Both films suck!!!
What the hell is the matter with you people? First of all, I think a lot of you are swayed by Schrader's past credits -- none of which include anything of substantial note IN TERMS OF DIRECTION, save for maybe Witch Hunt (A COMEDY). While I enjoy a lot of productions he's been associated with, he's not all that great a director. In fact, I'd go as far as to say that he's made some TERRIBLE films. Dominion lacks energy. It's pretty torpid in terms of story. The acting is atrocious. Whoever tells you that the acting in this production vs. Harlin's version is somehow enhanced or better is just trying to fluff up their counter culture cred by pulling the anti-Hollywood card. Dominion is CHOCKFUL of painfully executed moments, even outside of the characters. Those Burtonesque dream sequences with the flying clocks and crooked doors? Oh hell no.
The difference in terms of films is that Dominion spares us a few terrible cliches, and I wouldn't necessarily say that's a positive thing. However, I maintain that there are very DEEP anti-Semitic overtones throughout both films, which no one seems to have picked up on. People are talking as if they're watching two totally different productions, and this is not the case. Harlin's film borrows liberally from very WEAK SOURCE MATERIAL. Schrader's film is inherently flawed, and Harlin came in and tried to fix it to the studio's liking. Would I say he butchered it? I think he made it slightly more tolerable if anything. His version has a somewhat better pacing, moves a little more lightly, and actually has a FEEL to it, whereas the tone of Schrader's version is pretty vague. Very few directors can get away with a script like this. Frankenheimer, who died shortly before he was slated to direct, might have been able to pull it off. Unfortunately, Mr. Schrader is no Frankenheimer. He's not even a Blatty in terms of direction.
Compared to the third film, this script is JUVENILE tripe. In terms of character, Legion's dialog is tighter than a fourteen year old's snatch. When you compare either of these scripts with Blatty’s sequel, the difference in quality is night and day. I cannot blame Schrader entirely for this effort’s failure, since he didn’t write it; however, any romantic aspirations he has for this genre he needs to relegate to mere fantasy; this just isn't his forte. I would go as far as to say that this film is blatantly unatmospheric. The production comes across as sleak and clean. It takes more than sepia tones to recreate the mood of the first film. No grit. Bad photography. Bad locations. Little creativity in general. Even if the characterizations were somehow, oh, say, AURALLY RELEVANT to the first film, Schrader probably would have still screwed up their execution.
Anyway, just because Hollywood frowned on this production doesn't necessarily make it GREAT. Both versions are pretty lousy. Sorry to burst your bubbles.