Heath Ledger was bad
He was not very good in this and his improvised 'comic' lines were really off. Shame really, it ruins his little streak of good performances just before his death.
This is glue. Strong stuff. - Elwood Blues
He was not very good in this and his improvised 'comic' lines were really off. Shame really, it ruins his little streak of good performances just before his death.
This is glue. Strong stuff. - Elwood Blues
Ledger's performances were always good, but "The Dark Knight" is a relatively forgettable film made for children basically. "The Dark Knight" is the kind of movie that Heath Ledger wouldn't have even paid to see. He was passionate about "Imagarinarium of Dr. Parnassus" because he knew that his performance wouldn't be wasted on just a summer blockbuster. He knew it would be judged over decades, not months.
Did I not love him, Cooch? MY OWN FLESH I DIDN'T LOVE BETTER!!! But he had to say 'Nooooooooo'
Heath Ledger did his fair share of hollywood trash so it's a bit daft to get uppity about about 'The Dark Knight' being a forgetable film. Plus his performance in Dr Parnassus was really not good.
Also that point about The Dark Knight being a film that Heath wouldn't even pay to see is just bizarre.
This is glue. Strong stuff. - Elwood Blues
funkyfry: Are you retarded? every single thing you said was utter bullsh*t. The Dark Knight is NOT a forgettable film at all, it's easily one of the best movies of the last decade and Ledger's performance was phenomenal. And you call it a movie for children, ARE YOU F_CKING SERIOUS? if you think that's a kids movie i bet you let your kids watch Silence of the lambs. And he was CLEARLY more passionate about playing the Joker than any role he ever played, so that comment was absurd sh*t as well, and The Dark Knight is not "just a summer blockbuster" what a tool.
"He knew it would be judged over decades, not months."
WTF? do you have a brain in there? Ledger's Joker has gone down as one of the greatest villains in cinema history, and it will stay that way for a very long time. And as for your comment about him not paying to see it, WHAT THE F_CK!? you make no sense, at all. You clearly just have some vendetta against batman or great movies.
"He'd consume the English with fireballs from his eyes and bolts of lightning from his arse"
funkyfry: Are you retarded? every single thing you said was utter bullsh*t. The Dark Knight is NOT a forgettable film at all, it's easily one of the best movies of the last decade and Ledger's performance was phenomenal.
And you call it a movie for children, ARE YOU F_CKING SERIOUS? if you think that's a kids movie i bet you let your kids watch Silence of the lambs.
And he was CLEARLY more passionate about playing the Joker than any role he ever played, so that comment was absurd sh*t as well, and The Dark Knight is not "just a summer blockbuster" what a tool.
"He knew it would be judged over decades, not months."
WTF? do you have a brain in there? Ledger's Joker has gone down as one of the greatest villains in cinema history, and it will stay that way for a very long time.
And as for your comment about him not paying to see it, WHAT THE F_CK!? you make no sense, at all. You clearly just have some vendetta against batman or great movies.
"How severely have we lowered our standards for drama and for art, if comic book action movies are considered "great" or "adult" in any sense of the word?!"
What a ridiculous, absurd and stupid comment.
"To me, the level of violence or "gore" isn't necessarily a measure of whether or not the film is for kids or for adults."
You really have no idea what you're talking about, The Dark Knight has NO gore in it, that's not what i was talking about. I'm talking about the fact that it's a very psychological movie and more like the crime film "Heat" than something like "Spider-man". The movies primary audience is adults, not kids or teenagers, kids would probably get bored with it because all the action could actually happen, it's set in reality.
"I'm sure that's true, but the whole concept of a "great villain" doesn't really enter into mature cinema."
That doesn't make any sense.
"but based on what I know about the kind of movies Heath Ledger enjoyed, he only did this one for paycheck and recognition, and he would not have even bothered to watch a Batman movie in general."
Did you not even read my earlier comment? he did it because he was passionate about it, you don't lock yourself in a hotel room for a month and put all that time and energy into a role for the "paycheck". And i watched some interviews with Heath Ledger before his death and he said he was a big fan of Burton's Batman movie growing up and he said that he saw Batman Begins before he was offered the role and said he loved what Chris Nolan did with the universe.
But your original comments were stupid because "The Imaginarium of Doctor Parnassus" will be remembered FAR less than The Dark knight. Hell, he even won an Oscar for his role as the Joker, and about seven people have been nominated for posthumous Oscars and only two have won, so you can't say it's a sympathy vote either.
"How severely have we lowered our standards for drama and for art, if comic book action movies are considered "great" or "adult" in any sense of the word?!"
What a ridiculous, absurd and stupid comment.
You really have no idea what you're talking about, The Dark Knight has NO gore in it,
that's not what i was talking about. I'm talking about the fact that it's a very psychological movie and more like the crime film "Heat" than something like "Spider-man".
The movies primary audience is adults, not kids or teenagers, kids would probably get bored with it because all the action could actually happen, it's set in reality.
"I'm sure that's true, but the whole concept of a "great villain" doesn't really enter into mature cinema."
That doesn't make any sense.
Did you not even read my earlier comment? he did it because he was passionate about it, you don't lock yourself in a hotel room for a month and put all that time and energy into a role for the "paycheck".
And i watched some interviews with Heath Ledger before his death and he said he was a big fan of Burton's Batman movie growing up and he said that he saw Batman Begins before he was offered the role and said he loved what Chris Nolan did with the universe.
But your original comments were stupid because "The Imaginarium of Doctor Parnassus" will be remembered FAR less than The Dark knight. Hell, he even won an Oscar for his role as the Joker, and about seven people have been nominated for posthumous Oscars and only two have won, so you can't say it's a sympathy vote either.
Heath said that he would do blockbuster movies once in a while but his true passion was making independent movies.
"'And my mom gotta stop trippin, man. Bitch be tripping all the time, man!'"
"Well at least I am not the one throwing around personal insults"
I NEVER did that, stop talking sh*t.
"The pencil trick isn't gory? I guess you could argue the way Nolan did it he left most to the imagination, sure."
