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The nauseating mediocrity of horror from the 2000s to today


The horror genre is a f'ing joke these days. For the past ten to fifteen years or so, horror directors have been copying and repeating each other to the point of nausea. I took the liberty of jotting down some quick points and the patterns I've noticed that have been irritating me. I believe these items are what's contributing to the continued marginalization of the genre and why I have lost interest in horror:

• Ignoring the importance of writing, of interesting and amusing dialogue; total lack of theme, of intellectual curiosity, of using horror to posit philosophical or metaphysical questions (the horror is always external and our characters only in external mortal danger, not internally conflicted); overly literal or formulaic storytelling; bereft of content that captures, inspires, or challenges the imagination; hollow, vapid characters that resemble stereotypes and not actual people; smothering anything that could be open to interpretation, thereby making these films as linear and dull as they are pointless and plentiful

• Trying to make us care about the fate of characters and their motives when, as mentioned, the characters are not believable to begin with

• Employing gore for gore's sake, cheapening and diminishing the potential of what horror can be down to just cringe-worthy exploitation that grosses people out instead of being fun or meaningful

• Abusing music, relying heavily on "stock" music sounds to build generic, predictable suspense and to, ostensibly, walk an audience through the movie, scene after scene, scare after scare—this is condescending

• Recycling creature and "scare design"; no creativity; showing too much of the horror that the audience cannot imagine things themselves

• Casting plain actors/actresses with no discernible character; women are far from exotic, men are effeminate, emasculated, and overly vulnerable (muscles, chiseled jaws, deep voices are absent; heroes on-screen are not exaggerated or extraordinary but regular and forgettable)

• Lack of art direction: too dark and desaturated in color to be visually engaging or memorable; interesting details are lost to the dark; darkness, like music, is used as a crutch to instill fear

• Nothing that makes the movie special: story, actors, music, creatures, etc. are all generic. Everything has been arranged in such a manner to blend in with other films of the genre and to "look" like them. This is the recipe for mediocrity.

I'm not saying that slashers from the 80s didn't have their set of flaws but they weren't nearly as glaring, predictable and repetitious as what I've seen the past fifteen years in horror. Does anyone else recognize what I've outlined, or are bothered by the above filmmaking?

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Behold, bastard son
I am the evil one

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Iam inclined to agree with you for most part the old 80s slashers and 70s for most part had a bit more soul but I must say I enjoyed the evil dead reboot though cheers Damien.

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I think you're putting waaay too much thought into this. These are HORROR movies. Not documentaries.
Not instructional videos on how to survive after a natural disaster. Just fun, with a few scares thrown in.
Relax. Have some popcorn and a beer. It's just a movie.

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[deleted]

I can't help but agree with pretty much everything in the OP. This movie had so much going for it, and yet it felt like it had no soul. (Irony?) Jane Levy is an exceptional talent who was wasted on this project, playing a miserable druggie with a vague cliched backstory that we're given no reason to care about. As for the other characters, they may as well have been cardboard cut-outs whose sole purpose is to become drenched in gore at some point later on.

While watching this movie I couldn't help but think what is the point? It was just a bunch of poorly developed characters almost passively wandering through a mindless story with seemingly no purpose. Throw in the cheap visuals and SFX, and we're left with nothing but a hollow shell of what should have been a classic.

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Ignoring the importance of writing, of interesting and amusing dialogue; total lack of theme, of intellectual curiosity, of using horror to posit philosophical or metaphysical questions (the horror is always external and our characters only in external mortal danger, not internally conflicted); overly literal or formulaic storytelling; bereft of content that captures, inspires, or challenges the imagination; hollow, vapid characters that resemble stereotypes and not actual people; smothering anything that could be open to interpretation, thereby making these films as linear and dull as they are pointless and plentiful


I would direct you to recent films such as Oculus, The Babadook, It Follows, You're Next, High Tension, and The Strangers just to name a few that have an emphasis on writing, theme and deeper struggles that aren't always externalized. You'll also find a good piece in Drag Me to Hell. Also, Sinister, Insidious, The Conjuring and Paranormal Activity 1-2 also have these emphases, and come from the mind of the same directors/writers.

I don't know if you're aware of this but I've already changed things. I killed Ben Linus.
--Sayid

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The Babadook had all the right elements but it didn't come together, despite excellent performances. Its trailer had me geeking out but it just turned out to be mediocre.

It Follows, The Strangers and You're Next all had great, unconventional music/sound that I really dug. But like The Babadook, I think It Follows and The Strangers fell flat at their endings. I will say all three did have pretty decent premises, I'll give you that, though they're exceptions. I only saw all three of these after I had written the OP.

High Tension did nothing for me. However, Alexandre Aja and his production of the remake of Maniac were outstanding. I think Maniac (2012) was the best horror movie since Saw (2004).

Drag Me to Hell is a favorite, all due to Sam Raimi's creativity I imagine.

Liked Paranormal Activity. Couldn't get through the second one because the family was so obnoxious.

No interest in seeing Oculus, Sinister, Insidious, The Conjuring. They all look and sound soooo generic and templated.

</opinionated post>

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Behold, bastard son
I am the evil one

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I can assure you that, while Insidious and Sinister do utilize existing tropes, they do it in a way that is completely unique. Insidious in particular really caught me off guard and genuinely frightened me in spite of its obvious inspiration in Poltergeist.

Oculus I can say is a truly unique film that really messes with your mind. It has subtlety, depth, subtext and a backstory that - well, you have to see it. Don't let the fact that it's produced by WWE films throw you off, they actually let the writers/directors go their own way with it.

I don't know if you're aware of this but I've already changed things. I killed Ben Linus.
--Sayid

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I can assure you that, while Insidious and Sinister do utilize existing tropes, they do it in a way that is completely unique. Insidious in particular really caught me off guard and genuinely frightened me in spite of its obvious inspiration in Poltergeist.

Oculus I can say is a truly unique film that really messes with your mind. It has subtlety, depth, subtext and a backstory that - well, you have to see it. Don't let the fact that it's produced by WWE films throw you off, they actually let the writers/directors go their own way with it.


All right, friend, I'll bite and check 'em out. After all, nothing could be worse than Evil Dead (2013).

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Behold, bastard son
I am the evil one

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[deleted]

Effectively the laziness of torture porn and found footage movies has undermined most of the emotional impact of horror movies. Also, virtually every horror movie now has some variation of the primary villain's victory. It's like the same movie with different actors with thin plots stretched out for the sole purpose of giving a downbeat ending.

Occasionally horror movies nowadays will try to be inventive and actually invest us in the characters. Usually that's not the case with the inevitable gloomy ending no longer shocking because it's been done in the last 8,000 horror movies that killed off underdeveloped and/or unlikable characters.

Horror at its best used to be inventive with appealing characters, both good and evil, and plots sometimes featuring downbeat endings that would jar the audience but usually having at least bittersweet endings where someone fought back against evil and won. Now it's all repetitive nonsense with usually overdeveloped (and therefore less menacing) villains, unlikable heroes/heroines, and either outright nihilistic endings or semidiabolical endings intended to do nothing but set up a sequel.

Occasionally a film will avoid these pitfalls, but such an occurrence is increasingly rare.



Requiescat in pace, Krystle Papile. I'll always miss you.

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I am a huge fan of the Genre are you pretty much nailed it. I have seen a handful of modern Horrors that impressed me. My favorite modern Horror film is Rogue.

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More 'back in the good old days' nostalgic wankery.

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