charming + moving
As much as I loved Belleville Rendezvous, I wasn't expecting so much of this as I have never found Jacques Tati particularly funny. But what a charming and moving film! The style and tone of the piece throughout was exquisite - the sequence of Tatischeff travelling to the Scottish village alone was worth the entry price - and the characterisations beautiful. The final image of the neon music hall sign snapping out, with only the incongruous escaping firefly a tiny vestige of hope, was haunting. I happily admit I cried.
And the brief sequence when he enters the cinema and we catch a glimpse of the 'real' Tati in Mon Oncle on the screen - a lovely homage!
I know Edinburgh well and the city was wonderfully brought to life - even if it was picture postcard style - there wasn't much room for realism in this paean to a bygone era of variety and pre-sixties naivete.
Truly magical film - and ignore the carpers who wouldn't know art if it stuck a finger in their myopic eyes...
Oh and anyone who thought the relationship between Tatischeff and Alice 'seedy' - Tati wrote the screenplay as a letter to his estranged daughter - hence the clearly paternal relationship between the two in the film. Do you have to find sexual subtext in everything where an older man and young woman appear together?