You literally just answered your own question, as far as i can remember there is not even one drop of blood in The Dark knight.
"I didn't see "Heat", but I bet it didn't have a guy jumping out of an airplane and landing in the exact right spot on a skyscraper. That's more like James Bond, or Batman movie stuff."
He never jumped out a plane, he jumped from a building opposite and glided through the window. And the tone of TDK is NOTHING like James Bond, "X-Men First Class" has a similar tone to James Bond, TDK has a similar tone to a crime film.
LOL, seriously? I mean it doesn't have Gandalf throwing magic fireballs around, but the action is so far from being realistic that I have to assume on the basis of just general respect for your intelligence that you just mean that the superheroes and villains don't have supernatural powers. That much is true. But neither does James Bond, XXX, Rambo, etc. And there's nothing real about the action in this type of movie. Batman would have been dead 5 minutes into the movie in "reality."
Everything in the movie except Batman jumping from a roof, landing on a car and surviving could actually happen, the action is either hand to hand combat or vehicle chases, IT COULD HAPPEN.
"Movies for adults don't have heroes and villains. Notice how in the Chris Nolan movies that were more made for adults, like "Memento" and "The Prestige", there aren't any heroes or villains."
WOW. What an incredibly stupid comment. I guess in your head The Silence Of The Lambs, Psycho, Misery, Blue velvet, 2001: A Space Odyssey, A Clockwork Orange and One Flew Over The Cuckoo's Nest don't exist.
"He did all that in order to make sure that his performance wouldn't just be another cameo in a big action movie. He definitely transcended what the movie was and what Nolan was conscious of, in my judgment."
What a foolish comment yet again.
Fair enough, maybe Heath Ledger would have watched the movie even if he wasn't in it. But I doubt it was the type of movie he thought was the best, or that he would think it was an actual mature film like "Brokeback Mountain" or "Imaginarium."
The Dark knight is a BILLION times more mature than The Imaginarium of Doctor Parnassus is, and that's saying a lot considering it's about a guy who dresses as a bat and fights crime.
"The Dark Knight will be known, but it is the second movie in a series, a sequel which will itself soon have a sequel. Imaginarium is unique, timeless. Even come 20 years from now, who can say? There might still be more people aware that there was a Batman movie with Heath Ledger, but there cuold be a bigger cult fanbase by then for "Imaginarium." I've lived long enough to see how it works. "Tideland" and "Imaginarium of Dr. Parnassus" will be films of interest in the future, don't doubt that. Because there is nothing will be nothing else like them before or since."
Rubbish. Come back in 20 years and say this, when The Dark Knight will still be remembered by most people as will Ledger's Joker.
Just to clear up the stuff about The Dark Knight supposedly being mainly "for adults" - the demographic group that has rated it highest on IMDb, are males under the age of 18.
Although, as far as popcorn action movies go, TDK is pretty okay and not even particularly stupid.
"facts are stupid things" - Ronald Reagan
I don't care about ratings on IMDb, according to IMDb The Shawshank Redemption is the greatest movie ever made, the ratings are a load of sh*t. And TDK is NOT a popcorn movie, for one there isn't even much action in the movie.
shareYou're so smart.... I think franz was talking about the demographic breakdown, not the actual score it got relative to other films. Comparing 2 films with imdb ratings is foolishness. Comparing a demographic breakdown by age and gender within one film's rating is not exactly scientific, but not foolish either.
Did I not love him, Cooch? MY OWN FLESH I DIDN'T LOVE BETTER!!! But he had to say 'Nooooooooo'
"Well at least I am not the one throwing around personal insults"
I NEVER did that, stop talking sh*t.
You literally just answered your own question, as far as i can remember there is not even one drop of blood in The Dark knight.
He never jumped out a plane, he jumped from a building opposite and glided through the window.
And the tone of TDK is NOTHING like James Bond, "X-Men First Class" has a similar tone to James Bond, TDK has a similar tone to a crime film.
Everything in the movie except Batman jumping from a roof, landing on a car and surviving could actually happen, the action is either hand to hand combat or vehicle chases, IT COULD HAPPEN.
WOW. What an incredibly stupid comment. I guess in your head The Silence Of The Lambs, Psycho, Misery, Blue velvet, 2001: A Space Odyssey, A Clockwork Orange and One Flew Over The Cuckoo's Nest don't exist.
The Dark knight is a BILLION times more mature than The Imaginarium of Doctor Parnassus is, and that's saying a lot considering it's about a guy who dresses as a bat and fights crime.
Rubbish. Come back in 20 years and say this, when The Dark Knight will still be remembered by most people as will Ledger's Joker.
No? When you say somebody's comments are "stupid", there's little other way to read it.
You don't remember the Joker bleeding everywhere in the interrogation room after Batman starts using some "aggressive interogation"?
Yeah, I'm sorry, that is so totally believable.
That's true, the tone of it kept making me hope that it was going to be more psychological. Instead they kept doing these goofy action sequences that seemed like they were designed to sell toys or whatever.
Not with Batman and all these principals surviving so much carnage and mayhem. I'm sorry, but this is like somebody telling me "Kill Bill" is realistic action. "She didn't have magic powers, just a really good sword!"
Uh, none of those movies have a "villain" in them. You think Nurse Rachett is a villain? HAL is a villain? Alex is a villain? Hannibal Lecter is a villain?
Maybe Kathy Bates in "Misery", maybe.... but what kind of villain collects porcelain animals and Liberace records?
No, it is not anything compared to Dark Knight, except what you think it is. All you can honestly say is that you enjoyed it a "BILLION" times more than Imaginarium. You can't say it's a better film. And I saw "Dark Knight" twice in the theater, I saw "Imaginarium" 6 times. So for me obviously Imaginarium is better.
But I wonder if so many will be so passionate about it. I remember how passionate people were about Burton's first Batman film. I'm not saying "Imaginarium" will be more popular or more discussed, but it could happen. "Brazil" was not one of the top box office films in 1985 but it is remembered and talked about more than those films.
Saying your comment is stupid is not a personal insult you tool.
