5 Years ago!
Happy anniversary Let Me In!
Wow...5 years.
π
After overdosing on this in 2013-2014, I haven't seen it for about a year now. My feelings since then is that it's too sad a movie to want to pull out to watch again, but we'll see.
http://www.themanyfacesofabby.ca
It probably can be emotionally draining. Kinda like watching Schindler's List repeatedly. Great movie...but wow. All the layers to LMI kept me coming back over and over. Getting to the center of that onion was almost a quest. π
Much easier to rewatch Arrested Development. (Which I've been doing this week)
Geez, a half decade since we all got together and had a wonderful time discussing the film here and bemealittle.com...time sure does fly.
Happy Anniversary to my favorite film. ξΉ
http://flickr.com/photos/55196522@N05/sets/72157625135851207/detail/
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imo, "let me in" is one of the best movies ever made. I wish I had seen it in the theatre, although I don't think I would have been able too. I think the movie had a limited release and I don't remember it playing where I live (Victoria, bc, Canada).
Exclusive Media (aka Hammer Films) is quite proud of it though and presents it very highly on its sites.
http://www.themanyfacesofabby.ca
Exclusive Media (aka Hammer Films) is quite proud of it though and presents it very highly on its sites.
Aw yes I remember it well. Got to see it a week earlier because of Fantastic Fest. One of the best fan experiences I have had with this film.
Finding Abby auditions online - someone else unlocked them
Getting contacted by Hammer's legal - :)
Tweeting Chloe about the movie and getting responses. Before KA when she was tinypinkpoodle.
Getting a PM from her mother saying why they could not reveal she got the part haha. (cupcakecutie) on these forums.
Finding the New Mexico studio address and sending pictures to be autographed. Only to have nothing to show.
Then sending a Rubiks Cube to be signed by the cast members only to have it returned empty handed.
Sending a letter to Matt and being completely surprised by a signed Rubiks Cube (Matt, Kodi, Chloe and Richard) that may have been used in the film.
Having Matt Reeves and Overture films call and invite me to Fantastic Fest. Hanging out with other fans.
Meeting Matt Reeves, Elias Kosteas, Jimmy Pinchak, Dylan Minnette and Kodi Smit McPhee.
Not trying to brag really, some of you have gotten to go to the shooting locations which I am very jealous. I was really glad it was a quiet film that was done so well. It gave a chance for fans to feel a part of it. Unfortunate that it did not gain as much financial return for the studio.
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This is my sig Not that ^
Oh I'm jealous. π I only wish I had known more about the movie before it came out so I could have taken a little drive to Austin myself.
shareFWIW -- The new Goosebumps movie is coming out this week starring Dylan Minnette (Kenny). It is no Let Me In, but it looks pretty good for what it is.
πΏ I know something you don't know ... I am ambidextrous!
for old time's sake, I want to reiterate that no matter what I think of LMI as a whole, I have to say that Abby is a great villain: totally heartless and evil but still managing to fool a good chunk of the audience into thinking she's just a little girl.
sharefor old time's sake, I want to reiterate that no matter what I think of LMI as a whole, I have to say that Abby is a great villain: totally heartless and evil but still managing to fool a good chunk of the audience into thinking she's just a little girl.
Abby being "This evil puppet master" (quoting Matt Reeves) is a valid interpretation, since he was the one bringing it about.
In Let the Right One In, there is this scene where Eli is playing with his toys alone when no one is watching, to show that Eli is mentally a kid.
That scene was cut in the remake, and there is a reason for that; Reeves didn't want to shut the door for the "Abby the evil puppet master" take.
For the heart life is simple. It beats as long as it can.
Abby being "This evil puppet master" (quoting Matt Reeves) is a valid interpretation, since he was the one bringing it about.
Abby is this evil puppet master, who is still somehow sympathetic.
