I imagine their conversation went something along the lines of:
MIKE: I'm going. It's fixed. My wife sold me out. I can't trust anyone. There is no honour in this fight. I'm going home. I give up.
EMILY: You want to tell me about honour? You want to tell me about trust? I was RAPED. I had no faith in people or in myself. But then you told me there is always an escape. There is no situation that you cannot turn to your advantage. If you control yourself, you control the fight. Right now you're getting choked out, and you THINK there's no escape. There is ALWAYS an escape. That's what you said! How dare you tell me that you 'give up.' There is no giving up. I didn't give up on myself after I was RAPED, so who the hell are you to give up on yourself right now? Get back in there. And END this.
Actually, I don't think Mike and Emily needed to exchange so many words between them-- or possibly any words at all. Sometimes whole conversations like this can take place between characters without the need for words, and the audience still 'gets' it (so long as they've been paying sufficient attention to the relationship developed between the characters in the movie up that point). It's all subtext. Like in the way that when Mike is being choked from behind at the climax and then sees the Professor/Grandmaster in the bleachers, you just KNOW-- without needing to hear any kind of voiceover-- that the thought in his head is an echo of his and his grandmaster's mantra "there is always an escape." I think the conversation between Mike and Emily happened the same way. No words needed to be actually spoken by the characters for the above subtext to have been communicated between them.
It was a powerful moment in the film and it really worked for me because I heard the convo along the above lines in my head.
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