MovieChat Forums > In Treatment (2008) Discussion > BOLANO's "LAST EVENINGS on EARTH"

BOLANO's "LAST EVENINGS on EARTH"


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https://www.librarything.com/work/1034643/reviews/180154733

REVIEWS of BOLANO's "LAST EVENINGS on EARTH"

MSarki | Mar 29, 2013

>>An exiled Chilean he wanders through Mexico and Europe UNMOORED. He seemingly FLOATS through these stories like a HAUNTED man. It is very illuminating for Bolano fans and many of the stories deal with exile, alienation, failed dreams, violence, and a fear of what happens next.

shadowofthewind | Aug 28, 2012

3rd person accounts of a writer named B, (Belano/Bolano). EXILED from his homeland & subsisting on the margins of his adopted country, of time spent travelling in search of something long LOST & settling for some short lived comfort, some TRANSIENT shelter. Yet at the heart of these tales, this is just one story, that is not a criticism of the book. This is the story of artists, writers & poets exiled from all that could be called home. Individuals caught in their own private quests, hunted by nightmares, always on the edge. These are CHASED SHADOWS shadows no longer relevant.

(AKA: the dream about his "DEAD FACELESS SISTER")

the book is addictive. By the time you've started the third story, you will belong to these characters, it will matter what happens to them.

"The secret story is the one we'll never know, although we're living it from day to day, thinking we're alive, thinking we've got it all under control and the stuff we overlook doesn't matter. But every single damn thing matters! Only we don't realize. We just tell ourselves that art runs on one track and life, our lives, on another, and we don't realize that's a lie."

The French poet who SHONE in the resistance only to FADEOUT as a teacher in some remote village, the exiled writer who goes home to recover his sons body then languishes & DIES, or just following Ann Moore's life from the age of 20 - 40. It will matter, fold the corner on the page, put the book down, leave the room & it will be there, just behind your eyes, in between your thought processes, it will be the BEAT that PACES your journeys, it's SHADOW will dog your FOOTSTEPS & your sleeping self, will continue to turn the PAGES.


Does Eladio IDENTIFY with BOLANO???

Does his THERAPIST IDENTIFY with both of them???

Does she also feel HAUNTED by a missing child???

Is the "WOUNDED BIRD" who sits PERCHED there inside of her NEST above "The City of ANGELS" also CHASING after the SHADOW of a "FACELESS SON" instead of a "FACELESS SISTER"???

Maybe our "EXILED ELADIO" could also end up HOOKING UP next with the other "LALA" girl who also feels EXILED???

End up being TAKEN IN and SHELTERED NEXT by the "OVERBEARING GRANNY" after the grand-daughter goes off to college???

She'll definitely be in need of someone else to BOSS around after her grandchild is gone.



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Here's an interesting article that indicates we might not get any CLOSURE at the end of these SESSIONS:

ā€œThis isnā€™t a results-oriented practice.ā€

https://www.pastemagazine.com/tv/hbo/in-treatment-season-4-review-hbo/

there have been a few recent studies that suggest pure psychodynamic therapy (aka ā€œpsychotherapyā€), as distinguished from the cognitive-behavioral model, might not be as helpful to patients as popularly imagined.

Freudian-style techniques have fallen out of favor and the more practical cognitive-behavioral approaches show the most efficacy both in the short term and over time.

In Treatment very much relies on the trope of a probing therapist identifying hidden demons in a patientā€™s brain, teasing out the trauma, and sparking a slow series of epiphanies through this exploration.

Especially with what weā€™ve learned in the last two decades, these forced revelations can feel quite hollow.

