It is certainly within Sorkin's writing comfort zone, and yes, at times it becomes difficult to forget that he was the one wielding the pen.
It moves along at a good clip, but it fits with the tone of the piece, which is actually much more biting than I remembered, having seen it theatrically. (That may have more to do with Nichols' direction, because as someone who is only just now starting to watch the first season of The West Wing, some of it plays as rather cloying and earnest. I'm thinking specifically of the use of music, which is (a) too present, (b) too jaunty and (c) too on-the-nose.)
At the very least, Charlie Wilson's War is very funny and entertaining. Of course Hoffman is wonderful, but I'd managed to forget Hanks' crackerjack comic timing, which is put to great use. The way he answers the question about how many Jews are in his district is wonderful.
Having said that, if (like me) you have...uh..."mixed feelings" about the U.S. arming the Afghan people, particularly the fairy tale that they did it for altruistic reasons (rather than, as one analyst puts it, to "kill Russians"), you may find yourself rolling your eyes now and then.
I know there was a bit of controversy at the time about cuts made to the script to pacify certain people (namely the socialite that Julia Roberts plays, who threatened legal action, and Hanks himself, who was allegedly "uncomfortable with the whole 9/11 thing", and didn't want to draw a direct connection between arming the mujahideen and subsequent turns) and what we're left with is a film that's really little more than a puffy piece of entertainment, rather than a no-holds-barred satire of backroom deals and corruption being turned on its ear.
Which maybe it was never meant to be.
reply
share