a rambling dark comedy--or just a rambling bad film
There are some interesting twists to the plot and some outrageous behavior by Cage's oddly nuanced character, but unless you take this as a dark comedy, the film ends up being a very poor fit as an examination of America or of New Orleans. The film is not even an interesting examination of the character Cage creates...which is a problem since he is in almost every frame of the work. The film also ends up being a poor mystery, action, or cop flick. However, even as very black comedy, it just does not come off as worth the two hours.
Had the film gone even more over the top, perhaps it would have worked. As is, it just lands somewhere in the middle, like an exotic meal or modern painting that didn't work out as intended.
Plus, there are just too many odd choices: 1) Why do the cops act as if they have no training whatsoever? 2) What is with the filthy Plexiglas that is placed between the camera and the iguanas? 3) And WHAT is with the iguanas? If they represent Cage's breakdown why not more of this? 4) Why are the accents all over the place? 5) Why is the film given this title? Surely Herzog was informed...and how could he not be interested of the film with the similar name once he was?
I've often wondered how people in other countries view films made by foreigners working in their land or directing their nation's actors. Now I know what the risks are: a tin ear for what is important when creating a work of art using voices and cultures with which you are inexperienced. Apparently, Herzog and his forgiving fans felt the risk was worthwhile or are not aware that what he made, and what they are seeing, is just plain bad.