Historical veracity?
I really enjoy many aspects of this show -- the production, the dialogue, the performances for the most part -- but I find it a bit frustrating that what is essentially an historical drama takes so many liberties with both the details of the history and the attitudes and intentions of so many of the characters.
True, it dosn't claim to be scrupulously factual -- despite the opening line of the titles, which implies this show portrays the "real" story -- but does that really let it off the hook? And I realise I'm free to read books on the period by actual historians, but that seems a long way round the bases -- isn't it fair enough to want to be entertained, to want the history to come to "life", and still to get an accurate representation?
I'm personally bothered (oh dear, where did that soapbox come from?!) by the position we seem to have (collectively) arrived at in regards to TV and films, where we apparently see "entertainment" and "fact" as incompatible, two things that can't occupy the same space at the same moment -- one of the most truly brain-dead phrases that appears on the Internet of late is the sadly oft-repeated, "It's enterTAINment, not a documentary!", as if storytelling really can't be both. (As Werner Erhard once said, "Argue for your limitations, and they're yours!")
I imagine Michael Hirst wanted to make this show as impactful as possible, and so felt altering history was justifiable in the service of drama. But I can't help wondering: couldn't he have had his high drama and still held to historical fact, both in the events and in the attitudes and behaviours of those caught up in them? For my own interest, I can't help wishing that he had.
Am I alone in this?
You might very well think that. I couldn't possibly comment.