...obviously if it was then there would be a lot more animals surviving. And I've seen virtually none. The majority of the latest apocalyptic films have virtually no real scientific truth to show the end of all life forms including trees that have been around for millions of years and other life forms that have been around longer than human kind have ever been around, no matter what biological or astronomical disaster like the ice age , the meteorite that wiped out most of the dinosaurs but left tons of aquatic life and volcanic activity that occurred during the prehistoric period which are all scientifically supported events that happened in real life; yet the only life to survive in this apocalypse movie are humans?! I am actually offended by this egotistical extremely, self centered, anthropocentric view point in most movies and its getting obnoxious. If anything there would be birds, reptiles, amphibians, turtles, and not to mention huge amounts of aquatic life forms that have greater chances of survival....
This book and film resulted from the author's consultations and discussions with scientists from the Santa Fe Institute and follows the same ideas as have been in several recent books and even TV programs about what might happen to the world in case of apocalyptic occurrences. The conditions are quite plausible and as accurate as they need to be. There may be life under the sea, but there is only the life that can be sustained by humans eating food they find (incuding one another) and the few animals -- in this case we see only one dog -- they manage to support. About 10 years after the disaster the world is getting colder and darker, without the warm temperatures and sunlight that are necessary for life to continue for long on land. The ecosystem is almost entirely dead. You simply can't expect long-term human survival under those conditions.
And anyway, it was the author's intent to show us human behavior at the end for our species. That's the point: human life isn't going to go on, and there are no signs that any land-based life will survive. Once you accept that as the premise of the book and film, you can concentrate on what the author and filmmakers wanted to talk about: how will people act when they know there is no hope?
This one is really a love story between parent and child. Such a story might happen any time in any setting -- maybe a refugee camp in Darfur or a concentration camp during the Holocaust, or many others -- but the author chose to make the stakes the highest possible.
Now you are claiming scientific plausibility (and if the Santa Fe Institute really stands behind their consulting here, I would not expect them to be very good scientists), when you usually just go with the latter explanation: essentially "it's a McGuffin", which is definitely your stronger play.
Precisely. The apocalypse here - as in many literary and filmic depictions - isn't about science, it's about an extensional situation against which we can watch human behavior. At its base, this is a movie about a man whose wife left him in a dire situation, and who has to teach his child to survive. That's it: it is not a thesis about a possible apocalypse, but a sort of fable. And the idea that the movie would have been better if it had shown all humans dead, with only roaming bands of animals left in the world is - frankly - ludicrous. That would be a sort of anti-nature film. Who would go and see a film of animals roaming a devastated world? There is a reason that the cause of the disaster is kept obscure: it isn't important. There is just enough science in the film to make it as realistic as - say - Star Wars.
What is your complaint about the science here, exactly? Nothing particularly caught my attention in either book or film. I thought Cormac McCCarthy did a fine job of suggesting just enough to make the story he wanted to tell plausible. As I said above, he consulted scientists he knows at the Santa Fe Institute to get the best guesses about a future apocalypse. And since he wanted folks to focus their attention elsewhere (which didn't entirely work with some of the audience, though it seems to have with most of them, and with critics as a rule ) he was deliberately vague. You are supposed to realize that the cause not only doesn't matter but may very well not even be known by the survivors. It's what is coming that matters, and that is
all humans dead, with only roaming bands of animals left in the world is - frankly - ludicrous. That would be a sort of anti-nature film. Who would go and see a film of animals roaming a devastated world?
That actually sounds like a killer premise. Hey, you know what they say about one man's trash...
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Cont..that comes to mind is Dinosaurs but something live action maybe a few humans here and there for a truer apocalyptic tale and some trained animals as leads and shots of real wildlife from afar. I'd pay to see a movie like that in hollywood something new for a change instead of the same old hollywood garbage a nd reguritated sequels they keep pumping out on the factory line *yawn*
This thread makes me glad that I've never been very good at being a spoddy science student and can enjoy most decent films without worrying too much about how accurate they are.
Do people really watch movies like this? Clock out your scientific bs when you watch a movie and just enjoy what's presented in front of you. People really ruin the experience like this. And as stated before, the movie is not about what will happen once apocalypse happens but rather the relationship with father and son.
In a phrase, "Get over it." The ability, concept or phenomena is called "Suspension of Disbelief". It seems to be an ability lacking among many who post on these message boards. Here is a link to a site that does a decent job of explaining the phenomena: http://www.mediacollege.com/glossary/s/suspension-of-disbelief.html
While it is possible for storytellers to abuse it (inconsistent expectations within the story or inappropriate expectations for the genre), it is a necessary ability for the enjoyment of fiction, particularly science fiction and fantasy.