No i don't, because that didn't happen. You need to look at the interrogation scene again right now on Youtube, even after he smashes the Joker's head on the mirror he doesn't bleed a drop of blood, you can't show this in a PG-13 movie. This is how great the movie really is, it made you think you saw something when in reality there was nothing there.
He's f_cking batman for Christ sake, what is he gonna do, just take an elevator up? Nolan grounded it as much in reality as he possibly could, and everything in the 2 movies(although far fetched) IS possible(if you were a billionaire like Bruce Wayne).
Are you for real? SERIOUSLY? there is ONE action sequence in the entire movie(the tunnel chase, the rest is just a few hand to hand combat scenes scattered throughout the movie), and there is ONE new vehicle in the movie which you're obviously referring to, the Batpod. And it CLEARLY wasn't put in to sell toys. Also NO action scenes were "goofy" you're talking absolute sh*t and you know it.
Yet ANOTHER retarded comment from you, Kill Bill is cheesy over the top cartoon violence, TDK is NOTHING like that and could easily happen, PEOPLE KNOW HOW TO FIGHT, PEOPLE KNOW HOW TO DRIVE.
I just knew you were going to say this. Yes, Nurse Rachett IS a villain. HAL IS a villain. Alex...not so much, he's more of antihero, but he has A LOT in common with the Joker. Although Buffalo Bill is the primary villain in Silence of the lambs, Hannibal Lecter is indeed still a villain. Not to mention all these characters are constantly mentioned as some of cinemas greatest VILLAINS.
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Maybe Kathy Bates in "Misery", maybe.... but what kind of villain collects porcelain animals and Liberace records?
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A f_cking crazy one.
That's just stupid. For one, i wasn't even saying it's better i was saying it's way more mature. Imaginarium is basically a kids movie that will probably entertain adults too, TDK is not for kids. Like i said they will probably find it boring and possibly even be disturbed by some of it, but most kids will probably think the Joker is awesome(i imagine). And yes TDK IS better than Imaginarium, the majority strongly agree which raises it above your opinion.
Burton's batman movie is still loved by a lot of people, but those people love it so much mostly because of the nostalgia they have for it. This isn't the case for TDK, because like i said TDK is not a campy kids movie, it's a movie people will enjoy when they're older than 13.
Not to mention the movies with cinemas greatest villains are always remembered, and Heath Ledger's performance pretty much puts it in stone that TDK will still be talked about in the future, no matter how much the Batman franchise gets messed up after Nolan leaves. I have a feeling it will be remembered the way films such as Star Wars: Episode V - The Empire Strikes Back and Terminator 2: Judgement Day are, as one of the greatest sequels ever made.
Wow... did you really just call me a "tool" in the middle of your spirited defense of the fact that you didn't insult me?
Maybe you should think more reflectively sometimes. It helps to avoid contradictions like that which make you look bad.
It's all extremely far-fetched and you know it. I mean, I liked the movie, I agree with you -- he's Batman. It would be a sucky Batman movie if he didn't jump off a building and land on another building. Or whatever he did. And at one point he jumped off a building and had like this tiny parachute, then he crashed into a car or something but he was totally OK. It's not realistic, and it's also not making a commentary on its own invention and fantasy like "Dr. Parnassus", so basically I see it as a lower type of film. It's a film that functions on a certain level to excite the audience and to present a limited amount of ideas. I would not say "Dark Knight" or "Inception" are stupid films, but I would also not say they are intellectually challenging films. And I think that many of Gilliam's films, including "Dr. Parnassus", truly are challenging and thought-provoking films.
I mean yes of course I am for real. Can you hear yourself. The "batpod"? That is adult film-making? That is something you would accept as a mature vision of humanity in the year 2011? A movie with a batpod in it? I didn't hate the movie, but I just didn't think it was much more than a fun summer movie. "Dr. Parnassus" was the best thing I've seen in a decade.
Basically nothing in the movie "the Dark Knight" could easily happen, and you should laugh at yourself even for saying it. It's a total fantasy movie, but one with a self-serious tone. Which is really my only problem with it. Tim Burton's movies were better because they didn't take the concept seriously. And "Batman Returns" has much more complex psychological insight than any of Nolan's Batman films. Plus it didn't pretend to be a "realistic" movie.
But yeah, I actually saw it and there is an action scene about every 8 or 9 minutes, like any other summer movie.
None of those characters are "villains." They aren't even antagonists, except maybe Nurse Ratchett
Crazy people aren't villains.... they are sick. Did you think that in "Misery" they were saying that she was evil? She wasn't evil, she was severely psychotic. That's the only way somebody can actually be that negative and dangerous in a reasonably adult film like "Misery", is by being totally over the bend. But most adults, even most stupid adults, would not sit there and tell you that Kathy Bates in the movie was some kind of a "bad guy" (bad girl?).
Chris Nolan would benefit greatly from a sense of fun and humor in his movies actually, although it wouldn't have to be "camp" some semblance of a normal human experience of life as somewhat joyous and humorous would be appreciated if he can muster an attempt one of these days....
Well there you go, if you are merely putting it in company with sci-fi action films like that then I don't disagree with you. It is a major accomplishment in the field of self-serious action movies with a smattering of philosophy. But it is a pebble in the ocean that is "Dr. Parnassus." It will indeed be remembered as one of those really fun movies that didn't talk down to the audience and presented some reasonably complex characters.
I call my friends tools all the time, it doesn't mean i'm "personally insulting" them.
I said it's far fetched, but once again it's f_cking batman, he HAS to dress up as a bat and fight crime, otherwise it wouldn't be batman. I never said it's realistic, i said it's as real as a comic book movie can ever get and it's more realistic than any other superhero movies, and it's grounded in reality as much as batman could possibly get.
You clearly don't have fun very often and you clearly haven't seen many movies in the past decade, it sounds like you haven't even seen The Dark Knight if this is what you think of it. You sound like a guy who doesn't love Die Hard, am i right?
