A decent historical/drama, but the whole idea of having dreamy camerawork with a mumbled voice over and ethereal background music should be left to the professionals.
~ There is nothing more pathetic than an aging hipster.
Totally disagree. I'd say it's better than anything Malick's ever done, for that matter, with the possible exception of The Thin Red Line. And the narration is crystal clear, as if it were being read by a historian. Maybe there's something wrong with the audio on your copy of the movie, because the soundtrack by Nick Cave and Warren Ellis is terrific, too.
Thank god Malick didn't direct this. I can only imagine the pretentious crap it would have become:
Robert Ford and Jesse James twirling for 50 minutes before the assassination:
Jesse James: "Death, I embrace you. It is the way of life, it is the way of nature, the way of God, the way of grace..." Robert Ford: "Father.....Mother....where are you? Mother... I give myself to you..." Jesse James: "We are colors. Eternity...blue....green...yellow....Father...." Robert Ford: "Mother..." Jesse James: "Life....always so close to death. I am a flower...where are you love?" Robert Ford: "Show me love, like water falling down from the sky...falling...falling....mother?" Zee James: "For f...'s sake...shoot him will ya!!!!"
LOL, totally agree with that tom, I used to really like Malick until I saw 'Thin Red Line'. A director has to know the difference between whether he is making a movie or making a navel-gazer.
The ending is good and effective, but what comes before is sufficiently miserable that the whole really isn't better than decent.
Poor pacing, fragmentary nature (the poor cutting of is evident), lack of genuine feeling or emotion (until the ending sequences that is). For great lengths of the film one might dare to use the dreaded word "pretentious" - it wants to be something but can't quite pull it off.
Anyone who thinks this movie is trying to be a Malick film really needs to stop getting hung up on pretty nature shots and actually pay attention to the structure of both films.