From what I hear from animators who worked at WETA, on movies like AVATAR, PLANET OF THE APES, KING KONG, and the LORD OF THE RINGS/HOBBIT series, there was more "traditional" keyframe animation then motion capture. Mocap was recorded, but used more as a reference then anything and it could be altered or augmented if it needed to be.
But on Tintin... it was a little more mocap heavy. The animators weren't allowed to really push the poses or expressions beyond the motion capture to give it more weight or expression... they were kind of just supposed to stick EXACTLY to what the actors were doing... no matter how awkward or weightless the final result was.
I hear similar stories from people working on POLAR EXPRESS and the other Zemekis "animated" movies. If Tom Hanks didn't blink in the footage, he better damn well not blink in the animation. Incredibly restrictive, making for very stiff results.
reply
share