You need to f_cking wake up and stop posting these idiotic comments, VILLAINS EXIST IN CINEMA, villains exist in GREAT cinema. Villains have existed in cinema since it started and will continue to exist till the end of cinema itself. They are one of the tentpoles of cinema, and to say that villains don't exist in great, adult movies is a ridiculously stupid comment. I mean REALLY, REALLY stupid.
OH MY GOD. Wow. Villains DO NOT have to be evil, Buffalo Bill wasn't even evil, he was just messed up. I never said she was evil, but villains are not just evil people. For example, the Joker is completely insane, even crazier than Kathy Bates in Misery, does that mean he's not a villain? no. They are both villains.
In the case of Batman Begins this is true, but in the case of TDK it is not. Because TDK has something funny: The Joker. Although he's completely insane and disturbed he is also a whole lot of fun, and he doesn't take himself very seriously. He also has many funny lines and moments throughout the film that everyone remembers. Not to mention that Ledger's performance is ridiculously re-watchable and it's just fun watching him on screen. He's one of the villains people just love, like Hannibal Lecter, every time he's off screen you're waiting for him to come back.
T2 is one of my favorite movies so for me putting it with that is not just like "oh, it was a fun movie" it's more like "one of my favorite movies ever",
i don't even like Star Wars, it's just that i have a strong feeling it will be put aside them in the future. But Empire strikes back is more like a kids movie than T2 and TDK, although Darth Vader is a great villain.
But T2 and empire strikes back are STILL mentioned on everyone's list of greatest sequels ever, up there with The Godfather Part 2 etc. and The Dark Knight will be to.
dunno, in some ways the Tim Burton movies were just as realistic. At least in that movie, when the Joker fell off a building, he died.
But I mean there's a point here... if you're a really serious moviemaker, are you going to make a Batman movie? And honestly, I don't have the answer but I guess you would win that argument. Because I'm sure if they paid him enough even back when he was at the peak of his career Terry Gilliam would have probably done a Batman movie. I mean who could resist all the toys? Certainly not Terry Gilliam. Nolan actually has a much less complicated and chaotic aesthetic in his films. He likes muted color schemes, so he's good for Batman in the sense that "gothic" is second nature to Nolan. But Burton is just "gothic" in a different way, a way that also allows for some amount of camp.
I didn't find Heath Ledger's Joker to be very funny at all. I thought it was a great psycho-killer character, but it lacked humor that other actors brought to other versions of the Joker. A lot of Nolan's films are almost totally lacking in humor, even or perhaps especially his best films.
I mean for sure, there are villains in great cinema. Like in "Time Bandits", the Evil One. Or in "Wizard of Oz", the Wicked Witch of the West. But they are great kiddie movies, even if suitable for adults. And that's what "Dark Knight" is too. That's the difference say between "Time Bandits" and "Brazil": "TB" is "suitable for adults", but "Brazil" isn't even suitable for kids, it's an adult film. Does it have villains? Not really. Everybody washes their hands and wears latex gloves, they don't leave the fingerprints of a villain.
If you're the villain, the whole audience cheers when you die. So in that sense, Kathy Bates in "Misery" is a villain, but not Buffalo Bill. We don't know him well enough to hate him. Bates in "Misery" is kind of an exceptional case, because you really have to go to extreme lengths to make the audience applaud the death of an obese deranged woman. But it's not so much that she's evil as just that's she's freaking irritating, right? I mean who wants to pop painkillers and listen to Liberace records for the rest of their life? That is a nightmare beyond the imagination of Emperor Ming or Lord Voldemort or even the Joker.
And that's why he's not a real villain.... he's more of a villain actually in the Burton Batman film. He's like a crazy person, an anarchist. And he doesn't die, because we enjoy him and we don't want to see him die. He's not a villain, he's a jester, a figure of chaos in the model of Shakespeare. Tony in "Imaginarium" is more of a villain actually, but he appears in all the guises that tell us about how villains operate in the real world under the cover of saints. Gilliam is often talking about the adult world through the language of children, you could say.
Really, best movie ever? Well we all have different taste. I thought it was fun, but it's another one of those I haven't bothered to watch in 20 years. The ones I actually watch, like say Arnold Schwartzenneger I like "Total Recall." Verhoeven's movies are brilliant, he's an awesome director and his movies are full of sex and satire and absolutely everything is over the top. It's beyond even most people's definition of camp. That's why most people still can't even come to terms with "Showgirls" for what it is.
Jim Cameron, he's fun.... I liked the movie ("T2") but again, I wouldn't watch it on a TV. I saw it 3 times in the theater so that I wouldn't ever have to watch it on TV. It was good, but it didn't have anything really interesting to say like Gilliam's movies, "Twelve Monkeys" or "Brazil" or "Imaginarium of Dr. Parnassus" or you name the movie, it's got more ideas than "T2." Actions scenes do not rank high on my scale of values. If I was into action movies, maybe "T2" would be a great movie in my universe. But I like movies that are a bit sexier than "T2", and have a bit more political and philosophical ideas in them.
Yeah, he is a great villain in a kiddie movie. I love Star Wars but I don't watch it very often anymore either. It's suitable for adults but I've seen it too much. Now how you think you are defending "The Dark Knight" as some kind of great movie for adults by comparing it to something like "Star Wars: The Empire Strikes Back", I don't know. These are silly movies on a certain level, serious movies perhaps on another level. A mythological level? I thought "Dr. Parnassus" was one step even beyond them, because it was not mythological in its properties so much as it was aboutmythology.
Again, these lists are just some commercial crap that they put out there, just enjoy what you enjoy and try to engage films on a deeper and deeper level if you can. I promise you that Gilliam's films are all worth watching at least 10 times each. Nolan and Cameron, I don't think so, unless you just are one of those people who likes going on the same roller coaster all day. It gets dull for me.
WHAT? this is a LAME attempt at finding an insult towards TDK, the Joker didn't hit the floor and survive, batman saved him.
Yet another stupid remark, Nolan DOES NOT make films for the cash, he made it because he knew he could turn a comic book into art on the big screen, and that IS what he did, no matter what you say.
