> Evilness? No, that's not horror.
Well, since this film is not really trying to make a "horror," but nevertheless the investigation of the meaning of evilness is an important crucial theme of the horror genre.
> Where did you get that idea?
From this film itself.
> The idea of horror is to transpose the very things we learn to be immune to (cars, weather, war) and make them vital by showing us how we are immune. Idiot.
You obviously is the idiot since this sentence of yours is not making any sense, while cars weather and wars are not usually meant to be the "monster" or the antagonist in the horror genre. The source of fear in the horror genre is usually the supernatural, which usually are treated as a metaphor of what we consider as "evil," in most cases actually what the conservative values of the society wants us to consider as evil. The classic horror films are very good example of that--nobody really believes in vampires or man-made human created out of dead bodies. But what Dracula represents is the exotic other who is very sensual and sexual, while the monster of Dr. Frankenstein is at the same time taking the distorted cliche form of laborers while what Frankenstein did can be considered as blasphemous, since only God can create life. In many sci-fi horrors from the 50's to the 70's, the aliens from outer space are so cheesilly representing communists.
In reverse Dominion explores the idea of evilness, questions what we consider as evil and what we consider as good. Both the Nazis and the British soldiers can be more menacing than lucifer himself in this one.
reply
share