There's no question that she has an evil side. In fact, that's what's so interesting about Lindqvist's conception. It allows for the idea of the evil within all of us, yet he also finds the humanity. I love the idea of seeing Richard Jenkins as a serial killer to begin with, and then peeling the levels away until you realize the tragedy of his character. With Abby's character, people have said, "She's totally manipulative, and she doesn't have feelings for him." I actually don't feel that way. Why can't she both? Why can't she be incredibly lonely, see something in Owen, connect with him and really have love for him? At the same time, why can't she also have this primal side that is incredibly evil and vicious and a dichotomy to that? She also has needs. She needs to survive, and she does need help. In the book, I don't get the sense that she's a 12-year-old who has a 250-year-old woman inside of her who's like a schemer. Rather, she's someone who was attacked 250 years ago and so was stuck internally at the age of 12. She's stuck in that level of emotional development. She never really got past that. There's something sad about that idea she'd never fully mature, even her emotion and brain would not go past that point. She learned how to be a survivor and get by, but she's still vulnerable in the way that a kid is vulnerable. She can't control these things. I thought that was a great metaphor for adolescence, when your body starts to change and things are out of control. It's evident in the way we depicted her. She didn't have fangs. The idea is similar to how your teeth go crazy after you lose your baby teeth. We made those teeth look like adolescence gone wrong. Her skin has lots of acne. All of that was an attempt to show the state she's in. She has levels of evil, but she's also human. To me, that's what makes the story so provocative. The end of the movie is chilling, but it's also like the horror version of The Graduate. Boy gets girl. There they are together. There is a part of you that wants them to be together, but the big question is, "Now what?" That's the cool thing about the story. I don't like to wage one over the other. I like the gray, ambiguous mix of it all.
In Let the Right One In, there is this scene where Eli is playing with his toys alone when no one is watching, to show that Eli is mentally a kid.
That scene was cut in the remake, and there is a reason for that; Reeves didn't want to shut the door for the "Abby the evil puppet master" take.
OK, harpo, you seemed to have misunderstood me. I know that Abby being an evil puppetmaster is just one possible interpretation. That's just my favored interpretation, not absolute truth, I like to think of Abby as a brilliant evil mastermind the same reason that people like to believe that JarJar Binks is a sith lord, it makes the movie so much better.
What is not an interpretation though, but rather the one and only truth is Abby being heartless and evil-full stop. You seem to believe that if Abby cares for Owen that makes her not evil. That logic is backward: it is precisely because she "loves" Owen and Thomas that makes her actions so vile, her character so unredeemable.
Think about it this way: if you were saw starving orphans in Africa begging for food on TV and ignore them while eating your meal, are you really evil, or just average?
If your wife was starving and begging for food while you ignored her, wouldn't you be much more evil?
Same logic-if Abby didn't care about Owen or THomas at all and viewed them as insects, would she really be that evil for using and killing them? If she actually loved them and still used them and killed them, wouldn't Abby be worse?
And I keep telling you in cinema, evil is not an insult. Some of the most fascinating characters in movies are evil. At least Abby as an evil puppet master would have the dignity of being in control of her own destiny, instead of having all the harm and suffering she causes be a result of weakness.
The fact that Abby may "love" Owen and Thomas makes her much more evil than the average vampire. I just prefer that her love is a lie, because if she was lying, there's always the slim chance in the future that she will truly know love. If she was being sincrene in LMI, her "love" is worthless and she deserves to die.
OK, harpo, you seemed to have misunderstood me. I know that Abby being an evil puppetmaster is just one possible interpretation. That's just my favored interpretation, not absolute truth, I like to think of Abby as a brilliant evil mastermind the same reason that people like to believe that JarJar Binks is a sith lord, it makes the movie so much better.
What is not an interpretation though, but rather the one and only truth is Abby being heartless and evil-full stop. You seem to believe that if Abby cares for Owen that makes her not evil. That logic is backward: it is precisely because she "loves" Owen and Thomas that makes her actions so vile, her character so unredeemable.
I don't care that she's mentally twelve. That doesn't mean anything because at 12, she should be old enough to understand Thomas's misery. It might be acceptable if she were six, but twelve is definitely old enough to take some responsibility.