Jack Nicholson literally played himself in clown make-up
and the scene where Ledger is dressed as a nurse and then proceeds to wash his hands with soap and skip happily outside while a hospital explodes behind him is on it's own funnier than anything any previous Joker said or did.
Say this all you want, but villains still exist in adult films and TDK is still not a kids movie.
He IS a villain, just because we don't want him to die doesn't mean he's not a villain. Because, along with all the funny and fun moments there are also moments where hes sh*t-your-pants-scary, a perfect example of this is the hostage tape with the fake Batman where he says "LOOK AT ME!" seriously, you could hear a pin drop after that moment.
I like Total Recall, but nowhere near as much as i love T2, i don't like T2 because the action or anything(although that is great) i just love the story and the characters and how it's completely different from T1(apart from the basic chase plot). I love Predator even more though haha, i know it's FULL of cheesy one liners and everything but they are just the most awesome one liners ever, and i love the mix of action/sci-fi/horror.
Batman jumped off a building and survived. Sorry I guess I need to spell out every step of the logic for you.
Wow, I mean I am a pretty big Gilliam fan, but even I would never say that any major film-maker makes films just for art and not at all for cash. This is an industry, a business. People need to keep working or their careers start to go downhill. Directors attach themselves to franchises because it enables them to make other more personal films. Nolan would have done "Inception" instead but couldn't get the money for it until after he had some big hits under his belt. It's the way the business works.
That is just a lazy person's way of putting down a performance from any actor in the book. It is not true, hardly ever true. You can bet Heath Ledger wouldn't be putting down Jack Nicholson or his performance. But it's not surprising to hear young fans like you disrespect him because you think that the only way to praise Ledger is to put him above Nicholson. However in reality, or in a mature perspective, Nicholson and Ledger are both excellent actors and they gave very different performances.
but most are going to agree with me the film was lacking humor. As was "Inception", "The Prestige", pretty much every Chris Nolan film.
It's not for little kids like under the age of 8, but basically it is for boys from about 10 to 15 or 16. That is the primary audience for this film as well as for "T2" and "Die Hard" and apparently your favorite films in general.
Yeah he's scary, he's a villain. Hence the movie is not a serious adult movie. Back to where we started here....
Yeah, "Predator" is OK, it's stylish, kinda scary, still pretty effective. I like Verhoeven's perspective on things, his satire. I like "Robo-Cop" and "Starship Troopers" as well. To me, that's the only type of super-violent action film I can really enjoy now at this point in my life.
"True Lies" was really excellent actually, it was almost approaching a Verhoeven type of camp treatment.
"Twelve Monkeys" does actually get better upon repeat viewings. There's a lot going on with the characters in this film as well. Regarding the characters in "T2", they basically ruined it for me by making John Connor this annoying brat played by a horrible actor. It was kind of the Spielberg syndrome: when in doubt, put a cute kid in the movie and place him/her in constant danger. This is nothing new for Cameron, he already did the same thing with the "Alien" franchise.
He makes good commercial films. "The Prestige" is his only film I'm convinced has some marks of genius, but it too is flawed to some extent. And as far as I'm concerned, "Avatar" is far better than "Aliens" or "T2." It actually created a whole new world. But, it is a kiddie movie like all his other films
Nolan is not doing it for the money, i couldn't care less what you say about that.
nd don't you dare make it out like i'm disrespecting a great actor like Jack and that i'm only saying this because i'm younger than you, i'm not twelve for f_ck sake. And i LOVE cinema and i don't watch all that sh*t most people my age watch like Transformers and Fast and Furious 85 or whatever. Not to mention some of my favorite actors are Robert Deniro, Al Pacino, Jack Nicholson, Anthony Hopkins, Michael Caine etc.
You're just completely and utterly wrong. And not all my favorite movies have action in them, for example i love John Carpenter's The Thing, Taxi Driver, A Clockwork Orange, The Shawshank Redemption, Goodfellas, etc. I love all different kinds of movies, although Die Hard may be my favorite film ever made, but not because i necessarily think it's better than those movies, i just enjoy it more and watch it a lot more often than most movies. And the action movies that i do like, i don't like dumb crappy ones, i only like the best.
I see this a lot on IMDb about John Connor being annoying and a bad actor but i honestly always liked him and the relationship between him and the Terminator is the heart of the movie, maybe it's because i grew up watching T2. But yeah...you're right about "Newt" in Aliens, but the movie is still awesome except for..."They mostly come at night...mostly".
But Avatar has a crappy story, the only interesting things are the effects and the world he created. And you do realize that Aliens and The Terminator(the original) were R rated, right? so clearly not "kiddie films"
Chris Nolan gets paid a truckload of money for doing these films. You think that he doesn't like money? Have you ever met somebody who doesn't like money? And you ignore the truly salient fact, which is that an ARTIST cannot make his films if he does not have commercial success. This is how modern Hollywood works. One for the money, two for the show.
Well that's good, you know, my whole problem is just that you seem to believe that "The Dark Knight" is somehow objectively a better film than "Imaginarium of Dr. Parnassus" or a better use of Heath Ledger's time. Whereas I am saying that from my perspective, it is not. Perhaps I am muddying the waters by talking about what is and what is not "adult" or "mature." I've talked to several people my age, who are longtime Terry Gilliam fans and have great respect for his imagination and his method, who did not enjoy "Imaginarium." But I think that a more mature perspective is to admit that so much of this is subjective. Nolan, whatever his marks or merit as an artist, is definitely more concerned with pleasing a larger number of people than Gilliam is. And so if he succeeds in gaining more fans, it is not surprising.
I understand what you mean... speaking of John Carpenter, I just love "They Live" for some reason. It's like, half the movie is total crap and the other half is totally brilliant. And it's not always easy to decide which is which. I mean movies are interesting, kind of like people, there is the good the bad and the ugly inside each of them. There are things I enjoy and things I don't enjoy in all the films you mentioned.
I like the first movie a lot better. I never bothered to rewatch "Aliens" so I haven't seen it since 1985 or whenever it came out. I thought that one Alien was scarier than a bunch of aliens in a shooting gallery. Just like "Predator" is a lot scarier than "Predator 2." Just because you have 10 aliens or 10 predators in the room does not make it 10 times scarier. Actually the opposite IMHO.