So, if you find that want to pick a science fiction film apart for its lack of adherence to the laws of nature (sounds absurd, doesn't it?) or what certain groups say is expected to happen in the future, it may be that you have been spoiled by modern cinematographic products. Maybe you've forgotten what it's like to get lost in a good book.
This isn't science fiction. It's not supposed to be scientifically accurate. It never even says what causes the end (although it does specifically say that animals and trees have died off). The point is to create an imaginary situation in which only humans remain, to see if they would remain moral or not. It has nothing to do with realism. It's a make-believe story.
As for your own theories - they are just as arbitrary. You're supposing what would happen when you don't even know what the cause of the problem is.
"I'll book you. I'll book you on something. I'll find something in the book to book you on."
ehhh....the kid was born AFTER whatever cataclysmic event happened and is about 8 years old or so
yes animals would survive for a while but the plants would start to die within a few months of severely limited sunlight and dropping temperatures and without plants, there are no animals....
though there would still probably be at least some bugs.
Bull. The earth presented in the movie was not nearly so damaged that the entire biosphere would have been extinguished.
1. There was clearly a breathable atmosphere. 2. There was enough sunlight reaching for obvious day and night transitions. 3. It was not so cold as to freeze fresh water.
Under those conditions life would survive. Mass extinctions to be sure, but global extinction, no way. The earth's biosphere has been there and done that many times over the past 3 billion years.
If it's bright enough for you to see in color, something can grow in that light. Many plants, fungi, and insects would thrive. Some annelids, lichens and algae might not even notice the change!
Lots of plants, and the mammals and birds they support would be toast, maybe not all. Low metabolism would also give advantage to amphibians and reptiles. Guess what, they've been surviving global extinction events since the Devonian.
And if some life continues, humanity has a way better than average shot as well. The transition would be bad but we are the only species that could think it's way through. Greatly diminished in number and technology perhaps, but some of us would figure out how to make it work.
On "The Road" earth I guarantee somewhere, a tribe is mining coal or burning all those damn dead trees to power steam engines. Less light and warmth means way more acres needed to support one person. But guess what, there's lots of extra acres now that most of us are dead, lets get to work.
Humans are all about the tribe. We fear the outsider, but once we know you we'll work to help you and kill to save you. The human tribe survives.
The author consuted scientists as he designed his apocaypse, and in fact there have been a number of books and TV programs about the real possibilities of a species-ending event on earth. So no matter how much you want to argue that it could not have ended the way the author describes, it is his book and his scientifically valid idea. Keep in mind that whatever has happened has continuing consequences. Things are not yet as bad as they are likely to get. You might try reading the book.
You are, of course, free to write your own story about humanity's survival. But Cormac McCarthy wanted to write a story about the end of humanity, and he designed a reasonable setting for that. This board is about his story, and the film made from his book. And it makes sense. It may not be the sense you want, but too bad.
The author consuted scientists as he designed his apocaypse,
Unfortunately "consulting scientists" has never prevented authors and filmmakers from cranking out howlingly implausible "science fiction".
and in fact there have been a number of books and TV programs about the real possibilities of a species-ending event on earth.
There are also books and TV shows about ancient aliens and finding Bigfoot, so a more precise citation is recommended. :) I know what you mean though, nuclear winter, massive asteroid/meteor or a super-volcano cloud produce the type of climate change McCarthy presents. And I have no problem with that aspect.
But his biology sucks. Look at the end Permian Extinction Event, "The Great Dying". This event killed 96% of all marine species, 75% of all terrestrial vertebrates. It is the only Mass Extinction that ever had significant rate of insect extinction. Despite all this there was still a very large biomass left on Earth. Less diverse and much reduced but not GONE like presented in the movie.
So no matter how much you want to argue that it could not have ended the way the author describes, it is his book and his scientifically valid idea.
Valid idea. Invalid execution/presentation. As I said in the previous post: Atmosphere + Light + liquid water = life. McCarthy's earth has air, light, and water so there is no reason for EVERYTHING to be dead but humans.
Keep in mind that whatever has happened has continuing consequences. Things are not yet as bad as they are likely to get. You might try reading the book.
From what I read hear the movie is pretty faithful to the book. So given my bad reaction to the plausibility of conditions presented in the movie and that I mostly disagree with McCarthy's assessment of the fundamental nature of humanity and society, I doubt I'd enjoy it more.
You are, of course, free to write your own story about humanity's survival.
We all do every day. ;)
But Cormac McCarthy wanted to write a story about the end of humanity, and he designed a reasonable setting for that. This board is about his story, and the film made from his book. And it makes sense. It may not be the sense you want, but too bad. []
Based on your posts in this forum, clearly you are big fan.
I do believe that it is human nature to be hurt when people reject what you hold dear. I mean no personal ill to you by not enjoying "The Road."