Also, she's a vampire, she obviously plans for the future having survived this long. And we do put 12 year olds in prison, see the slenderman stabbings. Weren't they going to be tried as adults?
Finally, there is nothing equal about Thomas's relationship with Abby. He takes all the risks and dies for her. Like I said before, there was nothing to stop Abby from carrying Thomas out of the window with her at the hospital, nothing to stop her for dying with him, nothing to stop her from turning him. Instead she killed him when he was no longer useful. It doesn't matter that Thomas may have asked for it, what matters is that Abby was OK with the arrangement of having THomas die for her. That is evil no matter what Abby is, more evil if she considers herself "human," but didn't Reeves take out the explicit denial of being a vampire?
Abby isn't morally defensible, yet some people still try; that makes her a great villain, don't you think?
I don't care that she's mentally twelve.
totally heartless and evil but still managing to fool a good chunk of the audience into thinking she's just a little girl.
That doesn't mean anything because at 12, she should be old enough to understand Thomas's misery. It might be acceptable if she were six, but twelve is definitely old enough to take some responsibility.
Also, she's a vampire, she obviously plans for the future having survived this long. And we do put 12 year olds in prison, see the slenderman stabbings. Weren't they going to be tried as adults?
Finally, there is nothing equal about Thomas's relationship with Abby. He takes all the risks and dies for her.
Like I said before, there was nothing to stop Abby from carrying Thomas out of the window with her at the hospital, nothing to stop her for dying with him, nothing to stop her from turning him. Instead she killed him when he was no longer useful. It doesn't matter that Thomas may have asked for it, what matters is that Abby was OK with the arrangement of having THomas die for her.
That is evil no matter what Abby is, more evil if she considers herself "human," but didn't Reeves take out the explicit denial of being a vampire?
My point is very simple: Abby would be evil no matter what she is. If she's a 12 year old girl, she's evil for repeatedly killing her loved ones. This would be true even if she has the mental capacity of a 12 year old and there's no evidence that she does. All that stuff you cite is pointless because I'm not even arguing that she's necessarily mentally an adult; all I'm saying is that the film heavily implies a cycle, and therefore Abby is evil.
It doesn't matter that she really loves her companions; in fact, part of my point is that she would be even more evil if she did love Owen or Thomas.
I'm not saying that the evil mastermind theory is 100% true, that part is debateable. What is not debatable is that Abby is evil, no matter what the reason for her actions.
But your points don't even counter the mastermind theory:
1. Human psychology has nothing to do with vampires, so all the scientific stuff is irrelevant.
2. Abby being unhappy with what she has to do to survive doesn't mean she doesn't plan to do it. Hell, sometimes I'd rather lie in bed all day than go to work, but I still do work. On the other hand, since you're such a fan of it could be both: Abby could actually like Owen's company and still plan to seduce him into a lifetime of servitude, in fact, that's what makes her evil.
Maybe Thomas wanted to die for Abby, maybe he used to be happy 30 years ago. None of that makes Abby any less evil. It's like dealing heroin, maybe the customer likes it, maybe he was happy with his first high, maybe he willingly brought the drugs to overdose and commit suicide. None of those makes the dealer less responsible for hooking a kid on drugs.
I literally can't make it clearer.
My point is very simple: Abby would be evil no matter what she is.
If she's a 12 year old girl, she's evil for repeatedly killing her loved ones.
This would be true even if she has the mental capacity of a 12 year old and there's no evidence that she does.
All that stuff you cite is pointless because I'm not even arguing that she's necessarily mentally an adult; all I'm saying is that the film heavily implies a cycle, and therefore Abby is evil.
1. Human psychology has nothing to do with vampires, so all the scientific stuff is irrelevant.
2. Abby being unhappy with what she has to do to survive doesn't mean she doesn't plan to do it. Hell, sometimes I'd rather lie in bed all day than go to work, but I still do work. On the other hand, since you're such a fan of it could be both: Abby could actually like Owen's company and still plan to seduce him into a lifetime of servitude, in fact, that's what makes her evil.