I was a weird kid. I used to go around saying my favorite movies were "Commando" and "The Elephant Man." Now, I watched "Commando" a couple years ago and it was so incredibly bad that it was hilarious. But "The Elephant Man" is a gorgeous, powerful, mature film that still makes me weep and makes me feel like I'm in contact with great art and with a deep experience of humanity. But "Commando" is rated-R and "The Elephant Man" is rated PG. Which of them is a more mature movie? I think it's obvious if you've seen them.
Likewise to me it was clear that "Dr. Parnassus" was dealing with weightier themes than "Dark Knight", and so my definition of it as either being more or less mature has little to do with the sex/violence quotient that earns a movie an "R" rating but rather with philosophical or humanist ideas.
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The Fast and Furious franchise is a very good action franchise more inline with Terminator or Die Hard than Transformers. Have you watched them all?
It could be God, the Devil, Buddha, an Alien...or it could be a kid playing a video game. - onn1320
I don´t think even Nolan himself is as foolish as to consider his Batman shenanigans some kind of ´art´, be it with a capital A or otherwise. In fact, Burton´s movies were probably more ´art´ than his as they at least pushed a rather unique & original visual aesthetic - compared to Batman Returns, TDK looks pretty bland and unispired. Anyway I wish Nolan would go back to making smaller scale stuff like Memento - or even Insomnia, also a solid picture devoid of excessive bombast - but I suppose it´s too late now.
"facts are stupid things" - Ronald Reagan
Tell me about it.... I agree with you about Burton, but even with Burton it was a case of basically advancing his career through the franchise that happened to be suitable for him. But the internet is full of fans..... if you look around, you'll find a Tim Burton fan who will tell you that he didn't do "Planet of the Apes" for the money, he did it for Art. Likewise the ludicrous idea that Chris Nolan would rather make Batman movies than anything else. Or even the idea that Kubrick did "The Shining" primarily for "art." When you see a director attach himself to a successful or recognized property/franchise, it's just naive to allow your personal fandom to make you look past the realities on the ground. And it's not a bad thing. If Burton hadn't done "Batman", probably "Ed Wood" and "Big Fish" and movies like that wouldn't exist.
Even David Lynch, early in his career, tried to take his career to a higher commercial level by signing on to a (potential) franchise ("Dune"). Gilliam, an iconoclast and a rebel of cinema if there ever was one, did movies like "Fisher King" and "Twelve Monkeys" to redeem his commercial reputation after the failure of "Baron Munchausen." It is just part of the reality of the business, for better or worse.
But this guy's just going to come along and say it's a "stupid comment."
Did I not love him, Cooch? MY OWN FLESH I DIDN'T LOVE BETTER!!! But he had to say 'Nooooooooo'
I have no idea what Burton would really-really like to do if he could - probably something sappy like Edward Scissorhands - but it´s obvious that once you´re placed at the helm of something that costs as much to make as the Batman movies do (although the 1989 film seems to have had a surprisingly meager budget of 35 million), you won´t get to exercise any artistic freedom unless it´s accepted by your employer. You´re there to make a buck and that´s that. Anyhow, Burton turned out to be really smart pick as I think his sort of campily playful sensibility with a smattering of gothic darkness has been the best match for the material thus far - I rewatched Batman Returns a few months ago and was kind of surprised how well it seems to hold up. His Gotham City is one eye-poppingly grandiose & inspired environment and there´s even a semblance of recognisible depth to the characters. But generally, I don´t really care for or about Burton at all - Ed Wood´s really good & Beetlejuice is entertaining, but I haven´t even seen any of his stuff after the the late 90´s fiaskos like Mars Attacks or Sleepy Hollow. ´They´ say he´s been in a decline & believe ´them´.
As for Nolan than I remember not liking Batman Begins at all, but somehow TDK actually kind of works better than it´s got any right to - I´ve seen it twice and been properly entertained both times; there´s nothing really overtly wrong with it. Of course, all the highly suspicious wave of world wide hoopla that brought it along made sure the expectations were low so there was plenty of room to be positively surprised. On the whole though I still remain highly distrustful of the concept of trying to plant characters like Batman or Joker into a realistic setting... I mean, come on, it´s absurd... innit?
I´m genuinely surprised though that you seem to be regarding Kubrick more as a businessman than an artist or something - firstly, if he were more interested in making a profitable picture rather than one that has some more far-reaching concerns, he wouldn´t have had to read through a small library (which he reportedly did) to get to King´s recently published bestseller in order to find a narrative which best suited his intentions. And secondly, of course, why put such a huge intellectual effort into something you´re doing merely to buy some clout with the studio or moneymen or whatever? Doesn´t compute. But of course, none of this is meant to imply he was uninterested in the financial side of things - quite the opposite as, based on my knowledge at least, he took a greater care of coming out of his projects with good financial results than possibly any other great director in the history. Knowing, of course, how vital that was to keep getting the budgets he needed; he´s not exactly your Tarkovsky who only cared what Bergman and Bresson thought of his movies and to hell with everybody else, as he apparently once proudly stated (of course, in Soviet Russia he wouldn´t have made a fortune even if he´d directed Titanic or something). But, of course, as is well known, Kubrick was able to achieve a rather unique status in Hollywood, partly because he was lucky I suppose, but also because he wasn´t, by all accounts, as volatile a character as someone like Welles, for instance.
Generally, the matter of money in film industry - and the whole art vs commerce issue - is a highly complex problem difficult to get a handle on, but I suppose it´s fair to conclude that when a director makes a film that is his own choice from the beginning and is not just being attached to projects or even choosing from the available scripts at a given time, then his work is liable to be more propelled by artistic considerations than otherwise (which isn´t to say ´some´ such enterprises where the director isn´t the one originally bringing the project to the table, cannot be as artistically driven as things conceived by a filmmaker).
