You're the one who claims imbeciles insult people here.
Then you insult me.
Somebody thought Next Door had an "extremely creative script." I mentioned Mulholland Drive to prove that Next Door does not have a creative script. That's why I made the comparison.
"only immature, clueless and narrow minded people always have to compare things." Don't know where you got that assumption from.
Mulholland Drive has nothing to do with Next Door? Bollocks.
In both films, the protagonist creates a fantasy world after killing his/her lover. Only Mulholland Drive actually presented a plausible murder scenario.
Things start out normal in the beginning. As both films progress, it soon becomes apparent that something is not right.
The beginning scene of Next Door, where Ingrid takes her things from John, is practically a carbon copy of Camilla's meeting with a disheveled Diane in Mulholland Drive.
There's a big surprise when the protagonist discovers the corpse of somebody he/she killed on a bed.
Fictional characters repeat the actions of the person the protagonist killed.
Both movies conclude with the protagonist lying down on his/her bed.
In the end, Next Door is Mulholland Drive without complex symbolism, a plausible twist, a sympathetic protagonist, and lesbians- and who wants to see that?
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