Maybe Thomas wanted to die for Abby, maybe he used to be happy 30 years ago. None of that makes Abby any less evil. It's like dealing heroin, maybe the customer likes it, maybe he was happy with his first high, maybe he willingly brought the drugs to overdose and commit suicide. None of those makes the dealer less responsible for hooking a kid on drugs.
hmmm, perhaps we just have very different world views. But I'm not the one defending a demonic serial killer :)
sharehmmm, perhaps we just have very different world views. But I'm not the one defending a demonic serial killer :)
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Fair enough about what Matt Reeves says, but we also have to notice what he does.
In Let the Right One In, there is this scene where Eli is playing with his toys when no one is looking, to show the audience that Eli really is a kid, mentally.
Matt Reeves made an equivalent scene, but then he proceeded to delete it in Let Me In, meaning that he didn't want to show to the audience Abby as a kid, mentally. From what we see in Let Me In, Abby might very well be an old evil puppet master in a young girl's body.
For the heart life is simple. It beats as long as it can.
Fair enough about what Matt Reeves says, but we also have to notice what he does.
In Let the Right One In, there is this scene where Eli is playing with his toys when no one is looking, to show the audience that Eli really is a kid, mentally.
Matt Reeves made an equivalent scene, but then he proceeded to delete it in Let Me In, meaning that he didn't want to show to the audience Abby as a kid, mentally. From what we see in Let Me In, Abby might very well be an old evil puppet master in a young girl's body.
We clearly see Abby's toys in LMI. How is it worded?....Reeves didn't have to "hold the audience's hand" or "shove it down their throat".We both know that Matt Reeves also wanted the possibility for Abby to come across as "this evil puppet master". In order to do that he simply had to tone down the toys, which he did.
We both know that Matt Reeves also wanted the possibility for Abby to come across as "this evil puppet master". In order to do that he simply had to tone down the toys, which he did.
Then we agree, what I wrote was that Matt Reeves brought forward the valid interpretation of Abby being This Evil Puppet Master".
You posted the quote yourself, Matt Reeves using several hundred words not denying it.
Abby is this evil puppet master, who is still somehow sympathetic.
There's no question that she has an evil side. In fact, that's what's so interesting about Lindqvist's conception. It allows for the idea of the evil within all of us, yet he also finds the humanity. I love the idea of seeing Richard Jenkins as a serial killer to begin with, and then peeling the levels away until you realize the tragedy of his character. With Abby's character, people have said, "She's totally manipulative, and she doesn't have feelings for him." I actually don't feel that way. Why can't she both? Why can't she be incredibly lonely, see something in Owen, connect with him and really have love for him? At the same time, why can't she also have this primal side that is incredibly evil and vicious and a dichotomy to that? She also has needs. She needs to survive, and she does need help. In the book, I don't get the sense that she's a 12-year-old who has a 250-year-old woman inside of her who's like a schemer. Rather, she's someone who was attacked 250 years ago and so was stuck internally at the age of 12. She's stuck in that level of emotional development. She never really got past that. There's something sad about that idea she'd never fully mature, even her emotion and brain would not go past that point. She learned how to be a survivor and get by, but she's still vulnerable in the way that a kid is vulnerable. She can't control these things. I thought that was a great metaphor for adolescence, when your body starts to change and things are out of control. It's evident in the way we depicted her. She didn't have fangs. The idea is similar to how your teeth go crazy after you lose your baby teeth. We made those teeth look like adolescence gone wrong. Her skin has lots of acne. All of that was an attempt to show the state she's in. She has levels of evil, but she's also human. To me, that's what makes the story so provocative. The end of the movie is chilling, but it's also like the horror version of The Graduate. Boy gets girl. There they are together. There is a part of you that wants them to be together, but the big question is, "Now what?" That's the cool thing about the story. I don't like to wage one over the other. I like the gray, ambiguous mix of it all.