So it is with Eladio (Anthony Ramos), one Dr. Lawrenceā€™s three primary patients

(the show is structured so that throughout the season, weā€™ll see roughly six weeks of each patient, and six weeks of Dr. Lawrence meeting with her own therapist)

who works for a rich family as a home health aide but dreams of the poetry of Bolano and Marquez and Paz, and canā€™t sleep. In the process of seeking medication, he meets a brick wall in Dr. Lawrence, who quotes Jung before offering up this piece of speculation:

ā€œMaybe we stay awake to avoid the moment we have to come to in our livesā€¦ where the dream world falls away, reality sets in.ā€

Iā€™m no expert, but in my experience people with insomnia have wanted nothing more than to sleep, and if real life was such a burden, theyā€™d want to escape it through sleep now and again, rather than being fully and constantly immersed in reality. Later, she tells Eladio that heā€™s ā€œhaunted,ā€ and that this might explain his sleeplessness. Spoken in the patientā€™s second session, the words come across as presumptuous and a little condescending, as if the core belief here is that they can beat insomnia by digging into old memories. Itā€™s a bit arrogant, and a bit old-fashioned.


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The article up above continues down below:

Watching her spar with her second patient, a white-collar criminal named Colin, whoā€™s there at the behest of the state and must pass muster to avoid returning to prison, is a delight. She immediately recognizes Colin as a charismatic bullshit artist dead set on avoiding any kind of engagement, and psychologically, this feels truer than anything we see with Eladio. For Colin, truly confronting his past brings out the demons of bitterness and extreme anger, and heā€™s loath to make that journey even as those demons torpedo his life. Dr. Lawrence absorbs his deflections, his flattery, and eventually his abuse, and forces him to be accountable and honest. Thatā€™s tremendously painful for Colin, and their conflict is riveting in a way that aimless Freudian speculation canā€™t touch.

Laila, an 18-year-old on the verge of graduating high school and Dr. Lawrenceā€™s third patient, is led into the home office by her grandmother, who seems to want nothing more than for Lawrence to conduction conversion therapy to ā€œundoā€ Lailaā€™s lesbianism. It has the hallmarks of stereotype, but things soon grow more complicated; Laila is a kind of rich Will Hunting, full of surface intelligence that succeeds in letting her insult those around her, but also full of insecurities that sheā€™s hellbent on keeping submerged. Again, watching the dance between her and Lawrence makes for effective TV, and stays clear of therapy cliche.

Donā€™t expect a breakthrough, but sometimes, itā€™s enough to watch interesting people, in the thick of distress, talk it out.


As you can see this writer thinks Patient 2 is more interesting than ELADIO, but I DISAGREE, because whereas COLIN is a "BULLSHIT ARTIST" (as they put it), Eladio seems much more GROUNDED and SINCERE about what he says than the much more "SHALLOW and HOLLOW" Colin who sounds Extremely FAKE and PHONY.

And that STUCK UP LALA character also sounds just as FAKE as COLIN does when she rants on about how much better she thinks she is than GENERATION X (or whichever one it is she was talking about). In other words, imo, she also sounds like a "BS ARTIST" too.

Any one else have any other thoughts that they'd care to share???

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"A world where vast geographical spaces could suddenly shrink to the dimensions of a coffinā€

What I like about this quote is the way that it ACCURATELY describes how the STORY begins with our seeing the BIRD's EYE view of the CITY of LA, with it's "VAST GEOGRAPHICAL SPACES," before the VASTNESS of that SPACE SHRINKS down into the SIZE of a COFFIN -- when we enter the home of the SHRINK who can't sleep -- before she gets a phone call from her patient (ELADIO) who also CAN'T SLEEP either.

https://variety.com/2021/tv/reviews/uzo-aduba-in-treatment-review-hbo-joel-kinnaman-1234970717/

>>Her enclave, an architectural marvel bathed in golden Los Angeles light, is a the ultimate safe space ā€” and each episode, she lets the world come in, with all its possibilities and perils


>>it also turns Brookeā€™s safest space into a staging-ground. (Her stunning irritation when the Swindell characterā€™s grandmother attempts to see private areas of the home is an early sign of just how besieged Brooke feels.)

This GRANNY is a "SPACE šŸ‘½INVADER" -- someone who doesn't respect BOUNDARY lines and STAY over on her side of them.

If you were on a HIGHWAY, for example, with lines that divided your side of the road from her side of it, this GRANNY is the type who would be constantly drifting over the line into to YOUR SIDE of the road. šŸš—

She also seems to have done that at the end of the therapy session when she arrives TOO EARLY and before it was over with.