But of course Kubrick was a major exception and I firmly believe it´s a great thing Lynch didn´t ever "make it" in big time mainstream Hollywood - I don´t think it was really something he pursued out of his own initiative anyway as with both Elephant Man and Dune he was approached by producers - as a result of not-so-proudly captaining the sunken ship Dune (actually I consider it a win-win situation as I, unlike most, actually find some value in Dune - it´s a unique experience even if heavily flawed and occasionally jaw droppingly silly). As you point out, once you get into that Hollywood blockbuster wheel and get continually offered amazing wads of money to do this or that for the studio, it can be very hard to say no. I suppose the planned Dune sequels may have come out exciting, but would it have led to the Twin Peaks experience, Lost Highway, Mulholland Dr, Inland Empire? Probably not. And I´ll take what I´ve actually got over all the coulda-beens-woulda-beens any day.
And Gilliam of course got out of his own more mainstream days with the integrity fully intact as both The Fisher King and 12 Monkies are worthy entries in his filmography. They feel considerably more tamed and mainstreamy than Brazil, Tideland, Parnassus etc, but at the same time, they´re still recognisibly Gilliam´esque & there´re always these quirky, idiosyncratic notes present (although The Fisher King is probably his second worst, with its way-too-cutesy love story splashed in the middle of the film and the ending that seems to drag on and on before it finally comes to a disappointing halt. It´s still a few good cuts above Bros Grimm though which never seems to take off in the first place).
"facts are stupid things" - Ronald Reagan
Ed Wood´s really good & Beetlejuice is entertaining, but I haven´t even seen any of his stuff after the the late 90´s fiaskos like Mars Attacks or Sleepy Hollow. ´They´ say he´s been in a decline & believe ´them´.
On the whole though I still remain highly distrustful of the concept of trying to plant characters like Batman or Joker into a realistic setting... I mean, come on, it´s absurd... innit?
And Gilliam of course got out of his own more mainstream days with the integrity fully intact as both The Fisher King and 12 Monkies are worthy entries in his filmography. They feel considerably more tamed and mainstreamy than Brazil, Tideland, Parnassus etc, but at the same time, they´re still recognisibly Gilliam´esque & there´re always these quirky, idiosyncratic notes present (although The Fisher King is probably his second worst, with its way-too-cutesy love story splashed in the middle of the film and the ending that seems to drag on and on before it finally comes to a disappointing halt. It´s still a few good cuts above Bros Grimm though which never seems to take off in the first place).
T2 is not great because the action, if this was the case then Terminator 3 would be the movie that people consider a sci-fi action masterpiece. It's got WAY more going for it than special effects, it puts character first and they all go through an interesting character arc and it has lots of messages about the human race, it's much more than just another action movie. I have actually seen Twelve Monkeys and although i enjoyed it, it's not exactly a movie i want to watch again. I didn't think it was a great movie but i didn't think it was bad either.
Because The Dark Knight took itself very seriously, and although some people found this stupid i love it and think it's the best thing they could have possibly done with the universe, i didn't even like Batman before the Nolan films. But Empire Strikes Back, although taking itself seriously sometimes, also has lots of kid friendly moments and is a lot brighter than TDK, The Dark Knight would actually be an incredibly depressing movie if it were not for the Joker.
People mention them on these lists all the time because THEY ARE GREAT SEQUELS. James Cameron made two of the greatest sequels ever made and was a great filmmaker before he got too smug and just cared about special effects *cough*Avatar*cough* and Nolan is easily one of the best directors around today and makes great films.
Inception was a masterpiece and explored a concept nobody had before, how could you say it was not intellectual? The ending alone gave many people to talk and debate about many years after.
I haven't watched it yet but what did this movie give you to think about that is even remotely comparable?
It could be God, the Devil, Buddha, an Alien...or it could be a kid playing a video game. - onn1320
Hi -- wow I was reading through some of the old stuff on this thread for laughs, didn't expect to see a (fairly) recent response, so..... hmmm well I only saw "Inception" once and it was quite a while ago now, whenever it was in the theater. I don't know that I can talk about it with much intelligence. I did see "Interstellar", and so I can attest that Nolan's streak of humorless big-budget sci-fi movies with just enough ideas to get you through the movie remains unbroken.
I suppose I can grant that "Inception" is an intellectual film. If it inspires people to debate about it and think about time or about reality in a different way, that's certainly intellectual. I'm not sure what my point was as far as that goes.
You should see "Imaginarium of Dr. Parnassus."
Did I not love him, Cooch? MY OWN FLESH I DIDN'T LOVE BETTER!!! But he had to say 'Nooooooooo'
First I want to say that both of you have good points. I didn't like The Dark Knight, I thought Batman Begins was better, but I don't think comic book movies are kids films either. Some people don't like symbolic films, even if intelligent. Both my dad and I thought The Tree of Life was one of the worst movies we've ever seen. If that is at all the kind of movies you like, have fun being a hipster, but that doesn't mean you are any more mature or intelligent.
Next, what do you mean "Brazil" is more popular than any other 1985 movie? I've never even heard of it, but I've heard of many great movies topping the box office in 1985: http://www.boxofficemojo.com/yearly/chart/?yr=1985
Back to the Future, The Color Purple, and The Goonies, etc . are some of my favorite films of all time.
Also, care to explain how rich vigilantes like Batman or Ironman with bulletproof armor would be dead 5 minutes in?
It could be God, the Devil, Buddha, an Alien...or it could be a kid playing a video game. - onn1320
Hi --
I don't think comic book movies are kids films either. Some people don't like symbolic films, even if intelligent. Both my dad and I thought The Tree of Life was one of the worst movies we've ever seen. If that is at all the kind of movies you like, have fun being a hipster, but that doesn't mean you are any more mature or intelligent.
Next, what do you mean "Brazil" is more popular than any other 1985 movie? I've never even heard of it, but I've heard of many great movies topping the box office in 1985: http://www.boxofficemojo.com/yearly/chart/?yr=1985
Back to the Future, The Color Purple, and The Goonies, etc . are some of my favorite films of all time.
Also, care to explain how rich vigilantes like Batman or Ironman with bulletproof armor would be dead 5 minutes in?
