we're introduced to the party scene where Laurie is dressed up as the Rocky Horror Picture Show character Magenta, who's attire is black and white (duality).

Magenta influences our whole personal and spiritual development. It strengthens our intuition and psychic ability while assisting us to rise above the everyday dramas of our daily life to experience a greater level of awareness and knowledge. This color is an instrument of change and transformation; it helps to release old emotional patterns that prevent personal and spiritual development and aids us in moving forward.


Throughout the scene at the party, we see a lot of characters that are similar to the figures seen in "Michael's" dream (where he shows his mom the "statue" of Michael Myers made of bones and there's a dinner with disfigured mystical creatures). This could symbolize that the party is another one of Laurie's dreams... which would make sense since she does end up seeing Michael and their mom at the party. This whole movIe is shot in a very surreal, foggy, dreamlike way that makes it hard to determine what is real and what isn't... which is 100% Rob's intention since we're viewing everything through Laurie's eyes / mind. While on the topic of seeing things through Laurie's perspective, I wanna touch on how Haddonfield looks now compared to the 2007 film. I should've mentioned it earlier but it didn't hit me until now.

Anyone else realize how DEAD and DRY Haddonfield looks now? In the 2007 film, falls were seen as bright and colorful with trees sprouting out leaves and bushes / shrubs were alive. Now Haddonfield is gloomy, grey, desaturated, dead leaves everywhere and the trees and bushes are naked. This is life through Laurie's eyes... everything is ugly... everything is dead. Now this doesn't necessarily mean that's what reality looks like. This is just her version of things, which can't be trusted since it's very distorted.

Harley is killed off, which is cut with Laurie in the club or whatever having a good time. This could be taken one of two ways... Laurie's "naughty side" is being offed by her having a good time and ignoring the negativity... or Laurie is the one killing Harley in the van. Earlier in the scene, when Harley is leaving the party with the Wolfman, we see Laurie looking around as if to check if anyone's watching her so she could slip out and take care of Harley. If Michael really was out there killing people, how does no one see him or hear Harley screaming? It's kind of suspect. Also, just because we see Laurie inside while she's being offed doesn't mean that's the order it went.

Speaking of Michael, let me also write this: if Michael is there and this is a film set in reality, how does he go from Point A to Point B so quick and undetected? It seems pretty weird that a normal man can travel that fast and be invisible. Another thing to note about Michael is his mask. The stripper earlier ripped off a piece of it, revealing one side of his face while the other is still covered. This was emphasized by the disco ball rotating as the camera kept a right shot on his face. The ripped mask represents duality. Who's his other half? Laurie also has half her face covered throughout as well... who's her other half?

Laurie gets lost at the party and also loses Mya... her "good" side, and now she's confronted with her mom and a young Michae Myers... her true self. The dialogue between young Michael and the mom are pretty significant. They asked each other if she's ready to come home. Now coming home doesn't mean leaving with Michael or returning to their own home or anything like that. It means is she ready to accept who she really is and who she's become?

Now, the scene I referred to in my previous post where the mirror would be significant with another major character -- Annie's demise at the hands of Laurie, not Michael. It's interesting that the only characters that are seen looking into, interacting with, or seeing anything in a mirror are Laurie, Annie and now Michael. If you notice, Michael isn't really standing behind Annie... he's actually standing on Laurie's side of the bathroom and next to him, the sticker that reads "Wake the f_ck up" is visible, along with his ripped mask that represents duality. Just as she's being murdered by "Michael", Laurie arrives... again, interesting timing.

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Screw all this.......Zombie is just a hack director and doesnt have vision or intellect to take it this far. People in this thread including the OP are overreaching way past the abilities of him and giving him waaaaaay too much credit. Rob didnt even want to do this movie.
Especially when Rob flat out says in the commentary that Myers is alive.


At the most, if anyone wants to ignore what Zombie said and still interpret a different 'telling' or meaning of the movie; just pretend that this whole movie is a dream of Laurie's and she's been in an insane asylum the whole time after the events of the first movie.

The end.

http://www.escapistmagazine.com/videos/view/escape-to-the-movies/797-Transformers-Revenge

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I absolutely love the idea that Michael is dead and everything is in Lauries mind and she is committing some of the murders. Maybe she murdered her friends and Annie but some of the other stuff(at the club and rednecks for example) are hallucinations. Laurie having a disassociative disorder is awesome and such a great idea for this movie. Unfortunately zombie ruined this wonderful possibility by stating Michael was alive and killed them all.

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No way.

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