But like the SHRINK says:

IT was also HER DIME that she was wasting when she did that.

Or as Bolano says:

"the way things were, he had to earn the BEANS somehow (I'm not sure they say that in Argentina; we do in Chile)"

Something also tells me the VAST SPACES of that BIG HOUSE where ELADIO is working (as a health care employee) are also going to SHRINK down into the SIZE or the DIMENSIONS of a COFFIN pretty soon (after poor JEREMY who can't walk anymore also passes away).

āš°

šŸ‘½

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https://en.wikipedia.org/wiki/Roberto_Bola%C3%B1o#Themes

>>Among the many acid pleasures of the work of Roberto BolaƱo, who died at 50 in 2003, is his idea that culture, in particular literary culture, is a whore.

>>In the face of political repression, upheaval and danger, writers continue to swoon over the written word, and this, for BolaƱo, is the source both of nobility and of pitch-black humor. In his novel "The Savage Detectives," two avid young Latino poets never lose faith in their rarefied art no matter the vicissitudes of life, age and politics. If they are sometimes ridiculous, they are always heroic. But what can it mean, he asks us and himself, in his dark, extraordinary, stinging novella "By Night in Chile," that the intellectual elite can write poetry, paint and discuss the finer points of avant-garde theater as the junta tortures people in basements? The word has no national loyalty, no fundamental political bent; it's a genie that can be summoned by any would-be master. Part of BolaƱo's genius is to ask, via ironies so sharp you can cut your hands on his pages, if we perhaps find a too-easy comfort in art, if

>>we use it as anesthetic, excuse and hide-out

>>in a world that is very busy doing very real things to very real human beings. Is it courageous to read Plato during a military coup or is it something else?


ā€”Stacey D'Erasmo, The New York Times Book Review, 24 February 2008[42]

Ok. So maybe ELADIO is using the stories that BOLANO has written as "an ANESTHETIC" or as an "EXCUSE" to "HIDE-OUT" from the REAL WORLD (which is full of human beings DYING)???

And now he's also INFECTED his SHRINK and got her doing the same thing???

Because now she's also reading the stories that BOLANO has written???

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A QUOTE from the OP:

>>at the heart of these tales, this is just one story,

I'm thinking the same thing also applies to THIS STORY as well.

Here's the reason why:

What's interesting is how ALL of these characters appear to have something in COMMON.

Both ELADIO and LAILA are BULLIED by RICH FOLKS who feel they have the right to RUN and CONTROL their lives.

And BROOKE was also BULLIED by her Father the same way as LALIA is by her GRANNY.

And I also found this link that says LAILA has something in common with COLIN:

https://showsnob.com/2021/05/24/in-treatment-season-4-episode-3-4-recap/

>>Laila is similar to Colin in some ways. She constantly deflects and acts combatively toward Brooke. The only real authenticity Laila shows is when she talks about a girl sheā€™s started seeing named Cara.

>>Eventually, Laila does reveal more about Cara, admitting that she likes how Cara makes her feel like a ā€œleaderā€ since she looks up to her.

And ELADIO also DEFLECTS with BROOKE as well (such as this week when he chose to END the SESSION EARLY).

And he's also IN LOVE with JEREMY who may not feel the same way (which may also parallel how CARA doesn't feel the same way about LAILA).

And COLIN also still carries a TORCH for his former WIFE who the PREVIEWS indicate isn't interested in him anymore.

Which also parallels how BROOKE's SON refused to have anything to do with her.

So little by little each week we also seem to be IN TREATMENT with people who all have the SAME kind of ISSUES???

And since the SPONSER lady isn't able to deal with BROOKE and the way she's ACTING OUT now, GABE is probably also going to have to COME to the RESCUE as a way to be able to CLEAN UP and FIX this MESS once BROOKE reaches the point where she needs to be LOCKED UP in a REHAB setting???

At least that's where it looks like the STORY might be heading???

Because once BROOKE's too DRUNK to deal with the other 3 patients they'll probably also NEED someone else to help them???

Perhaps one week we'll also see everyone showing up for a therapy session with GABE (who also explains how BROOKE asked him to see them while she's away dealing with an emergency situation)???

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