The thing that I didn't like was how Tolly was presented at the beginning. I get that he was hurting, but he came off as a little jerk.
At the start maybe. I thought he grew up in time.
In the opening scene, he's a child - one who has been pulled out of his familiar surroundings and "binned" some place out in the middle of nowhere with an old woman he barely remembers. Add to that his worries about his father, and it's no great surprise that he's having a bit of a sulk, as kids do.
No doubt from a grownup perspective he's being silly. By evacuee standards, grandma's stately home is a pretty cushy number. But it would be idle to expect a distressed and uprooted boy to see it that way.
As with many films in this genre, his experiences in the Other World change him. By the end he is basically the same kid, but a bit tougher and a lot more realistic - a bit less child and a bit more young man. This is most obvious in his attitude to his father's death. At the outset, he is simply in denial, refusing to accept what the grownups know to be true. But by the time his mother's telegram arrives, his attitude is quite different. When grandma tries to let him go on hoping, he responds that "It's something she doesn't want to say over the phone" clearly knowing exactly what that means. In the most diplomatic way, he is telling her that he is now ready to face facts, and that sugaring the pill is no longer necessary.
All in all, I thought Alex Etel took a pretty good part, and the scriptwriters gave him one. About the only change I would make is at the end. Throughout the film, Tolly has worn shorts, as is entirely likely for the period, but I can't help thinking that for the closing scene he ought to have long trousers. Mentally as well as physically, he is now ready for them.
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