Notice how in the Chris Nolan movies that were more made for adults, like "Memento" and "The Prestige", there aren't any heroes or villains.
Including the "hero". Hence his point.
These bastards!
absolutely, I mean you could definitely see Christian Bale's character (spoiler: one of them at any rate) as the villain in "The Prestige." But the character ultimately has too much of our sympathy to be a villain, in my opinion. This is largely a nomenclature issue. People are confusing the word "villain" with "antagonist." Certainly Bale is the antagonist in "The Prestige", as he provides the storytelling function of opposing the primary character, throwing obstacles in the way and preventing him from reaching his goals. However, an adult perspective allows for one's own shift in identification, or empathy, and Nolan is certainly aware of this and takes advantage of this. "The Prestige" is a good example of how telling the story expands the audience's perspective, somewhat comparable to "Dr. Parnassus" -- once we know enough of the story, we realize that the person we thought of as the villain could be seen as the hero, and that Hugh Jackman's character would be the "villain" of his nemesis' life story. That's a relatively adult and, to me, interesting way to deal with the whole audience expectation of "good guy" and "bad guy", and Nolan also attempted that to some extent with Heath Ledger on "The Dark Knight." I would say that Ledger and Nolan were very successful but that the formula of an action film and the necessity for a violent confrontation between the protagonist and the antagonist makes the possibilities far more limited in this type of film.
Did I not love him, Cooch? MY OWN FLESH I DIDN'T LOVE BETTER!!! But he had to say 'Nooooooooo'
Ok this thread is way too long for me to read all of it, i just wanted to say that the dark night isnt a very good film, batman begins is better, but it isnt a masterpiece either
sharehave to agree with you about Brokeback
RIP Heath Ledger 1979-2008
You obviously didn't watch the last 3 movies. Heath Ledgers performance was a amazing. The Dark Knight is not Batman Forever. You clearly stopped watching the superhero movies when they were bad.
The Dark Knight is about a man who has taken up a job that he wants to quit. His reasons for taking that job were personal. His parents were murdered when he was a kid. His whole life he has been seeking to create order out of the chaos that was his life. The job of maintaining the order is a burden however. In the movie he has found somebody to replace him. The question is the person who is to replace him of the moral fortitude to be able to do that.
The answer is no. A Mephistophelian figure has come out of nowhere and disrupted the order. This person is an anarchist. All the order that the man has been working towards is about to go down hill.
Just when he is about to quit and his replacement has assured him he will be able to maintain the order for him, his replacement has become corrupted.
In the end the man who had worked his whole life to maintain order must now do the thing he would never do. In the end he kills his replacement.
It's actually way more complicated than that. Over a trilogy it's fleshed out considerably. The tone of the last 3 batman movies was similar to "There Will be Blood" which you had mentioned earlier.
Also, we have to keep in mind if we break apart The Dark Knight. The Joker wasn't even the antagonist. He was the key supporting character. In any good work of fiction you have a person who is the perceived antagonist against the goal to be reached in a movie. The antagonist will block the goal. The Joker didn't block the goal, the Joker directed him towards achieving it.
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Well TIODP is PG-13, same rating as dark knight and isn't anymore of an adult film, it's also silly to say that Heath wouldn't have seen Dark Knight, that's obviously not true.
If you look at the average age of someone who saw Dark Knight, there was plenty of people 25 and up, it wasn't like a bunch of teenagers were the only people who saw it, the movie made a billion dollars.
He was just as passionate if not more passionate about his role as the Joker as anything else he's ever done, he was a real actor, he wouldn't take one role less seriously cuz it's a blockbuster.
and people will be looking at his performance in TDK for decades and years, it's one of the great performances of the last decade and he's going to be remembered for it, like he should be.
It's also a much more complete performance in a much better film than TIODP.
So essentially, your argument is futile. It's like trying to argue that dog turd tastes better than Ice cream. Sure, you may prefer it, but that doesent make it true.
wow you come off as pretentious and elitist.
first off, antagonists simply oppose the protagonist in a meaningful way. ergo, that big list of people you said were not antagonists were indeed all antagonists.
second off, theres no such thing as an "adult" movie. well i guess theres porno but thats a different argument altogether. movies are aimed at different demographics. kids movies can make you think, adult movies can be stupid, and vise versa. kids movies can be serious, adult movies can be fantastical, and vise versa. kids can like movies aimed at adults and adults can like movies aimed at kids. the distinction you have made is pure childish snobbery. in fact, it reminds me of a famous quote by CS Lewis:
Critics who treat adult as a term of approval, instead of as a merely descriptive term, cannot be adult themselves. To be concerned about being grown up, to admire the grown up because it is grown up, to blush at the suspicion of being childish; these things are the marks of childhood and adolescence. And in childhood and adolescence they are, in moderation, healthy symptoms. Young things ought to want to grow. But to carry on into middle life or even into early manhood this concern about being adult is a mark of really arrested development. When I was ten, I read fairy tales in secret and would have been ashamed if I had been found doing so. Now that I am fifty I read them openly. When I became a man I put away childish things, including the fear of childishness and the desire to be very grown up.
I think so many people love The Dark Knight because it is a solid film with great acting, under the disguise of a fantasy comic book movie aesthetic. So it kinda keeps everyone happy. It's like The Avengers but miles better and less corny, so it gets fans from all angles. Young adults love to love it because of just that. It's a movie that is all dressed up with colourful characters, but it's also more mature than the usual comic book movie. You can't deny Ledger's performance was incredible, and very much on par with Brokeback Mountain though. The other 2 performances in Candy and Monster's Ball rank up there with those top 2. But like most actors, they have to go through a lot of crap in order to get to the top. I'm sure Ledger cared a lot for this Joker role, and the movie itself. I think you can tell by his dedication to the role.
No expectations, no disappointments.
In one of the interviews prior to his death he said "I think the movie is gonna be awesome" regarding The Dark Knight.
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This Was the last movie we saw him in
shareI actually thought Ledger did a great job as the manipulative Tony. He's almost shark-like at times.
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