Funny you mention this, as I just rewatched it and had a new idea about that aspect.
Before, I'd just sort of reflected on the idea--a dangerous one, as Li An was well aware and would say in interviews--that the flick was about how true intimacy requires openness; even if it means being open about being a torturer.
But this last go-'round, I had another thought: It's also about the tragedy that a young woman's first sexual experience involved her acting a role. And the final jewelry shop scene reflects her desperate, human need to have her sexual/intimate life blossom into full reality; which drove her to protect Yee. That desperation is both beautiful (that love naturally yearns/demands to be real) and tragic (it should have been real in the first place). That latter point (real in the first place) was driven home to me by that fleeting exchange with Kwang, when she tells him, "You should have approached me three years ago."
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And I'd like that. But that 5h1t ain't the truth. --Jules Winnfield
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