Then we agree, what I wrote was that Matt Reeves brought forward the valid interpretation of Abby being This Evil Puppet Master".
You posted the quote yourself, Matt Reeves using several hundred words not denying it.
With Abby's character, people have said, "She's totally manipulative, and she doesn't have feelings for him." I actually don't feel that way.share
Of course, he is the interviewer, it is his job to ask questions!
And Matt Reeves grabbed the opportunity to elaborate about Abby as the possible Evil Puppet Master.
For the heart life is simple. It beats as long as it can.
Of course, he is the interviewer, it is his job to ask questions!
And Matt Reeves grabbed the opportunity to elaborate about Abby as the possible Evil Puppet Master.
Nope, why can't she both, he says:
With Abby's character, people have said, "She's totally manipulative, and she doesn't have feelings for him." I actually don't feel that way. Why can't she both?So, Abby is this evil puppet master, AND is still somehow sympathetic.
Nope, why can't she both, he says:With Abby's character, people have said, "She's totally manipulative, and she doesn't have feelings for him." I actually don't feel that way. Why can't she both?So, Abby is this evil puppet master, AND is still somehow sympathetic.
There's no question that she has an evil side. In fact, that's what's so interesting about Lindqvist's conception. It allows for the idea of the evil within all of us, yet he also finds the humanity. I love the idea of seeing Richard Jenkins as a serial killer to begin with, and then peeling the levels away until you realize the tragedy of his character. With Abby's character, people have said, "She's totally manipulative, and she doesn't have feelings for him." I actually don't feel that way. Why can't she both? Why can't she be incredibly lonely, see something in Owen, connect with him and really have love for him? At the same time, why can't she also have this primal side that is incredibly evil and vicious and a dichotomy to that? She also has needs. She needs to survive, and she does need help. In the book, I don't get the sense that she's a 12-year-old who has a 250-year-old woman inside of her who's like a schemer. Rather, she's someone who was attacked 250 years ago and so was stuck internally at the age of 12. She's stuck in that level of emotional development. She never really got past that. There's something sad about that idea she'd never fully mature, even her emotion and brain would not go past that point. She learned how to be a survivor and get by, but she's still vulnerable in the way that a kid is vulnerable. She can't control these things.
In this thread I'm more interested in Reeves' ideas about the evil within Abby, and not so much about what he thinks about the humanity.
The way he portrays her vamped out points many in the direction of interpreting Abby as the Spawn of Satan, reflecting Reagan's Speech of Evil:
http://1.bp.blogspot.com/-yh1HvLsPNlg/VX4LRRSqm6I/AAAAAAAAT5o/0cXY7ueFSJA/s1600/Let-Me-In-vamped-out.png
For the heart life is simple. It beats as long as it can.
I agree there are two distinct entities inside Abby. I believe Reeves got that idea from the novel where the older vampire points out where it is growing inside Eli and when Virginia talks about how there is something urging her to do things she doesn't want to do.
shareThe presence of Satan in Let Me In is rather the work of Hammer, a horror film company with titles like "The Two Faces Of Evil" and "The Mark of Satan".
The voice Owen hears trough the wall when Abby berates Thomas, is a voice from Hell, together with the face of Satan's Spawn on Abby when vamped out. Everything subtly wrapped up by Ronald Reagan in his Evil Empire speech.
For the heart life is simple. It beats as long as it can.
No way of knowing where the idea came from of course, but it does match up nicely with the novel.
shareYeah, I love the ambiguity. For me it's obvious that is she confused and susceptible to human emotion despite her immortal, powerful state, but I LOVE the fact that it's grey.
shareYeah, I love the ambiguity. For me it's obvious that is she confused and susceptible to human emotion despite her immortal, powerful state, but I LOVE the fact that it's grey.
FWIW -- The new Goosebumps movie is coming out this week starring Dylan Minnette (Kenny). It is no Let Me In, but it looks pretty good for what it is.
Cool thread.
share