Suspiria was shot on regular 35mm film (anamorphic), not in Technicolor (a process using monstrous cameras and three separate film stocks), however the prints were made using a Technicolor developed dye-transfer system resulting in very saturated, unique, and bleeding colors. Suspiria was one of the last films to use that process.
But the look was really determined by the lighting which involved huge lights shot through heavy colored fabrics. Being that it was shot using film and lenses far less sensitive to light as what we use nowadays, it should be easier to do, though that kind of "in camera" craftsmanship is seldom relied on. On larger budget pictures the DP and director are encouraged to play it safe stylistically and let the computer do most of the work. Sometimes they get it right, most of the time they don't.
Of course if you want to sound like a know-it-all too... American Cinematographer did a retrospective on Suspiria in the February 2010 issue. Great interview with Tovoli.
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