But based on scientific and philosophical disagreements, I did not enjoy "The Road".
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"Look at the end Permian Extinction Event, "The Great Dying". This event killed 96% of all marine species, 75% of all terrestrial vertebrates. It is the only Mass Extinction that ever had significant rate of insect extinction. Despite all this there was still a very large biomass left on Earth. Less diverse and much reduced but not GONE like presented in the movie."
Wouldn't that have been just down to random luck? The next Extinction Event (what we see in The Road) seems to indicate humans will be among the many species that are snuffed out. Biologically, humans are far less suited to surviving the harsh conditions that insects can take in their stride. (And we did see a live insect in this film.)
Wouldn't that have been just down to random luck? The next Extinction Event (what we see in The Road) seems to indicate humans will be among the many species that are snuffed out. Biologically, humans are far less suited to surviving the harsh conditions that insects can take in their stride. (And we did see a live insect in this film.)
Humans make their own luck. We are the only species that adapt ourselves to our environment, and adapt our environment to our needs. We are only biologically adapted to a narrow range of climate here on earth. But we have dominated the majority of the planet from the sub arctic to the middle of the ocean.
We don't have to be biologically suited to environments to dominate them. Life would survive the conditions of "The Road". Humans would figure out whats on the new menu. IT'S WHAT WE DO BEST! reply share
"I do believe that it is human nature to be hurt when people reject what you hold dear. I mean no personal ill to you by not enjoying "The Road."
Sorry, maxfield. I wasn't hurt by your rejection. I hope you aren't upset at my failure to be upset.
I think your view is wrong, that's all, and I like the book and the film a lot. The book is a major work by a major American author, and the film is a brilliant, close adaptation of the book, failing only in its inevitable loss of most of the author's wonderful language. The book itself is almost a long poem.
But I'm just talking here about something I like. Perhaps you approach the boards with a Serious Intent, but I'm just chatting. I don't have either time or interest to talk about many films, so I spend the time I do have on the ones I like. Especially the really good ones. If you don't care for that fact, I suggest you avoid my posts and go have fun talking about whatever films you want to talk about. That is, after all, the purpose of IMDB.
But there is nothing personal about the boards. How can there be when we are all complete strangers and anonymous? We can't even punch one another in the nose if we feel the urge.
"It is not a book it is a film script published in book form"
What is your source for this information? Since the book came out 4 years before the film, was a national best-seller in 2006-2007 and won a Pulitzer -- not things that usually happen to film scripts published as books -- it does seem unlikely. So, what's your source?
And have you read it? If you have, you may heve noticed that it's closer to a long narrative poem than a film script.
OK, if that's your view, then you just missed the point of the prose style, but nothing to be done about that, I suppose. You probably aren't knowledgable about such things. I'm not particularly knowledgable about scripts, but I have read a few, and this didn't remind me of any I've read.
How do you handle those long narrative and descriptive passages from the book? Usually a filmscript leaves such things out or finds another way to handle them -- as the script for this one does. How would you film it, since you feel that you are knowledgable about scripts and that this book is one?
The author told the director and scriptwriter of THE ROAD that he was comfortable with the changes made from book to film because he, the author, understood the difference between the two media, and he had no interest in making a script from the book either when he wrote it or afterward.
He actually did that twice, once years ago when he wrote an (unsuccessful) script for the book that later was scripted by someone else and filmed as NO COUNTRY FOR OLD MEN, and once recently when he wrote -- and published as a script -- the script for THE COUNSELOR.
"We don't have to be biologically suited to environments to dominate them. Life would survive the conditions of "The Road". Humans would figure out whats on the new menu. IT'S WHAT WE DO BEST!"
Yes, even then. We are ingenious with our technology, don'tcha know. In this kind of scenario, we'd also be, at a minimum, using nuclear reactors to power grow lamps and grow hydroponic crops using the giant Norwegian seed vault if necessary:
1. There was clearly a breathable atmosphere. 2. There was enough sunlight reaching for obvious day and night transitions. 3. It was not so cold as to freeze fresh water.
Yep, but to my mind it does require some extrapolation. Clearly something like the steam engine guys or some government enclave with a nuclear reactor would be necessary for humans to have a long-term survival chance in North America. What things are like in say Central America we don't have enough info are, but the signs are promising.
And maybe mankind was done all together for some reason, but if so the film does not provide it. And that uncertainty keeps a hopeful tint to what the Man and Boy's journey.
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There are plenty of things mankind could do to kill off the animals and trees. The particular nature of this apocalypse is never detailed, so your complaint is entirely moot. It's easy to imagine a scenario that could have taken place to make the world look the way it does in The Road.
--- "Pride is not the opposite of shame, but its source. True humility is the antidote to shame."